Chasing Villa is a record of events in Western history, military history, the Mexican Revolution, and the last of the horse cavalry. Following its first publication in 1934, U.S. Army Colonel Frank Tompkins’ account of the Punitive Expedition by a participant became widely considered to be one of the most comprehensive. The book tells the story of the Columbus Raid and Pershing’s Expedition into Mexico. On March 9, 1916 the border town of Columbus, New Mexico was attacked by forces under the command of the Mexican revolutionary, Pancho Villa. Eighteen Americans were killed and a number of buildings were burned to the ground before the U.S. Cavalry, inflicting heavy losses, drove Villa and his mounted band back into Mexico. Frank Tompkins, a Major in the U.S. Cavalry at the time, led the counterattack against Villa’s mounted men on March 9th, and was with General John “Black Jack” Pershing during the subsequent year-long “Punitive Expedition” that sought to capture the elusive Villa in Mexico. The Columbus Raid and Punitive Expedition proved to be the last major campaign of the U.S. Cavalry. At the same time it presaged the more modern military techniques that would soon be employed by American forces in World War I. First published in 1934 and long out of print, “Chasing Villa” is a sound and literate record of milestone events in Western history, military history, the Mexican revolution, and the last of the horse cavalry.

On March 9, 1916 the border town of Columbus, New Mexico was attacked by forces under the command of the Mexican revolutionary, Pancho Villa. Eighteen Americans were killed and a number of buildings were burned to the ground before the U.S. Cavalry, inflicting heavy losses, drove Villa and his mounted band back into Mexico. Frank Tompkins, a Major in the U.S. Cavalry at the time, led the counter-attack against Villa's mounted men on March 9th, and was with General John "Black Jack" Pershing during the subsequent year-long "Punitive Expedition" that sought to capture the elusive Villa in Mexico. The Columbus Raid and Punitive Expedition proved to be the last major campaign of the U.S. Cavalry. At the same time it presaged the more modern military techniques that would soon be employed by American forces in World War I. First published in 1934 and long out of print, "Chasing Villa" is a sound and literate record of milestone events in Western history, military history, the Mexican revolution, and the last of the horse cavalry.

A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting

Recounts President Woodrow Wilson's abortive efforts to preserve democracy in Mexico amid political chaos.

On June 18, 1916, President Woodrow Wilson called up virtually the entire army National Guard, some 150,000 men, to meet an armed threat to the United States: border raids covertly sponsored by a Mexican government in the throes of revolution. The Great Call-Up tells for the first time the complete story of this unprecedented deployment and its significance in the history of the National Guard, World War I, and U.S.-Mexico relations. Often confused with the regular-army operation against Pancho Villa and overshadowed by the U.S. entry into World War I, the great call-up is finally given due treatment here by two premier authorities on the history of the Southwest border. Marshaling evidence drawn from newspapers, state archives, reports to Congress, and War Department documents, Charles H. Harris III and Louis R. Sadler trace the call-up’s state-based deployment from San Antonio and Corpus Christi, along the Texas and Arizona borders, to California. Along the way, they tell the story of this mass mobilization by examining each unit as it was called up by state, considering its composition, missions, and internal politics. Through this period of intensive training, the Guard became a truly cohesive national, then international, force. Some units would even go directly from U.S. border service to the battlefields of World War I France, remaining overseas until 1919. Balancing sweeping change over time with a keen eye for detail, The Great Call-Up unveils a little-known yet vital chapter in American military history.

Pulitzer Prize winner Welsome's gripping, panoramic story reveals a vicious surprise attack on the United States and America's hunt for the perpetrator, Pancho Villa.

"From bestselling author Jeff Guinn, the dramatic story of how U.S.-Mexico border tensions erupted into open warfare in 1916, as a U.S. military expedition crossed the border to try to capture Mexican guerrilla Pancho Villa -- a military incursion whose effects still haunt the border region to this day"--

Using primary Mexican sources, Joseph A. Stout Jr. takes a new look at the Mexican-American border conflicts of 1915 through 1920. Stout explores Mexico's difficult revolutionary period and its clashes with the United States as seen through the eyes of Mexican soldiers and statesmen. Border Conflict chronicles the activities of Venustiano Carranza's Constitutionalist army and presents original insights from Mexican correspondence, telegrams, and military documents. In the examination of the events along the border, the book includes the invasion of Mexico by the United States Punitive Expedition. The Punitive Expedition, under command of General John J. Pershing, further complicated the volatile situation on the northern frontier of Mexico and led to diplomatic tensions and the threat of war. The military education and leadership tactics of both armies are examined and compared. The struggles of the armies are presented in vivid detail by including a rich array of quotes from soldiers involved in the conflicts. Pancho Villa became an elusive target for both the Carrancistas and for the U.S. troops. Border Conflict provides a background on Villa and his relationship with the United States, the Constitutionalist government and the Mexican Revolution. The author argues that Carranza and the Constitutionalist army were dedicated to Villa's destruction, despite the contrary beliefs of American President Woodrow Wilson and his staff and generals. Based on his interpretation of military correspondence between Carranza and his commanders, Stout believes that Carranza considered Villa a more dangerous military problem than the presence of U.S. troops in Mexico. Pancho Villa was ". . . not over five feet ten, with the chest and shoulders of a prize fighter and the most perfect bullet-shaped head . . . covered with black hair. . . . A small black mustache serves to mask a mouth which is cruel even when it is smiling. The most attractive feature of the face is the eyes . . . they are really not eyes at all, but gimlets which seem to bore into your very soul."--New York Times, 1914 This fresh examination of the historical clashes at the border adds a new perspective to an old tale.

The Spanish-American War marked the emergence of the United States as an imperial power. It was when the United States first landed troops overseas and established governments of occupation in the Philippines, Cuba, and other formerly Spanish colonies. But such actions to extend U.S. sovereignty abroad, argues Katharine Bjork, had a precedent in earlier relations with Native nations at home. In Prairie Imperialists, Bjork traces the arc of American expansion by showing how the Army's conquests of what its soldiers called "Indian Country" generated a repertoire of actions and understandings that structured encounters with the racial others of America's new island territories following the War of 1898. Prairie Imperialists follows the colonial careers of three Army officers from the domestic frontier to overseas posts in Cuba and the Philippines. The men profiled—Hugh Lenox Scott, Robert Lee Bullard, and John J. Pershing—internalized ways of behaving in Indian Country that shaped their approach to later colonial appointments abroad. Scott's ethnographic knowledge and experience with Native Americans were valorized as an asset for colonial service; Bullard and Pershing, who had commanded African American troops, were regarded as particularly suited for roles in the pacification and administration of colonial peoples overseas. After returning to the mainland, these three men played prominent roles in the "Punitive Expedition" President Woodrow Wilson sent across the southern border in 1916, during which Mexico figured as the next iteration of "Indian Country." With rich biographical detail and ambitious historical scope, Prairie Imperialists makes fundamental connections between American colonialism and the racial dimensions of domestic political and social life—during peacetime and while at war. Ultimately, Bjork contends, the concept of "Indian Country" has served as the guiding force of American imperial expansion and nation building for the past two and a half centuries and endures to this day.