Charting Memory: Recalling Medieval Spain elaborates an interdiscursive picture of how Medieval Spain has been remembered by various Arab, Jewish, and Hispanic peoples from well before 1492 to the present. The collection breaks with traditional foci on the legacies of separate Iberian communities and their descendants, and on limited, largely textual sets of their related cultural practices. In distinct ways, this collection takes a multi-ethnic and multi-modal approach, departing from sociologist Maurice Halbwachs' premise that collective memories form not within individuals alone, but through the inner and inter-workings of actual and conceptual social milieux. The volume hereby foregrounds the constitutive roles of communities created through prayer, literary resonances, architecture, musical performance, and name giving, in shaping memories of medieval Spanish contexts as well as complex identities in the Balkans, the Near and Middle East, North Africa, Latin American, and the United States. The ten original essays in this collection, by international specialists in anthropology, ethnomusicology, literary criticism, folklore, and onomastics, are not arranged according to Arab, Jewish, and Hispanic cultural memories of medieval Spain. Instead, the collection's unique comparative emphasis illuminates ways in which various peoples have re-articulated memories relating to medieval Spain in and across physical, temporal, and social locations, with different types and degrees of impact.

The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.

Overview This diploma course covers all aspects you need to know to become a successful Data Scientist. Content - Getting Started with Data Science - Data Analytic Thinking - Business Problems and Data Science Solutions - Introduction to Predictive Modeling: From Correlation to Supervised Segmentation - Fitting a Model to Data - Overfitting and Its Avoidance - Similarity, Neighbors, and Clusters Decision Analytic Thinking I: What Is a Good Model? - Visualizing Model Performance - Evidence and Probabilities - Representing and Mining Text - Decision Analytic Thinking II: Toward Analytical Engineering - Other Data Science Tasks and Techniques - Data Science and Business Strategy - Machine Learning: Learning from Data with Your Machine. - And much more Duration 6 months Assessment The assessment will take place on the basis of one assignment at the end of the course. Tell us when you feel ready to take the exam and we’ll send you the assignment questions. Study material The study material will be provided in separate files by email / download link.