Brownsville, Texas, was established in 1850 on the banks of the Rio Grande. Every February since 1938, this thriving community of nearly 200,000 has joined its Mexican neighbor, Matamoros, to celebrate their shared cultural heritage. Charro Days burst upon the Rio Grande Valley scene in the depths of the Depression, bringing dances, parades, fireworks, boat races, and a rodeo to a dispirited populace. The celebration achieved instant success, followed by national recognition in magazines, radio, and television. Renowned dance bands and celebrities increased the enjoyment of revelers dressed in Charro costumes. As time passed, Charro Days evolved with the addition of events such as the Mr. Amigo presentation, which recognizes an outstanding Mexican, and the Sombrero Fest, which attracts a large number of attendees with its diverse entertainment.

The Charro Days in Brownsville boast a rich history.

An illustrated history of Brownsville, Texas, paired with histories of the local companies.

Introduces the places and people of Texas.

Published by the Boy Scouts of America for all BSA registered adult volunteers and professionals, Scouting magazine offers editorial content that is a mixture of information, instruction, and inspiration, designed to strengthen readers' abilities to better perform their leadership roles in Scouting and also to assist them as parents in strengthening families.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

In the American imagination, no figure is more central to national identity and the nation’s origin story than the cowboy. Yet the Americans and Europeans who settled the U.S. West learned virtually everything they knew about ranching from the indigenous and Mexican horsemen who already inhabited the region. The charro—a skilled, elite, and landowning horseman—was an especially powerful symbol of Mexican masculinity and nationalism. After the 1930s, Mexican Americans in cities across the U.S. West embraced the figure as a way to challenge their segregation, exploitation, and marginalization from core narratives of American identity. In this definitive history, Laura R. Barraclough shows how Mexican Americans have used the charro in the service of civil rights, cultural citizenship, and place-making. Focusing on a range of U.S. cities, Charros traces the evolution of the “original cowboy” through mixed triumphs and hostile backlashes, revealing him to be a crucial agent in the production of U.S., Mexican, and border cultures, as well as a guiding force for Mexican American identity and social movements.

Doug, Del, and DeeDee Davis are eager to visit their cousins, the Ropers, on their sprawling Texas ranch. Now that their Aunt Carmen has turned to Christ, the ranch seems an entirely different place. The kids are looking forward to time with the Ropers and horseback riding, but then, unexpected lights in an old, abandoned house and glimpses of someone hiding in the grass add more mystery to their visit than they bargained for.

This collection of essays presents a key idea or event in the making of modern Mexico through the lenses of art and history--Provided by publisher.

Traces the border's long history of cultural interaction