It's 1894. Charlotte and her American family have been living in France for two years where her father has learned the new way of painting called Impressionism. Now her father's paintings are going to be featured in a show in New York and the whole family is going along. New York is a hustling, bustling city like no other in the world, and Charlotte records it all in her colorful journal. Illustrated with striking museum reproductions, beautiful watercolor paintings, and collages, the book also includes biographical sketches of the featured painters. Charlotte's exciting journey to the city that never sleeps will make any reader shout, "I love New York!"

A time-travel story that is both a poignant exploration of human identity and an absorbing tale of suspense. It’s natural to feel a little out of place when you’re the new girl, but when Charlotte Makepeace wakes up after her first night at boarding school, she’s baffled: everyone thinks she’s a girl called Clare Mobley, and even more shockingly, it seems she has traveled forty years back in time to 1918. In the months to follow, Charlotte wakes alternately in her own time and in Clare’s. And instead of having only one new set of rules to learn, she also has to contend with the unprecedented strangeness of being an entirely new person in an era she knows nothing about. Her teachers think she’s slow, the other girls find her odd, and, as she spends more and more time in 1918, Charlotte starts to wonder if she remembers how to be Charlotte at all. If she doesn’t figure out some way to get back to the world she knows before the end of the term, she might never have another chance.

At Dupont University, an innocent college freshman named Charlotte Simmons learns that her intellect alone will not help her survive.

Charlotte, a young American girl, keeps a journal as her family leaves the artist colony of Giverny, France, in 1895 and travels to London, England, where they meet famous writers and artists and learn of the city's history. Includes biographical sketches of painters and reproductions of artworks.

When recently-dumped Charlotte and Anthony cross paths at the airport in New York City and get caught there by a blizzard, the two set out into the city with a self-help book from the gift shop with the intention of getting over their heartbreaks.

Beerstorming with Charlotte Brontë in New York is a work documenting Mary Taylor’s friendship with Charlotte Brontë by one of Aotearoa New Zealand’s most innovative multi-award-winning writers. The project was funded by Creative New Zealand. Rachel Fenton set out to New York from Aotearoa via Chicago to research one of Yorkshire and Aotearoa’s most overlooked significant writers but found herself – a working-class woman with dyscalculia – uncovering much more. Written over five intensive cold days in New York’s libraries but spanning the author’s native Yorkshire and New Zealand, from the mid-nineteenth century to the first days of Donald Trump’s Presidency, Beerstorming with Charlotte Brontë in New York is ultimately about the triumph of friendship over distance.

An optimistic look at the future of American leadership by a brilliant young reporter A new generation is stepping up. There are now twenty-six millennials in Congress--a fivefold increase gained in the 2018 midterms alone. They are governing Midwestern cities and college towns, running for city councils, and serving in state legislatures. They are acting urgently on climate change (because they are going to live it); they care deeply about student debt (because they have it); they are utilizing big tech but still want to regulate it (because they understand how it works). In The Ones We've Been Waiting For, TIME correspondent Charlotte Alter defines the class of young leaders who are remaking the nation--how grappling with 9/11 as teens, serving in Iraq and Afghanistan, occupying Wall Street and protesting with Black Lives Matter, and shouldering their way into a financially rigged political system has shaped the people who will govern the future. Through the experiences of millennial leaders--from progressive firebrand Alexandria Ocasio-Cortez to Democratic presidential hopeful Pete Buttigieg to Republican up-and-comer Elise Stefanik--Charlotte Alter gives the big-picture look at how this generation governs differently than their elders, and how they may drag us out of our current political despair. Millennials have already revolutionized technology, commerce, and media and have powered the major social movements of our time. Now government is ripe for disruption. The Ones We've Been Waiting For is a hopeful glimpse into a bright new generation of political leaders, and what America might look like when they are in charge.

It's 1892 and Charlotte is bound for Monet's famous artist colony in Giverny, France, where painters like her father are flocking to learn the new style of painting called Impressionism. In spite of missing her best friend, Charlotte becomes enchanted with France and records her colorful experiences in her journal. She makes new friends, plants a garden, learns to speak French, and even attends the wedding of Monsieur Monet's daughter! Illustrated with beautiful museum reproductions and charming watercolor collages, Charlotte in Giverny includes a French glossary as well as biographical sketches of the featured painters. This delightful journal of a young girl's exciting year will capture readers' imaginations and leave a lasting impression.

A reimagined and modern take on the holiday favorite, this picture book weaves together the classic Christmas tale of The Nutcracker and the true-life story of 12-year-old ballerina Charlotte Nebres, the first Black girl to play Marie in the New York City Ballet’s production. The only thing Charlotte loves as much as ballet is Christmas. So, when she gets the opportunity to play Marie in the New York City Ballet's The Nutcracker, she leaps at the chance. Dancing takes practice-hours of adjusting her arms and perfecting her jumps. With the help of her Trinidadian and Filipino families, encouragement from her sister, and a view of her mom and dad in the audience, Charlotte finds the strength to never give up. In this spectacular debut full of fluid, dynamic illustrations, Charlotte provides youngsters with a multicultural tale of family, dance, and holiday cheer.

“Charlotte Bismuth gives us a bold and cinematic true crime story about her work at the intersection of medicine and greed. Bad Medicine is a gripping memoir that toggles deftly between the personal and prosecutorial.” —Beth Macy, New York Times bestselling author of Dopesick “Bismuth has written a brilliant account of prosecuting a doctor who became a drug dealer in a white coat. She is haunted by the voices of the dead and listening closely to the voices of the living.” —Nan Goldin, artist, activist, and founder of P.A.I.N. “Bad Medicine is a taut exploration of America’s deadly battle with opioid addiction—an unnerving and inspirational firecracker of a book.” —Karen Abbott, New York Times bestselling author of The Ghosts of Eden Park For fans of Dopesick and Bad Blood, the shocking story of New York’s most infamous pill-pushing doctor, written by the prosecutor who brought him down. In 2010, a brave whistleblower alerted the police to Dr. Stan Li’s corrupt pain management clinic in Queens, New York. Li spent years supplying more than seventy patients a day with oxycodone and Xanax, trading prescriptions for cash. Emergency room doctors, psychiatrists, and desperate family members warned him that his patients were at risk of death but he would not stop. In Bad Medicine, former prosecutor Charlotte Bismuth meticulously recounts the jaw dropping details of this criminal case that would span four years, culminating in a landmark trial. As a new assistant district attorney and single mother, Bismuth worked tirelessly with her team to bring Dr. Li to justice. Bad Medicine is a chilling story of corruption and greed and an important look at the role individual doctors play in America’s opioid epidemic.