This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

A “dramatic and masterful” account of early alpine explorers and the challenges they faced to scale the summits (Anthony Brandt, National Geographic Adventure). In a riveting narrative of daredevils and eccentrics, Fergus Fleming gives us the breathtaking story of some of history’s greatest explorers as they conquer the soaring peaks of the Alps. Fleming recounts the incredible exploits of the men whose centuries-old fear of the mountain range turned quickly to curiosity, then to obsession, as they explored Europe’s frozen wilderness. In the late eighteenth century, French and Swiss scientists became interested in the Alps as a research destination, but in the 1850s the focus changed: the icy mountains now offered an all-out competition for British climbers who wanted to conquer ever higher and more impossible heights, and explorers fought each other on the peaks and in the press, entertaining a vast public smitten with their bravery, delighted by their personal animosities, and horrified by the disasters that befell them. “Fleming attacks his theme with verve, mining entertainment from eccentric Alpinists, sensational ascents and grisly accidents.” —Food and Travel Magazine

Companions Without Vows is the first detailed study of the companionate relationship among women in eighteenth-century England--a type of relationship so prevalent that it was nearly institutionalized. Drawing extensively upon primary documents and fictional narratives, Betty Rizzo describes the socioeconomic conditions that forced women to take on or to become companions and examines a number of actual companionate relationships. Several factors fostered such relationships. Husbands and wives of the period lived largely separate social lives, yet decorum prohibited genteel women from attending engagements unaccompanied. Also, women of position insisted on having social consultants and confidantes. Filling this need were the many well-born young women without sufficient funds to live independently. Because family money and property were concentrated in the hands of eldest sons, these women frequently had to seek the protection of female benefactors for whom they performed unpaid, nonmenial tasks, such as providing a hand at cards or simply offering pleasant company. The companionate relationship between women could assume many forms, Rizzo notes. It was often analogous to marriage, with one partner dominant and the other subservient, while some women experimented in establishing partnerships that were truly egalitarian. Rizzo explores these various types of relationships both in real life and in fiction, noting that much of the period's discourse about women's relationships can be seen as a tacit commentary on marriage. Provocative and engagingly written, this authoritative work casts new light on women's attempts to deal with a patriarchal power structure and offers new insight into eighteenth-century social history.

Fiona Ritchie analyses the significant role played by women in the construction of Shakespeare's reputation which took place in the eighteenth century. The period's perception of Shakespeare as unlearned allowed many women to identify with him and in doing so they seized an opportunity to enter public life by writing about and performing his works. Actresses (such as Hannah Pritchard, Kitty Clive, Susannah Cibber, Dorothy Jordan and Sarah Siddons), female playgoers (including the Shakespeare Ladies Club) and women critics (like Charlotte Lennox, Elizabeth Montagu, Elizabeth Griffith and Elizabeth Inchbald), had a profound effect on Shakespeare's reception. Interdisciplinary in approach and employing a broad range of sources, this book's analysis of criticism, performance and audience response shows that in constructing Shakespeare's significance for themselves and for society, women were instrumental in the establishment of Shakespeare at the forefront of English literature, theatre, culture and society in the eighteenth century and beyond.