The First World War saw staggering loss of life and was a catalyst for many political and social changes. It was also shaped by the media and art forms that expressed it: film, photography, poetry, memoir, posters, advertisements, and music. This volume's scope shows that today's instructors contend with many different issues in teaching the First World War in a variety of classroom settings. Among these issues are the war's relation to modernism; global reach in the Middle East and South Asia; influence on psychiatry, pacifism, and consumer culture; and effect on public health and the 1918 influenza pandemic.

A brand-new volume of never-before-collected comic strip! Things are looking up for Charley after he meets the love of his life, but the happy occasion of their wedding is destroyed by the roar of destructive Zeppelin Bombers from Berlin! The ninth action-packed volume of Charley's War is rich in the detailed minutiae of the terror-punctuated existence of a Tommy.

This essay collection examines the theory and history of graphic narrative – realized in various different formats, including comic strips, comic books, and graphic novels – as one of the most interesting and versatile forms of storytelling in contemporary media culture. The contributions assembled in this volume test the applicability of narratological concepts to graphic narrative, examine aspects of graphic narrative beyond the ‘single work,’ consider the development of particular narrative strategies within individual genres, and trace the forms and functions of graphic narrative across cultures. Analyzing a wide range of texts, genres, and narrative strategies from both theoretical and historical perspectives, the international group of scholars gathered here offers state-of-the-art research on graphic narrative in the context of an increasingly postclassical and transmedial narratology.

Perceptions of the Great War have changed significantly since its outbreak and children's authors have continually attempted to engage with those changes, explaining and interpreting the events of 1914-18 for young readers. British Children's Literature and the First World War examines the role novels, textbooks and story papers have played in shaping and reflecting understandings of the conflict throughout the 20th century. David Budgen focuses on representations of the conflict since its onset in 1914, ending with the centenary commemorations of 2014. From the works of Percy F. Westerman and Angela Brazil, to more recent tales by Michael Morpurgo and Pat Mills, Budgen traces developments of understanding and raises important questions about the presentation of history to the young. He considers such issues as the motivations of children's authors, and whether modern children's books about the past are necessarily more accurate than those written by their forebears. Why, for example, do modern writers tend to ignore the global aspects of the First World War? Did detailed narratives of battles written during the war really convey the truth of the conflict? Most importantly, he considers whether works aimed at children can ever achieve anything more than a partial and skewed response to such complex and tumultuous events.

"Soldier's Heart concludes the story of Carol Tyler and her delving into her father's war experiences in a way that is both surprising and devastating" -- from publisher's web site.

To say that graphic novels, comics, and other forms of sequential art have become a major part of popular culture and academia would be a vast understatement. Now an established component of library and archive collections across the globe, graphic novels are proving to be one of the last kinds of print publications actually gaining in popularity. Full of practical advice and innovative ideas for librarians, educators, and archivists, this book provides a wide-reaching look at how graphic novels and comics can be used to their full advantage in educational settings. Topics include the historically tenuous relationship between comics and librarians; the aesthetic value of sequential art; the use of graphic novels in library outreach services; collection evaluations for both American and Canadian libraries; cataloging tips and tricks; and the swiftly growing realm of webcomics.

Renowned UK comics writer Pat Mills (Marshal Law, Sláine) and legendary artist Joe Colquhoun (Johnny Red) continue the thrilling, humorous and horrifying story of World War One soldier Charley Bourne. Home from the war thanks to an injury, Charley escapes from a terrifying air-raid, only to run into a deserter from the Foreign Legion — who tells him of the awful siege of Fort Vaux, even as both men run for their lives from the Military Police! Rich in the detailed minutiae of the terror-punctuated existence of a “Tommy”, this fourth volume of Charley’s War features an introduction and director’s commentary by Pat Mills, plus bonus content on the historical background to the story.

In 1916, Charley Bourne lies about his age to enlist and fight on the battlefields of France. He has survived four months on the lines so far, but is facing the most dedicated German counter-offensive yet: the attack of the 'Judgment Troopers."

In 1916, Charley Bourne lies about his age to enlist in the British army and fight on the battlefields of France, where thoughts of glory and patriotism are swept away by the bloody horror of trench warfare.

The battle of Verdun lasted ten months. It was a battle in which at least 700,000 men fell, along a front of fifteen miles. Its aim was less to defeat the enemy than bleed him to death and a battleground whose once fertile terrain is even now a haunted wilderness. Alistair Horne's classic work, continuously in print for over fifty years, is a profoundly moving, sympathetic study of the battle and the men who fought there. It shows that Verdun is a key to understanding the First World War to the minds of those who waged it, the traditions that bound them and the world that gave them the opportunity.