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Excerpt from Charles Reade, D. C. L., Dramatist, Novelist, Journalist: A Memoir Compiled Chiefly From His Literary Remains This biography is offered to the public as a compilation. It will be found to contain both unpublished MSS. of Charles Reade, and also fragments of his correspondence, with numerous extracts from his diaries. These have been selected with care, from a voluminous mass of literary and personal remains, individually by Mr. Charles L. Reade, the deceased author's literary executor and residuary legatee. In this selection he has been guided solely by what he believes to have been the wishes of Charles Reade and the reverence due to his memory. The narrative portion of these volumes, indeed their entirety, apart from the matter which emanates from Charles Reade's own pen, has been written by the Rev. Compton Reade, on whose shoulders therefore devolves primarily the responsibility of authorship. The compilers deem it due both to themselves and to their readers thus precisely to define their respective shares in the book as a whole. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cell examines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.