In The Life and Times of Charles R. Crane, Norman E. Saul analyzes the contributions of Charles R. Crane, world traveler, businessman, diplomat, and philanthropist in the setting of his times. Crane acquired his appreciation for Russian culture and life through travel in the country, making a total of twenty-four trips to Russia. He developed friendships and professional relationships with many prominent Russians in political, cultural, and artistic spheres in addition to his connections to important figures in American history such as Woodrow Wilson. As the son of a Chicago industrialist with little formal education, Charles R. Crane enjoyed remarkable success serving as a financial backer and advisor to the Woodrow Wilson administration, founding member of the 1917 Root Commission to Russia, minister to China, and establishing a factory in Russia to manufacture air brakes for the Russian railroad. He devoted a considerable amount of his own time and resources to educating Americans about the Russian people. He sponsored visiting lecturers, subsidized publications, and commissioned works by Russian artists. Charles Crane was arguably the first true American globalist. His activities involved Russia, China, and the Middle East, but Saul emphasizes his travels in Russia and his role in the development and promotion of Russian studies in America. Crane represented the United States becoming a world power in business and diplomacy, and fostered an American appreciation and knowledge of Russian, Asian, and Middle Eastern societies. By studying this unusual man, Saul explores the world in which he lived and traveled. The relationship between America and Russia has always been a complex and fascinating one, and Saul shines light on a pivotal period in that relationship.

Heir to a Chicago plumbing company fortune, he lived a life so adventurous that he was the prototype for characters in at least three thrillers. Seldom seen on the public stage, he changed the course of history: once when he intervened with his friend Woodrow Wilson on behalf of another friend, Thomas G. Masaryk, to create a new nation, Czechoslovakia, and again when he sent a geologist to his friend Ibn Saud to prospect the Arabian sands for oil. Mostly, though, he was a man who used his money to help those in whom he believed. Wherever he was, in Bokhara or Baghdad, in the deserts or in the cities, Charles R. Crane carried with him a little black notebook. He would jot down the name of someone whose dream had impressed him — an artist, a would-be statesman, a rescuer of children trapped in Russia ́s Civil War, an explorer — and an unexpected check would arrive weeks or months later to help that dream toward reality. In his later years Crane created a foundation, the Institute of Current World Affairs, which for seventy-five years has been carrying on his work of helping promising individuals to make the most of what is in them. Today, when fortunes of record size are being made in record numbers, Crane ́s story tells us how one man of vision used his wealth to help make real the visions of others.

Hannay is called in to investigate rumours of an uprising in the Muslim world, and undertakes a perilous journey through enemy territory to meet his friend Sandy in Constantinople. Once there, he and his friends must thwart the Germans' plans to use religion to help them win the war, climaxing at the battle of Erzurum.

The conduct of the foreign relations of the Russian state in its several contexts—Kiev Rus, Muscovy, Russian Empire, Provisional Government, Union of Soviet Socialist Republics, and Russian Federation—were unique in its common currents from the beginning to the present. Geography was certainly a key factor, located in the center of the world's largest land mass and surrounded by often hostile forces. “All of the Russias” had to confront the problems of open frontiers and the conduct of relations with a number of adjacent states of different ethnicity, and with many that were more distant. No other nation states had to face such complex and divergent circumstances over their histories. Most other Great Powers were neighbors of similar states in culture and historical background, whereas Russia had to deal with Asian, as well as European countries. The Historical Dictionary of Russian and Soviet Foreign Policy covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important individuals, events, and other aspects of the foreign policy of this important country. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian foreign policy.

Is there absolute and positive proof that Jesus is the Christ, the promised Messiah, and the Savior of humanity? Yes! The evidence is conclusive. The end result is that all who have doubts about Christ can quickly learn the truth. Irrefutable Proof that Jesus is the Messiah is a must read for any who struggle with their faith in Jesus Christ.

When Conrad Crane retired from active duty to become a research professor, he never expected to become a modern Cassandra, fated to tell truth to power without being heeded. After the world transformed on 9/11, he warned the Army that it was not prepared to execute stability operations, counterinsurgency, and the eventual reconstruction of Iraq. Crane’s work attracted the attention of Generals David Petraeus and James Mattis, and he soon found himself in charge of a team tasked with creating the groundbreaking Field Manual 3-24/Marine Corps Warfighting Publication 3-33.5 Counterinsurgency, the very counterinsurgency doctrine he had pleaded for. A unique blend of traditional and modern theory, this manual would prove to be essential to the success of the Surge in Iraq that changed the course of the war. Crane’s account of the creation and implementation of the manual addresses its many criticisms, details what went wrong in Iraq, and explains how the new doctrine was never properly applied in Afghanistan. From the debates over the content to the ways it was used in the field, Cassandra in Oz covers lessons that should be gleaned from years of global war and displays the American military as a learning organization at its best.

Within the ephemera of the everyday--old photographs, circus posters, iron toys--lies a challenge to America's dominant cultural memory. What this memory has left behind, Bill Brown recovers in the "material unconscious" of Stephen Crane's work, the textual residues of daily sensations that add up to a new history of the American 1890s. As revealed in Crane's disavowing appropriation of an emerging mass culture--from football games and freak shows to roller coasters and early cinema--the decade reappears as an underexposed moment in the genealogy of modernism and modernity. Brown's story begins on the Jersey Shore, in Asbury Park, where Crane became a writer in the shadow of his father, a grimly serious Methodist minister who vilified the popular amusements his son adored. The coastal resorts became the stage for debates about technology, about the body's visibility, about a black service class and the new mass access to leisure. From this snapshot of a recreational scene that would continue to inspire Crane's sensational modernism, Brown takes us to New York's Bowery. There, in the visual culture established by dime museums, minstrel shows, and the Kodak craze, he exhibits Crane dramatically obscuring the typology of race. Along the way, Brown demonstrates how attitudes toward play transformed the image of war, the idea of childhood and nationhood, and the concept of culture itself. And by developing a new conceptual apparatus (with such notions as "recreational time," "abstract leisure," and the "amusement/knowledge system"), he provides the groundwork for a new politics of pleasure. A crucial theorization of how cultural studies can and should proceed, The Material Unconscious insists that in the very conjuncture of canonical literature and mass culture, we can best understand how proliferating and competing economies of play disrupt the so-called "logic" and "work" of culture.

A memoir in essays that expands on the viral sensation “The Crane Wife” with a frank and funny look at love, intimacy, and self in the twenty-first century. From friends and lovers to blood family and chosen family, this “elegant masterpiece” (Roxane Gay, New York Times bestselling author of Hunger) asks what more expansive definitions of love might offer ​us all. A BEST BOOK OF THE YEAR: TIME, THE GUARDIAN, GARDEN & GUN "Hauser builds their life's inventory out of deconstructed personal narratives, resulting in a reading experience that's rich like a complicated dessert—not for wolfing down but for savoring in small bites." —The New York Times “Clever, heartfelt, and wrenching.” —Time “Brilliant.” —Oprah Daily Ten days after calling off their wedding, CJ Hauser went on an expedition to Texas to study the whooping crane. After a week wading through the gulf, they realized they'd almost signed up to live someone else's life. What if you released yourself from traditional narratives of happiness? What if you looked for ways to leave room for the unexpected? In Hauser’s case, this meant dissecting pop culture touchstone, from The Philadelphia Story to The X Files, to learn how not to lose yourself in a relationship. They attended a robot convention, contemplated grief at John Belushi’s gravesite, and officiated a wedding. Most importantly, they mapped the difference between the stories we’re asked to hold versus those we choose to carry. Told with the late-night barstool directness of your wisest, most bighearted friend, The Crane Wife is a book for everyone whose path doesn't look the way they thought it would; for everyone learning to find joy in the not-knowing and to build a new sort of life story, a new sort of family, a new sort of home to live in.