"Charles M. Russell, Word Painter: Letters 1887-1926 is the most comprehensive collection of Russell's correspondence ever assembled. Letters to his wife Nancy, to patrons and fellow artists, and to the saloonkeepers and cowboys who remained his friends for life reveal a surprisingly modest man. Russell downplayed his own verbal skills, but his letters show that he was an artist with words as well as paint, able to evoke a bygone era or make a shrewd social observation in a few well-chosen sentences. Each letter is reproduced in facsimile, allowing readers to see, in the artist's own handwriting and with his inimitable spellings and punctuation, how Russell cleverly interwove colorful sketches and eloquent words to form a memorable whole." "In the accompanying commentary, Brian Dippie places each of Russell's letters within the broader context of the artist's life and career. Dippie identifies the recipient of each letter and the circumstances that prompted the correspondence, clarifies Russell's references to other friends and acquaintances and, where appropriate, relates events in the letter to Russell's artistic development. Photographs, including many that belonged to the Russells, further illustrate the world that the artist and his friends inhabited."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

"[Cristy] deals with an important, yet relatively unexplored, aspect of the career of one of the most influential interpreters of the American West."--Byron Price, Director, C. M. Russell Center for the Study of Art

In the accompanying commentary, Brian Dippie places each of Russell's letters within the broader context of the artist's life and career. Dippie identifies the recipient of each letter and the circumstances that prompted the correspondence, clarifies Russell's references to other friends and acquaintances and, where appropriate, relates events in the letter to Russell's artistic development. Photographs, including many that belonged to the Russells, further illustrate the world that the artist and his friends inhabited.

Charles M. Russell is the most beloved artist of the American West. This work, the result of a decade of research and scholarship, features 170 color reproductions of his greatest works and six essays by Russell experts and scholars. Each book contains a unique key code granting access to the more than 4,000 works created and signed by Russell. Visit the website at www.russellraisonne.com.

Well known for his sketches, paintings, and sculptures of the Old West, Charles M. Russell (1864-1926) was also an accomplished author in the humorous genre known as "local color." Raphael Cristy sorts Russell's writings into four general categories: serious Indian stories, men encountering wildlife, cattle range characters, and nineteenth-century westerners facing twentieth-century challenges. Russell's art is often misinterpreted as mere longing for a fading open-range west, but his writings tell a different story. Cristy shows how Russell amused his peers with stories that also delivered sharp observations of Euro-American suppression of Indians and humorous treatment of wilderness and range issues plus the emergence of women and urbanization as bewildering agents of change in the modern West. "A welcome departure from the usual biographies and coffee table volumes on Russell and his art. . . . [Cristy] deals with an important, yet relatively unexplored, aspect of the career of one of the most influential interpreters of the American West."--Byron Price, Director, C. M. Russell Center for the Study of Art

"Russell writes easily, and in the vernacular. He tells of Indians and Indian fighters, buffalo hunts, bad men, wolves, wild horses, tough hotels, drinking customs, and hard-riding cowboys. . . . [He] lived long enough in the West to acquire a vast amount of information and lore, and he has left enough from his brush to prove his place as a sound interpreter of a stirring period and a fascinating country".-New York Times. "Russell was the greatest painter who ever painted a range man, a range cow, a range horse, or a Plains Indian. He savvied the cow, the grass, the blizzard, the drought, the wolf, the young puncher in love with his own shadow, the old waddie remembering rides and thirsts of far away and long ago. He was a wonderful storyteller. . . . His subjects were warm with life, whether awake or asleep, at a particular instant, under particular conditions. Trails Plowed Under, prodigally illustrated, is a collection of yarns and ancedotes saturated with humor and humanity".-J. Frank Dobie, Guide to Life and Literature of the Southwest. Brian W. Dippie is a professor of history at the University of Victoria, British Columbia, and the author of Catlin and His Contemporaries: The Politics of Patronage (Nebraska 1990).

Create a Culture of Belonging! Strong cultures help people support one another, share their passions, and achieve big goals. And such cultures of belonging aren't just happy accidents - they can be purposefully cultivated, whether they're in a company, a faith institution or among friends and enthusiasts. Drawing on 3,000 years of history and his personal experience, Charles Vogl lays out seven time-tested principles for growing enduring, effective and connected communities. He provides hands-on tools for creatively adapting these principles to any group—formal or informal, mission driven or social, physical or virtual. This book is a guide for leaders seeking to build a vibrant, living culture that will enrich lives. Winner of the Nautilus Silver Book Award in the Business and Leadership Category.

In the decades bracketing the turn of the twentieth century, Charles M. Russell depicted the American West in a fresh, personal, and deeply moving way. This handsome book--a companion volume to the acclaimed Charles M. Russell: A Catalogue Raisonné, edited by B. Byron Price--showcases many of the artist's best-known works and chronicles the sources and evolution of his style.

This biography makes use of hundreds of images of Russell, many never before published, to explore the role of photography in shaping the artist's public image and the making and selling of his art. More than that, the book shows how the Cowboy Artist personified what he portrayed.

Charles M. Russell has long been recognized for his action-packed paintings, drawings, and sculpture of cowboys, fur trappers, Native American buffalo hunters and warriors, and other heroes of the Old West. Russell's best-known works capture the excitement and deadly risk of men battling nature and one another in a majestic landscape of mountains and plains. Less well known are Russell's hundreds of depictions of western women. As renowned author and art historian Ginger K. Renner observed thirty-five years ago, no other artist of the West devoted more of his time and talent to the portrayal of women. But few have followed Renner's lead--until now. Lavishly illustrated with full-color illustrations, Charles M. Russell: The Women in His Life and Art presents groundbreaking essays essential to understanding the role of western women in Russell's art. This volume is both a tribute to the women who nurtured Russell's artistic development and a landmark in the study of the role of women in a genre all too often identified almost exclusively with a masculine world. The catalogue essays examine the exhibition's theme from four unique perspectives. Joan Carpenter Troccoli provides an over­view of the works in the exhibition and the social, cultural, and personal values that influenced them. Emily Crawford Wilson explores Russell's interest in the feminine ideal, tying it to wider artistic trends of the late nineteenth and early twentieth centuries. Jennifer Bottomly-O'looney describes Russell's friendship with Ben and Lela Roberts, who introduced the artist to Nancy Cooper, the woman who would become his wife and indispensable business partner. Thomas A. Petrie employs extended excerpts from Nancy's unpublished biographical memoir to illuminate the Russells' marriage, a relationship sustained by affection and mutual respect, as well as shrewd creative and marketing decisions.