Nearly 200 plates from the master teacher's famous 19th-century drawing course comprise drawings of casts, chiefly from antiquity; lithographs in the style of drawings by Renaissance and modern masters; and male nudes. This affordable volume constitutes an essential guide for professional artists, students, art historians, and collectors.

* Two hundred lithographs that comprised a famous late nineteenth-century drawing course* Introduces the work of a hitherto neglected master: Charles Bargue* Of interest to artists, art students, art historians, and lovers and collectors of art The Bargue-Gérôme Drawing Course is a complete reprint of a famous, late nineteenth-century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or nature. Consequently, it is a book that will interest artists, art students, art historians, and lovers and collectors of drawings. It also introduces us to the work and life of a hitherto neglected master: Charles Bargue.The Drawing Course consists of three sections. The first consists of plates drawn after casts, usually of antique examples. Different parts of the body are studied in order of difficulty, until full figures are presented. The second section pays homage to the western school of painting, with lithographs after exemplary drawings by Renaissance and modern masters. The third part contains almost 60 académies, or drawings after nude male models, all original inventions by Bargue, the lithographer. With great care, the student is introduced to continually more difficult problems in the close observing and recording of nature.Charles Bargue started his career as a lithographer of drawings by hack artists for a popular market in comic, sentimental and soft-porn subjects. By working with Gérôme, and in preparing the plates for the course, Bargue was transformed into a spectacular painter of single figures and intimate scenes; a master of precious details that always remain observation and never became self-conscious virtuosity, and color schemes that unified his composition in exquisite tonal harmonies. The last part of the book is a biography of Bargue, along with a preliminary catalogue of his paintings, accompanied by reproductions of all that have been found and of many of those lost.

The Charles Bargue and Jean-Léon Gérôme drawing course was originally published by Goupil & Cie between 1866-1871 and consisted of 187 individual lithographs meant for copying by students at atelier art schools. Many famous artists copied from these plates as part of their art studies including Picasso, Van Gogh, and John Singer Sargent. This books contains 130 illustrations from parts I and III of the drawing course.

Jean-Leon Gerome has become a popular artist. More and more young people are showing interest in his work and collectors worldwide are hunting down pieces of ever increasing value. This volume is a condensed presentation of his monographs together with a catalogue raisonne."

The Bargue-Grme Drawing Course is a complete reprint of a famous, late nineteenth century drawing course. It contains a set of almost two hundred masterful lithographs of subjects for copying by drawing students before they attempt drawing from life or

"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.

Thousands of years after man first recorded his impressions of animals on cave walls, artists are still attempting to reproduce images of these incredibly diverse creatures of land, sea, and air. This book by an award-winning artist is designed to aid painters at all skill levels to draw and paint wildlife with precision and accuracy. Award-winning artist Fredric Sweney begins by using the horse as the basis for understanding the physical structure of animals, while the wild duck serves as the model for the configuration, wing construction, and flight characteristics of birds. More than 260 illustrations, along with step-by-step details, make it easier and more enjoyable than ever to paint a Noah's Ark of dogs, cats, oxen, deer, bears, birds, goats, and more exotic animals--in every size and shape. An invaluable guide to zoological anatomy, ideal for beginners as well as advanced artists, this complete, practical reference will also serve as an excellent resource for resolving commonplace problems of artistic composition.

The first book of its kind, "Cast Drawing Using the Sight-Size Approach" teaches the student a systematic way to meet the challenges of drawing.