The Locusts is the first monograph by photographer and publisher Jesse Lenz. His images transport the reader to rural Ohio where his children run wild in the fields, build forts in the attic, and fall asleep surrounded by lightsabers and superheroes. The microcosmic worlds of plants, insects, animals, and children create a brooding landscape where dichotomies of nature play out in front of his growing family. The backyard becomes a labyrinth of passages as the children experience the cycles of birth and death in the changing seasons. The Locusts depicts a world in which beautiful and terrible things will happen, but offers grace and healing within the brokenness and imperfection of life.

Charcoal's World was bounded by the mountains, hills, and plains of southwestern Alberta. That was the homeland of his people, the Blood Indians, but Charcoal was not free to enjoy it as his ancestors had. For millennia, they had lived each day in the company of spirits, and even with the coming of the white man that much didønot change. Major Samuel Benfield Steele of the North West Mounted Police did not know about the Indian spirit world and would not have cared to learn. In 1896 when Charcoal killed a man and made attempts on others, Steele saw him as a common murderer and vowed to chase him down. The tale of Charcoal is well known among the Indians of southern Alberta. Their stories of his exploits agree in many ways with the official reports of the North West Mounted Police, but the two sources conflict in the reasons for the success of Charcoal and his eventual downfall. Hugh A. Dempsey has spent twenty-five years researching the material on Charcoal; he has studied the government records and spoken with the elders and historians of the Blood Reserve. The result is Charcoal's World, giving us the Indian side of this remarkable story of Indian-white confrontation.

Covers topics in philosophy, psychology, and scientific methods. Vols. 31- include "A Bibliography of philosophy," 1933-

Social science research is emerging on a range of issues around large and small-scale mining, connecting them to broader social, cultural, political, historical and economic factors rather than purely measuring the environmental impacts of mining. Within this broader context of global scholarly attention on extractive industries, this book explores two specific contexts: the cultural politics of coal and coal mining, within the context of one particular country, India, which is the third largest coal producer in the world. Both contexts are special; with its separate Ministry, coal occupies pride of place in contemporary India, shaping the energy future and influencing the economic and political milieu of the country. The supremacy attributed to coal mining in contemporary India represents how ’coal nationalism’ has replaced ’coal colonialism’ in the country, turning this commodity into an icon, a national symbol. In recent years the extraction of coal in forest-covered resource peripheries has dispossessed and pauperised many tribal and rural communities who have used these resource-rich lands for their livelihoods for generations. The combustion of coal to produce electricity constitutes the compelling need, and the factor that prevents the Indian state from fully engaging with the impending realities of a climate-changed future. All these reasons make the timing of this book of crucial importance. In particular, The Coal Nation explores the complex history of coal in India; from its colonial legacies to contemporary cultural and social impacts of mining; land ownership and moral resource rights; protective legislation for coal as well as for the indigenous and local communities; the question of legality, illegitimacy and illicit mining and of social justice. Presenting cutting-edge multidisciplinary social science research on coal and mining in India, The Coal Nation initiates a productive dialogue amongst academics and between them and activists.