Designed to inspire self-discovery, "There's a Hole in My Sidewalk" contains more than 100 touching poems that gently guide readers to a more authentic and fulfilling life.

4 lectures, Dornach, June 28 - July 18, 1923 (CW 350) "Truth and striving for truth must taste good to you; and lies, once you are conscious of them, must taste bitter and poisonous. You must not only know that human judgments have color, but also that printer's ink nowadays is mostly deadly nightshade juice. You must be able to experience this in all honesty and rectitude, and once you can do so, you will be in a state of spiritual transformation" (Rudolf Steiner). What is the relationship between coming to see the secrets of the universe and one's own view of the world? How far must one go before finding the higher worlds on the path of natural science? Do cosmic forces influence all of humanity? What connection do plants have with the human being and the human body? In answering these questions, Steiner covers a wide range of topics, from the development of independent thinking and the ability to think backward to the uses of what seems boring and the reversal of thinking between the physical and spiritual worlds, and from the "physiology" of dreams to living into nature and the spiritual dimension of various foods we eat. As always in his lectures to the workers, Steiner's style is clear, direct, and accessible. This volume is a translation from German of four lectures from Rhythmen im Kosmos und im Menschenwesen: Wie kommt man zum Schauen der geistigen Welt? (GA 350).

Winner of the Publishing Triangle Judy Grahn Award for Lesbian Nonfiction, Phi Beta Kappa Christian Gauss Award, and a Lambda Literary Award Finalist for the National Book Award Longlisted for the Andrew Carnegie Medal for Excellence in Nonfiction How do you tell the real story of someone misremembered—an icon and idol—alongside your own? Jenn Shapland’s celebrated debut is both question and answer: an immersive, surprising exploration of one of America’s most beloved writers, alongside a genre-defying examination of identity, queerness, memory, obsession, and love. Shapland is a graduate student when she first uncovers letters written to Carson McCullers by a woman named Annemarie. Though Shapland recognizes herself in the letters, which are intimate and unabashed in their feelings, she does not see McCullers as history has portrayed her. Her curiosity gives way to fixation, not just with this newly discovered side of McCullers’s life, but with how we tell queer love stories. Why, Shapland asks, are the stories of women paved over by others’ narratives? What happens when constant revision is required of queer women trying to navigate and self-actualize in straight spaces? And what might the tracing of McCullers’s life—her history, her secrets, her legacy—reveal to Shapland about herself? In smart, illuminating prose, Shapland interweaves her own story with McCullers’s to create a vital new portrait of one of our nation’s greatest literary treasures, and shows us how the writers we love and the stories we tell about ourselves make us who we are.

Draft, typescript and typescript carbon, corrected, of Steward's memoir (Grey Fox Press, 1981) documenting his life as a gay man in the United States during the twentieth century, literary relationships and activities, and tattooing. With folder and cover letter documenting his gift of the draft to Scott Andersen.

'Chapters from My Autobiography' are twenty-five pieces of autobiographical work published by American author Mark Twain in the North American Review between September 1906 and December 1907. Rather than following the standard form of an autobiography, they comprise a rambling collection of anecdotes and ruminations. Much of the text was dictated.

Samuel Clemens (Mark Twain) began writing his autobiography long before the 1906 publications of these Chapters from my Autobiography. He originally planned to have his memoirs published only after his death but realized, once he’d passed his 70th year, that a lot of the material might be OK to publish before his departure. These chapters were published in serial form in the North American Review during 1906-1907. While much of the material consists of stories about the people, places and incidents of his long life, there’re also several sections from his daughter, which he calls “Susy’s biography of me”.

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Written at the height of her fame but not published until over a decade after her death, this autobiography of actress and sex symbol Marilyn Monroe (1926-1962) poignantly recounts her childhood as an unwanted orphan, her early adolescence, her rise in the film industry from bit player to celebrity, and her marriage to Joe DiMaggio. In this intimate account of a very public life, she tells of her first (non-consensual) sexual experience, her romance with the Yankee Clipper, and her prescient vision of herself as "the kind of girl they found dead in the hall bedroom with an empty bottle of sleeping pills in her hand." The Marilyn in these pages is a revelation: a gifted, intelligent, vulnerable woman who was far more complex than the unwitting sex siren she portrayed on screen. Lavishly illustrated with photos of Marilyn, this special book celebrates the life and career of an American icon—-from the unique perspective of the icon herself.