Journalism and Mass Communication is the component of Encyclopedia of Social Sciences and Humanities in the global Encyclopedia of Life Support Systems (EOLSS), which is an integrated compendium of twenty one Encyclopedias. The Theme on Journalism and Mass Communication deals, in two volumes and cover five main topics, with a myriad of issues of great relevance to our world such as: Evolution of Journalism and Mass Communication; Evolution of Mass Communication: Mass Communication and Sustainable Futures; The Internet as a Mass Communication Medium; Management and Future of Mass Communications and Media; Communication Strategies for Sustainable Societies, which are then expanded into multiple subtopics, each as a chapter. These two volumes are aimed at the following five major target audiences: University and College Students Educators, Professional Practitioners, Research Personnel and Policy Analysts, Managers, and Decision Makers, NGOs and GOs.

In this book an international team of contributors examines critically the relationship between television and women's culture. Although they recognize that television frequently distorts and oppresses women's experience, the authors avoid a simplistic manipulative view of the media. Instead they show how and why such different genres as game shows, police fiction and soap opera offer women opportunities for negotiation of their own meanings and their own aesthetic appreciation. Not for sale in Australia or New Zealand.

The subject of this original and provocative work is the white male body, a counterpoint in gender studies to the many readings of the representation of the female body. To look at the construction of this figure, the author examines a group of discontinuous works that are representative of the discontinuity in the intermittent representation of the male body. Especially in nineteenth-century narrative, where Edgar Allan Poe and Guy de Maupassant write astutely on the subject, there is never continuity in representing the male body. "The Pit and the Pendulum" and Bel-Ami are flickering, episodic investigations into the male body as subject, as sentient feeling, as the subject of torture or of adulation. Not until the twentieth century can this male subject be continuously represented. Though the male body is often at center stage, in works that treat it as a metonymy of its own phallic and phallocentric power, this body has less often been seen relative to pleasure and pain, to aesthetics, to human vulnerability. An introductory chapter explores a work by Alberto Moravia, Io e lui, as well as various manifestations of the male body's most salient part, the penis, in contemporary discourse and aesthetics. Another chapter deals with writings about the forbidden activity of masturbation and focuses on the work of three disparate writers: Paul Bonnetain, Michel Tournier, and Philip Roth. In the final chapter, the author discusses several works that focus on the representation of the male body during the gay liberation movement in France and the subsequent celebration of the male body, ending with the inscription of the male body in the literature of AIDS. Among the authors discussed are Guy Hocquenghem, Hervé Guibert, and Michel Foucault.

A Reading of Anxiety follows the sessions of Lacan’s Seminar X, examining its presentation of the structure of anxiety, step by step. Christian Fierens considers why and how the structure of anxiety always depends on speech even if it remains on the threshold between the symbolic and the real and explains that there is a genuine connection between anxiety and the Lacanian object a which puts in doubt the obviousness of any object. The book then explores the importance of anxiety for the practice of the analyst, determines that the object a is fundamentally void and discusses encountering nothingness. Finally, Fierens establishes that this nothingness inside the object and inside anxiety leads to the truth of anxiety. A Reading of Anxiety will be an essential book for students as well as clinicians to find a practical way to cope with anxiety as a clinical approach to the real in psychoanalysis. It will be relevant to all readers interested in the work of Lacan.

What if fashion was a state? What kind of state would it be? Probably not a democracy. Otto von Busch sees fashion as a totalitarian state, with a population all too eager to enact the decrees of its aesthetic superiority. Peers police each other and deploy acts of judgment, peer-regulation, and micro-violence to uphold the aesthetic order of fashion supremacy. Using four design projects as tools for inquiry, Von Busch explores the seductive desires of envy and violence within fashion drawing on political theories. He proposes that the violent conflicts of fashion happen not only in arid cotton fields or collapsing factories, but in the everyday practice of getting dressed, in the judgments, sneers, and rejections of others. Indeed, he suggests that feelings of inclusion and adoration are what make us feel the pleasure of being fashionable-of being seductive, popular, and powerful. Exploring the conflicting emotions associated with fashion, Von Busch argues that while the current state of fashion is bred out of fear, The Psychopolitics of Fashion can offer constructive modes of mitigation and resistance. Through projects that actively work towards disarming the violent practices of dress, Von Busch suggests paths towards a more engaging and meaningful experience of fashion he calls “deep fashion.”

Nothing less than a rethinking of what we mean when we talk about "men" and "women" of the medieval period, this volume demonstrates how the idea of gender -- in the Middle Ages no less than now -- intersected in subtle and complex ways with other categories of difference. Responding to the insights of postcolonial and feminist theory, the authors show that medieval identities emerged through shifting paradigms -- that fluidity, conflict, and contingency characterized not only gender, but also sexuality, social status, and religion. This view emerges through essays that delve into a wide variety of cultures and draw on a broad range of disciplinary and theoretical approaches. Scholars in the fields of history as well as literary and religious studies consider gendered hierarchies in western Christian, Jewish, Byzantine, and Islamic areas of the medieval world.

"Since the earliest encounters between tantric traditions and Western scholars, tantra has posed a challenge. Representation of tantra has tended to emphasize the antinomian, decadent aspects, which, as attention-grabbing as they were for Western audiences, hampered the study of the field. The Oxford Handbook of Tantric Studies is intended to overcome these obstacles, facilitating collaboration between scholars working on different forms of tantra, and in different disciplines. With more than forty chapters and a global pool of contributors, the Handbook aims to be the definitive reference work in the field, exploring core topics such as action, transformation, embodiment, art, language, and social movements. The first chapter provides an overview of major issues confronting the field today, including debates regarding the definition and category of "tantra," historical origins and dating, and recent developments in gender studies and tantra, ethnography and "lived tantra," and cognitive approaches to the study of tantra. Using a topical framework, the opening section explores the concept of action, one of the most prominent features of tantra, which includes performing rituals, practicing meditation, chanting, embarking on a pilgrimage, or reenacting moments from a sacred text. From there, the sections cover broad topics such as transformation (e.g., soteriology and healing), gender and embodiment, "extraordinary" beings (such as deities and saints), art and visual expressions, language and literature, social organizations, and the history and historiography of tantra. Keywords tantric studies, tantra, Buddhism, Hinduism, Jainism, ritual, soteriology, meditation, embodiment, yoga"--