The essays in this collection examine how both colonial and British authors engage with Victorian subjects and subjectivities in their work. Some essays explore the emergence of a key trope within colonial texts: the negotiation of Victorian and settler-subject positions. Others argue for new readings of key metropolitan texts and their repositioning within literary history. These essays work to recognise the plurality of the rubric of the 'Victorian' and to expand how the category of Victorian studies can be understood.

A new imagining of human hands as physical objects and literal representations in Victorian fiction

Proposing the concept of transformation as a key to understanding Victorian literature, this collection focuses on issues related to genre, nationalism, and desire, to explore the ways in which the nineteenth-century conceived of, responded to, and created change. The contributors treat, among other authors, Victor Hugo, Anthony Trollope, Dante Gabriel Rossetti, Thomas Carlyle, and writers of neo-Victorian novels such as Peter Carey and A. S. Byatt.

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1, Ernst Moritz Arndt University of Greifswald (IfAA), language: English, abstract: The Victorian Age is marked by enormous changes. Mark Twain expressed it this way: “and yet in a good many ways the world has moved farther ahead since the Queen was born than it moved in all the rest of the two thousand put together.” (Abrams 61993 : 891). Besides industrial and social changes, the era also saw a growth in literature, and great authors like Charles Dickens or Oscar Wilde who are still read today. Generally, the term ‘Victorian’ marks the time of Queen Victoria’s reign from 1837 till 1901, but it is often extended and for many historians it started with the passage of the first Reform Bill in 1832. Since the era comprises about seventy years, many drastic changes occurred during this time, and the distinguishing characteristics of the individual authors cannot be combined into a general mood. Consequently one cannot call it a homogenous period, and it is necessary to distinguish it into three different parts. Since the transitions were smooth, the exact division may differ between historians. The early phase is a period of changes and growth, but it also saw a depression and demonstrations of workmen. In the 1850s the Great Exhibition in 1851 and Darwin’s “On the Origin of the Species” in 1859 can be seen as the beginning of the middle period, a time of national prosperity. England was the leading industrial power, and English confidence was at its high point. The late Victorian period covers the last two decades of the century. It can be characterized by a general change of the Victorian mood: doubts and fear of decay dominated, and literature started to shatter into various very different forms. This term paper will give a brief overview over the conditions and the literature of the Victorian era. The diversity of the age will be shown and explained. Therefore each genre will be described separately. Furthermore I will summarize the works of major authors and while doing so show the contrasts between them.

The Oxford Handbook of Victorian Literary Culture is a major contribution to the dynamic field of Victorian studies. This collection of 37 original chapters by leading international Victorian scholars offers new approaches to familiar themes including science, religion, and gender, and gives space to newer and emerging topics including old age, fair play, and economics. Structured around three broad sections (Ways of Being: Identity and Ideology, Ways of Understanding: Knowledge and Belief, and Ways of Communicating: Print and Other Cultures), the volume is sub-divided into nine sub-sections each with its own 'lead' essay: on subjectivity, politics, gender and sexuality, place and race, religion, science, material and mass culture, aesthetics and visual culture, and theatrical culture. The collection, like today's Victorian studies, is thoroughly interdisciplinary and yet its substantial Introduction explores a concern which is evident both implicitly and explicitly in the volume's essays: that is, the nature and status of 'literary' culture and the literary from the Victorian period to the present. The diverse and wide-ranging essays present original scholarship framed accessibly for a mixed readership of advanced undergraduates, graduate students, and established scholars.

“Our domestic Sherlock brims with excitement” (Roger Lowenstein, Wall Street Journal) in this erudite romp through the smoke-stained, coal-fired houses of Victorian England. “The queen of living history” (Lucy Worsley) dazzles anglophiles and history lovers alike with this immersive account of how English women sparked a worldwide revolution—from their own kitchens. Wielding the same wit and passion as seen in How to Be a Victorian, Ruth Goodman shows that the hot coal stove provided so much more than morning tea. As Goodman traces the amazing shift from wood to coal in mid-sixteenth century England, a pattern of innovation emerges as the women stoking these fires also stoked new global industries: from better soap to clean smudges to new ingredients for cooking. Laced with irresistibly charming anecdotes of Goodman’s own experience managing a coal-fired household, The Domestic Revolution shines a hot light on the power of domestic necessity.

Speculative fiction from the acclaimed bestselling author of Exit, Pursued by a Bear and Star Wars: Ahsoka. Victoria-Margaret is the crown princess of the empire, a direct descendent of Victoria I, the queen who changed the course of history. The imperial tradition of genetically arranged matchmaking will soon guide Margaret into a politically advantageous marriage. But before she does her duty, she'll have one summer of freedom and privacy in a far corner of empire. Posing as a commoner in Toronto, she meets Helena Marcus, daughter of one of the empire's greatest placement geneticists, and August Callaghan, the heir to a powerful shipping firm currently besieged by American pirates. In a summer of high-society debutante balls, politically charged tea parties, and romantic country dances, Margaret, Helena, and August discover they share an extraordinary bond and maybe a one-in-a-million chance to have what they want and to change the world in the process. Set in a near-future world where the British Empire was preserved not by the cost of blood and theft but by the effort of repatriation and promises kept, That Inevitable Victorian Thing is a surprising, romantic, and thought-provoking story of love, duty, and the small moments that can change people and the world. ★ "This witty and romantic story is a must-read.”—SLJ, starred review ★ "Compelling and unique—there's nothing else like it."—Booklist, starred review. ★ "[A] powerful and resonant story of compassion, love, and finding a way to fulfill obligations while maintaining one’s identity."—PW, starred review

Sounding 4 begins with the first narrative of squatter George Russell followed by an echo on magistrate, soldier and later Crown Lands Commissioner for the Western District ‘Flogger’ Fyans. Expansion west and north-west from Geelong soon causes the Colac tribal collapse and later the government-sanctioned revenge massacre of the Gadubanud Cape Otway clans. Then follows the dispossession timeline of the Geelong / Ballarat Wathaurong people and the extensive contributions by Ian D Smith on Aboriginal geography and languages of the west, with clan organization, mechanisms of dispossession, Aboriginal responses, a geography of disruption and Aboriginal perceptions of Europeans in 19th century Victoria. For contrast is a section SANITIZED ‘FRONTIER’ PROFILES OF PROMINENT COLONIALS controlling the countryside until largely replaced by the bankers and gold-diggers. Moving further west is an echo titled WINNING & LOSING THE GRAMPIANS AND THE GLENELG RIVER before a complete reproduction of Dr Jan Critchett’s Distant Field of Murder. Ian Clark and George Russell reveal how the western plains were taken over after the ‘vanishing’ of the Djab Wurrung clans around the Hopkins River. Echoes of the KULIN SUNSET COUNTRY SETTLED and A SCOTTISH ARK GROUNDS AT ARARAT are settler versions largely from local history books of reminiscences by successful sheep and cattle pastoralists such as the Learmonth and Russell family dynasties. The sour joke that the Scots had the land, the Irish the pubs and the English the accent, does no justice to the role of guns, germs and money-making… Modern scholarship birthed echoes titled FRONTIER MAYHEM IN THE FAR WEST which include the tribal resistance of Jupiter, Cocknose, Roger, Doctor, Bumbletoe etc. defeated by the likes of Wathaurong guide Bon Jon with CCL Fyans and the mounted Wurundjeri and Bunurong members of Captain Dana’s Native Police. This is followed by Marie Fels on native police action and A. G. L. Shaw on frontier violence, with Dr Critchett’ overview on Framlingham Aboriginal Mission Station. Sounding 4 concludes with aftermath echoes titled KING DAVID, DAWSON’S INFORMANTS & THE CAMPERDOWN GEORGE OBELISK and echo 74: HINDSIGHTS ON THE CULTURE-CLASH FRONTIER. Part 1 of which is on Redmond Barry, terra nullius and the Bon Jon case and part 2 has historian Henry Reynolds challenging our national self-image.