God's word illumines the darkness of society. Dutch politician and historian Groen van Prinsterer's Unbelief and Revolution is a foundational work addressing the inherent tension between the church and secular society. Writing at the onset of modernity in Western culture, Groen saw with amazing clarity the dire implications of abandoning God's created order for human life in society. Groen's work served as an inspiration for many contemporary theologians, and he had a profound impact on Abraham Kuyper's famous public theology. In Challenging the Spirit of Modernity, Harry Van Dyke places this seminal work into historical context, revealing how this vital contribution still speaks into the fractured relationship between religion and society. A deeper understanding of the roots of modern secularism and Groen's strong, faithful response to it gives us a better grasp of the same conflict today.

God's word illumines the darkness of society. Groen van Prinsterer's Unbelief and Revolution is a foundational work addressing the inherent tension between religion and modernity. As a historian and politician, Groen was intimately familiar with the growing divide between secular culture and the church in his time. Rather than embrace this division, these lectures, originally published in 1847, argue for a renewed interaction between the two spheres. Groen's work served as an inspiration for many contemporary theologians, and as a mentor to Abraham Kuyper, he had a profound impact on Kuyper's famous public theology. Harry Van Dyke, the original translator, reintroduces this vital contribution to our understanding of the relationship between religion and society.

Reforming Modernity is a sweeping intellectual history and philosophical reflection built around the work of the Morocco-based philosopher Abdurrahman Taha, one of the most significant philosophers in the Islamic world since the colonial era. Wael B. Hallaq contends that Taha is at the forefront of forging a new, non-Western-centric philosophical tradition. He explores how Taha’s philosophical project sheds light on recent intellectual currents in the Islamic world and puts forth a formidable critique of Western and Islamic modernities. Hallaq argues that Taha’s project departs from—but leaves behind—the epistemological grounds in which most modern Muslim intellectuals have anchored their programs. Taha systematically rejects the modes of thought that have dominated the Muslim intellectual scene since the beginning of the twentieth century—nationalism, Marxism, secularism, political Islamism, and liberalism. Instead, he provides alternative ways of thinking, forcefully and virtuosically developing an ethical system with a view toward reforming existing modernities. Hallaq analyzes the ethical thread that runs throughout Taha’s oeuvre, illuminating how Taha weaves it into a discursive engagement with the central questions that plague modernity in both the West and the Muslim world. The first introduction to Taha’s ethical philosophy for Western audiences, Reforming Modernity presents his complex thought in an accessible way while engaging with it critically. Hallaq’s conversation with Taha’s work both proffers a cogent critique of modernity and points toward answers for its endemic and seemingly insoluble problems.

A comparative look at religion and spirituality in postcolonial China and India The Modern Spirit of Asia challenges the notion that modernity in China and India are derivative imitations of the West, arguing that these societies have transformed their ancient traditions in unique and distinctive ways. Peter van der Veer begins with nineteenth-century imperial history, exploring how Western concepts of spirituality, secularity, religion, and magic were used to translate the traditions of India and China. He traces how modern Western notions of religion and magic were incorporated into the respective nation-building projects of Chinese and Indian nationalist intellectuals, yet how modernity in China and India is by no means uniform. While religion is a centerpiece of Indian nationalism, it is viewed in China as an obstacle to progress that must be marginalized and controlled. The Modern Spirit of Asia moves deftly from Kandinsky's understanding of spirituality in art to Indian yoga and Chinese qi gong, from modern theories of secularism to histories of Christian conversion, from Orientalist constructions of religion to Chinese campaigns against magic and superstition, and from Muslim Kashmir to Muslim Xinjiang. Van der Veer, an outspoken proponent of the importance of comparative studies of religion and society, eloquently makes his case in this groundbreaking examination of the spiritual and the secular in China and India.

Spirits in the Material World: The Challenge of Technology provocatively argues that technology is best understood as an otherworldly or spiritual force. Under its influence, humans are fast becoming spirit-like creatures, beings who assume their bodies are incidental to what it means to be human and the "real world" an accidental quality of the human condition. Technology authorizes such an understanding and legitimates a manner of action that obscures the centrality of embodiment and its significance. Gil Germain challenges many of the assumptions underpinning the technological worldview through a reading of leading contemporary theorists who have addressed the interconnection between technology and disembodiment. The book both reveals and contests the multifarious ways in which technology's spiritual thrust is manifested in contemporary thought and practice. While respecting technology's hold on modernity and its predisposition toward disembodiment, Germain gives important reasons why this inclination toward spiritizaiion ought to be resisted and what shape this resistance must take if it is to be meaningful. Gil Germain is associate professor of political studies at the University of Prince Edward Book jacket.

Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music--and discourse about music--has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom--especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period--the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.

The distinctive social and cultural developments of recent years are so familiar to us as to become invisible. So write the editors in the introduction. Although no missionaries worth their salt would try to evangelize without first studying the cultural and spiritual background of their hearers, the church in the late twentieth century often does not begin to understand modern and postmodern thinking. At the second conference of the Lausanne Committee for World Evangelization in Manila, 1989, Dr. Os Guinness gave a paper on Faith and Modernity, which provoked great interest. As part of the response to his paper a conference was held in Uppsala, Sweden in 1993, at which an international group of experts probed more deeply into the questions of modernity and post modernity. Participants represented the United States, Canada, India, Norway, Sweden and the United Kingdom. They included such well-known experts as Os Guinness, James Hunter, Lesslie Newbigin, Vinay Samuel, Elaine Storkey, and David Wells. Each of them has contributed to this volume, covering such topics as: What is Modernity? Truth and Authority in Modernity Information Technology and Christian Faith New Age Modernity and Spirituality Modernity and Morality This collection of papers is offered as a resource and a challenge to the church for its mission in the context of the modern world.

Ninian Smart came to public prominence as the founding Professor of the first British university Department of Religious Studies in the late 1960s. His pioneering views on education in religion proved hugely influential at all levels, from primary schools to academic teaching and research. An unending string of publications, many of them accessible to the general public, sustained a reputation that became worldwide.Here, for the first time, a selection of Ninian Smart's wide-ranging writings is organised systematically under a set of categories which both comprehend and also illuminate his varied output over a career spanning half a century. The editor, John Shepherd, was Principal Lecturer in Religion and Philosophy at the University of Cumbria. He first met Smart as a postgraduate student, and recently helped establish the Ninian Smart Archive at the University of Lancaster.

"Charts the rise of pneumatology alongside developments in modern history and proposes an alternate doctrine of the Spirit to address perennial existential questions"--

The place of religion in society has changed profoundly in the last few centuries, particularly in the West. In what will be a defining book for our time, Taylor takes up the question of what these changes mean, and what, precisely, happens when a society becomes one in which faith is only one human possibility among others.