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Table of contents

The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.

Ceremonies in Dark Old Men, a classic of American theater, is the poignant story of a family in 1950s Harlem. In timeless prose, Lonne Elder explores the discontent of a generation that has grown old before its time, and the determination of the next generation to avoid such a fate. In the play, Russel B. Parker is a prodigal father and failed barber who exists on memories and "ceremonies" for survival. He spends his time recounting atmospheric tales of his life in vaudeville and tells, in darkly comic detail, about his days on the chain gang. Just beneath the surface of Elder's work lie the terrors of day-to-day life in a racist society--never directly mentioned, but always simmering unforgettably. Ceremonies in Dark Old Men had its debut Off-Broadway in 1969. It received enthusiastic reviews and moved into an extended run. Since its first performance, the play has been produced numerous times both on television and on the stage, with the leads being played by an honor roll of actors, including Laurence Fishburne, Denzel Washington, and Billy Dee Williams.

Ceremonies in Dark Old Men, a classic of American theater, is the poignant story of a family in 1950s Harlem. In timeless prose, Lonne Elder explores the discontent of a generation that has grown old before its time, and the determination of the next generation to avoid such a fate. In the play, Russel B. Parker is a prodigal father and failed barber who exists on memories and "ceremonies" for survival. He spends his time recounting atmospheric tales of his life in vaudeville and tells, in darkly comic detail, about his days on the chain gang. Just beneath the surface of Elder's work lie the terrors of day-to-day life in a racist society--never directly mentioned, but always simmering unforgettably. Ceremonies in Dark Old Men had its debut Off-Broadway in 1969. It received enthusiastic reviews and moved into an extended run. Since its first performance, the play has been produced numerous times both on television and on the stage, with the leads being played by an honor roll of actors, including Laurence Fishburne, Denzel Washington, and Billy Dee Williams.

Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.

A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman. Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature.

"As Keepin' it Hushed will illustrate, African American hush harbor rhetoric (AAHHR) remains a powerful aspect of African American rhetoric containing and conveying African American epistemes and rationalities central to African American life and culture and to what Black folks are puttin' down. Away from the disciplining gaze of whiteness. This rhetoric emerges from camouflaged spaces and places.... Enslaved and free African Americans referred to these spatialities as hush harbors" -- from the introduction.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.