Analyzes materials of costumes and describes the costumed dancer--from body paint to masks.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1941. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

Great changes have swept the world of the Tewa Indian peoples of New Mexico since 1985, when this volume first appeared, including changes in relationships between Indian communities and the anthropologists who wish to study them. Returning to her classic work, anthropologist Jill D. Sweet revisits the ideas and the people who first inspired her love of the Tewa Pueblo dances. The Tewa have become increasingly sophisticated in managing tourism, including the new casinos, to ensure that it contributes to the persistence and even the revitalization of ancient ritual practices. This expanded edition reflects these changes by featuring the voices of Tewa dancers, composers, and others to explain the significance of dance to their understanding of Tewa identity and community. The author frames their words with her own poignant reflections on more than twenty years of study and friendship with these creative and enduring people.

Yellow Woman and a Beauty of the Spirit is a collection of twenty-two powerful and indispensable essays on Native American life, written by one of America's foremost literary voices. Bold and impassioned, sharp and defiant, Leslie Marmon Silko's essays evoke the spirit and voice of Native Americans. Whether she is exploring the vital importance literature and language play in Native American heritage, illuminating the inseparability of the land and the Native American people, enlivening the ways and wisdom of the old-time people, or exploding in outrage over the government's long-standing, racist treatment of Native Americans, Silko does so with eloquence and power, born from her profound devotion to all that is Native American. Yellow Woman and a Beauty of the Spirit is written with the fire of necessity. Silko's call to be heard is unmistakable—there are stories to remember, injustices to redress, ways of life to preserve. It is a work of major importance, filled with indispensable truths—a work by an author with an original voice and a unique access to both worlds.

This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.

Noted paper doll artist Kathy Allert's keen eye for authentic detail is reflected in this meticulously researched and accurately rendered collection. It contains a boy and a girl doll, each approximately 5 1/2" high, and 31 different full-color outfits accurately re-creating the native dress of 19 tribes that span a vast area of the North American continent. Among the traditional costumes (identified on each plate) are an Apache coming-of-age dress; a Tlingit dress with button blanket; an Inuit costume of the Far North, complete with ivory snow goggles and harpoon; the dress of a modern Kiowa princess; the feathered short and fringed leggings of a Crow warrior; the lace-trimmed blouse and multicolored skirt of a young Seminole girl; the brightly decorated trousers and tunic of a Choctaw boy playing stickball; a Pueblo Deer Dancer's costume, decorated with evergreen sprigs; as well as colorful tribal outfits of the Algonquin, Iroquois, Cheyenne, Ojibwa, Sioux, Hopi, Navajo, and other Indian tribes. Headdresses, hats, baskets, jars, dolls, and other accessories complete the authentic native costumes. A unique addition to any paper doll collection, this charming volume offers hours of educational entertainment for doll lovers of all ages. It is an especially useful resource for social studies classes or for anyone interested in the clothing and culture of North American Indians.

A collection of photographs from museums, collectors and private dealers that documents five centuries of Native American artistry.