Ceredigion is a land shaped by mythology, where mermaids and magic mix with humans and where ordinary people achieve extraordinary things. This is a captivating collection of traditional and modern stories, including the submerged city of Cantre’r Gwaelod, or the ‘Welsh Atlantis’, how the Devil came to build a bridge over the Rheidol, the elephant that died in Tregaron, and how the Holy Grail came to Nanteos. All the while the tylwyth teg (the Welsh fairies) and changelings run riot through the countryside. Storyteller and illustrator Peter Stevenson takes us on a tour of a county steeped in legend, encountering ghosts, witches and heroes at every turn.

This book, a selection of folk tales, true tales, tall tales, myths, gossip, legends and memories, celebrates and honours unique Welsh stories. Some are well known, others from forgotten manuscripts or out-of-print volumes, and some are contemporary oral tales. They reflect the diverse tradition of storytelling, and the many meanings of ‘chwedlau’. If someone says, ‘Chwedl Cymraeg?’ they are asking, ‘Do you speak Welsh?’ and ‘Do you tell a tale in Welsh?’ Here is the root of storytelling, or ‘chwedleua’, in Wales. It is part of conversation.This book, one to linger over and to treasure, keeps these ancient tales alive by retelling them for a new audience.

A lone man wanders from swamp to swamp searching for himself, a wolf-girl visits Wales and eats the sheep, a Welsh criminal marries an 'Indian Princess', Lakota men re-enact the Wounded Knee Massacre in Cardiff and, all the while, mountain women practise Appalachian hoodoo, native healing and Welsh witchcraft. These stories are a mixture of true tales, tall tales and folk tales, that tell of the lives of migrants who left Wales and settled in America, of the native and enslaved people who had long been living there, and those curious travellers who returned to find their roots in the old country. They were explorers, miners, dreamers, hobos, tourists, farmers, radicals, showmen, sailors, soldiers, witches, warriors, poets, preachers, prospectors, political dissidents, social reformers, and wayfaring strangers. The Cherokee called them: ' the Moon-Eyed People'.

Folktales, Faeries, and Spirits is a practical exploration of faery and spirit led magic through folktales and stories of Britain and Western Europe for pagans who wish to work with the spirits of these traditions, and to find their own local lore and direct relationships therein. If you are ready to meet the spirits of faery lore and build your own personal, living practice of witchcraft, spirit-led and rooted in the magic of the land, this is the book for you.

Do you think that legends are all about princes and princesses, knights and heroes, giants and monsters? Well, they aren't always. The stories in this book are about girls like you and girls you might know: clever, strong, brave and resourceful. Here you can read the story of Vasilisa, who wasn't afraid of the deep dark forest; Mollie Whuppie, who knew how to trick a giant; Tipingi, who was able to call on her friends to help her get out of trouble; Seren, who used her love of singing to help others; and many more fearless characters. Storyteller Fiona Collins has chosen the best of the old tales from all around the world and reworked them into new and exciting versions to be enjoyed by everyone, accompanied by magical illustrations by talented artist Ed Fisher.

The Grimms called them The Quiet Folk, in Māori they are Patupaiarehe, in Wales Y Tylwyth Teg : hidden people who live unseen, speak their own languages and move around like migrants, shrouded from our eyes – like those who lived in the utopian world of Plant Rhys Ddwfn off the west Welsh coast, where this book begins. In mythology, lost lands are coral castles beneath the sea, ancient forests where spirits live, and mountain swamps where trolls lurk. Strip away the mythology, and they become valleys and villages flooded to provide drinking water to neighbouring kingdoms, campsites where travellers are told they can't travel, and reservations where the rights of first nations people are ignored. The folk tales in this book tell of these lost lands and hidden people, remembered through migrations, dreams and memories.

In 1882 the 'Rowland Evans', owned by Captain John Evans of Borth, was abandoned in mysterious circumstances off Bardsey Island. The book describes what led the captain to leave the ship and lose his master's licence, and paints a picture of his life, his ships and the village of Borth and its heritage.

Gwyn and Llewelyn, the two watchmen on duty, were fed up of waiting for Seithennyn. He was having the time of his life at Princess Mererid's birthday party at the palace when the storm crashed through the sea wall...

This book, a selection of folk tales, true tales, tall tales, myths, gossip, legends and memories, celebrates and honours unique Welsh stories. Some are well known, others from forgotten manuscripts or out-of-print volumes, and some are contemporary oral tales. They reflect the diverse tradition of storytelling, and the many meanings of 'chwedlau'. If someone says, 'Chwedl Cymraeg?' they are asking, 'Do you speak Welsh?' and 'Do you tell a tale in Welsh?' Here is the root of storytelling, or 'chwedleua', in Wales. It is part of conversation. This book, one to linger over and to treasure, keeps these ancient tales alive by retelling them for a new audience.