Celluloid Mischief examines the portrayal of wrongdoing and “deviant” behavior in film. The premise is that films are material products of both individual and collective imagination that reflect the values and norms of the society that produce them. On this basis, it is possible to perceive how society understands and classifies particular kinds of behavior and assigns or designates classes of people and actions as “good” or “bad.” So-called “wrongdoing” in movies, then, tells us about real-life norms, the violation of those norms, and the efforts to punish and control the perpetrators of those violators. Motion pictures embody information about the social world; they constitute a universe of raw particulars that await excavation and analysis. By applying the appropriate approach, what happens on the screen can guide us to an understanding of society and culture. Films are commercial products; the people who make them are members of a society, influenced by that society, who attempt to appeal to lots of other members of that society by producing something that they want to see. A society's films tell us a great deal about the taste and proclivities of the society that produce and consume them. Using postwar and contemporary Hollywood cinema as case studies, this book demonstrates the complex and evolving nature of modern America's social, economic, and political values.

Includes cases argued and determined in the District Courts of the United States and, Mar./May 1880-Oct./Nov. 1912, the Circuit Courts of the United States; Sept./Dec. 1891-Sept./Nov. 1924, the Circuit Courts of Appeals of the United States; Aug./Oct. 1911-Jan./Feb. 1914, the Commerce Court of the United States; Sept./Oct. 1919-Sept./Nov. 1924, the Court of Appeals of the District of Columbia.

This is the definitive guide to pranking and mayhem. Written in the style of a training manual, but with hilarious illustrations, this book is broken up into five sections. The “Basics” shows kids how to find a pranking partner and how to pull simple pranks like making crank calls. “Prank Moves” explains how to pull pranks at places like home, school, or camp. “Do-It-Yourself” demonstrates things like putting a real worm inside an ice cube. “Experts Only” covers such advanced pranks as how to fake an alien landing. And “Recipes” gives step-by-step instructions on how to bake tuna cookies.

The Cult Films of Pete Walker Walker is celebrated as a film-maker of transgressive vision. His mid 1970's trilogy of 'terror' films, HOUSE OF WHIPCORD, FRIGHTMARE and HOUSE OF MORTAL SIN, are acknowledged classics of the British horror film, and have featured stars Susan George, Stephanie Beacham, Pamela Stephenson, and Ray Brooks. This is the first book to be written about his work, and features interviews and details of his new movie about the Sex Pistols, A STAR IS DEAD.