" ... Ruth and Christi share dozens of fun and effective ways for you and your students to commemorate their progress as writers."--Back cover.

A stunning new picture book from Newbery Medalist Kwame Alexander and Caldecott Honoree Melissa Sweet! This New York Times bestselling duo has teamed up for the first time to bring you How to Read a Book, a poetic and beautiful journey about the experience of reading. Find a tree—a black tupelo or dawn redwood will do—and plant yourself. (It’s okay if you prefer a stoop, like Langston Hughes.) With these words, an adventure begins. Kwame Alexander’s evocative poetry and Melissa Sweet’s lush artwork come together to take readers on a sensory journey between the pages of a book.

Writing begins before students even pick up a pencil, but there are many reasons to stop and rejoice between the idea and the finished project. By helping students celebrate each stage of the writing process and applauding success, we help our students persevere through what can be an extended and challenging process. In their innovative new book, Celebrating Writers , Ruth Ayres and Christi Overman discuss dozens of ways to respond, reflect, and rejoice along the journey to a finished project. This type of celebration nurtures students, makes them better writers, and helps them recognize that writing is a process filled with notable moments, not simply a result where publication is the only marker of success. From traveling notebooks to lunch-table writing, from author interviews with a writing partner to silent reflection, from swapping stories around a campfire to tweeting favorite lines, Ruth and Christi share dozens of fun and effective ways for you and your students to commemorate their progress as writers. As the authors write, It's time to expand the idea of celebration to include the process of writers and the products they create. Let's build an approach that weaves celebration into the heart of all writers. Be ready to learn to refuel the writers in your classroom, even on the tough days.

A collection of essays about children's literature written in honor of Zena Sutherland.

Bestselling and award-winning author DiAnn Mills delivers a heart-stopping story of dark secrets, desperate enemies, and dangerous lies. Fifteen years ago, Shelby Pearce confessed to murdering her brother-in-law and was sent to prison. Now she’s out on parole and looking for a fresh start in the small town of Valleysburg, Texas. But starting over won’t be easy for an ex-con. FBI Special Agent Denton McClure was a rookie fresh out of Quantico when he was first assigned the Pearce case. He’s always believed Shelby embezzled five hundred thousand dollars from her brother-in-law’s account. So he’s going undercover to befriend Shelby, track down the missing money, and finally crack this case. But as Denton gets closer to Shelby, he begins to have a trace of doubt about her guilt. Someone has Shelby in their crosshairs. It’s up to Denton to stop them before they silence Shelby—and the truth—forever.

Two murders have rocked the city of Houston. Are they the work of a serial killer, or is a copycat trying to get away with murder? That is the question facing Special Agent Bethany Sanchez, who is eager for her new assignment in violent crimes but anxious about meeting her new partner. Special Agent Thatcher Graves once arrested her brother, and he has a reputation for being a maverick. Plus, their investigative styles couldn’t be more opposite: he operates on instinct, while she goes by the book. When hot leads soon fizzle out, their differences threaten to leave them deadlocked. But an attempt on their lives turns up the heat and brings them closer together, and a third victim might yield the clue that will help them zero in on a killer. This could be the case of their careers . . . if they can survive long enough to solve it.

Ashton Nichols dreads the changes graduation will bring, most of all, losing her impulsive best friend, Mason. Her world turns upside down when she follows him into the woods and encounters a demon and a destiny beyond what she ever imagined. Mason Deed seeks freedom from his grief-stricken father. But after his encounter in the woods, he must think about Ashton's safety. Hiding the truth from her about her identity leaves them both vulnerable and caught between good and evil. Together they uncover the unimaginable. Will they find enough courage and strength to claim their own free will, save their families, and protect human souls?

A collection of childrens stories about libraries.

In Volume One of the Authors' Snarkopaedia, sentences have been painstakingly crafted together using nouns, verbs and other words, bringing you paragraphs of text. These paragraphs flow into pages of expert tips, advice and insight for authors at all levels of the publication food chain. Any book can claim to offer this type of information, but they can't give you what sets the Indies Unlimited Authors' Snarkopaedia above the rest: the "je ne sais squat" of the high decorated staff of the Snarkology Department at the Indies Unlimited Online Academy. Their groundbreaking and empirical research over the years sheds new and snarkified light on subjects ranging from book publishing and marketing to the nuts and bolts of writing and technology. If you like information to grab you by the throat and smack you in the face, the Indies Unlimited Authors' Snarkopaedia is the reference book for you.

Finally, we have an inclusive collection that brings motherhood into the fold of feminism. As we accede to our universal origins in the mother, we witness the infinite variety of experiences awarded the offspring. Spectrums of gender, race, age, religion, class, and nation give voice in Donnelly and Bernstein's anthology as more than 80 writers contribute poetry, essays, memoirs, and short fiction. Some of the artists are well-known, including Maya Angelou, Galway Kinnell, Marge Piercy, Margaret Atwood, and Robert Bly, while others are less known. All attest to the experience of motherhood as primal. Writing as mothers, as children to their mothers, and as close observers, women and men create selections that fall into three trimesters of involvement: the experiences of going beyond the self, beyond reflection, and, finally, beyond the whole. The many shades of emotional experience, from ecstasy to horror and all points in between, are portrayed in words and photographs. As images take shape, nightmares are relived, emotions flow abundantly, and details come into focus as the cathartic effect of the writing builds. Painting motherhood as much more than just a pretty picture, the editors' purpose is clearly to bring us all together under a multi-faceted umbrella of empathy and to unite us in the diversity of the experience of motherhood.