Kuwabara Payne McKenna Blumberg Architects, founded in 1987 in Toronto, is one of most innovative architectural offi ces in North America today. They have made a name for themselves both for their integrated design process embodying collaboration with experts, clients and future users as well as the diversity of their aesthetically refined and finely detailed designs. The work ranges from cultural institutions such as the Toronto International Film Festival and Orchestra Hall in Minneapolis to ecologically innovative concepts such as Manitoba Hydro Place in Winnipeg, developed with leading climate engineers Transsolar of Stuttgart. A respectful approach toward the integration of heritage buildings is also a characteristic feature, illustrated by the designs for the Royal Conservatory and the Gardiner Museum in Toronto. Finally, educational and research facilities are also a strong focus in KPMB’s work exemplified by the Centre for Innovation and Governance Campus in Waterloo, Ontario, and the Joseph L. Rotman School of Management in Toronto, as well as future projects for the Massachusetts Institute for Technology (MIT) and Princeton University in the United States.

This book describes a new structural system in wood that represents the first significant challenge to concrete and steel structures since their inception in tall building design more than a century ago. The introduction of these ideas is driven by the need to find safe, carbon-neutral and sustainable alternatives to the incumbent structural materials of the urban world. The potential market for these ideas is quite simply enormous. The proposed solutions have the potential to revolutionize the building industry, address the major challenges of climate change, urbanization, and sustainable development and to significantly contribute to world housing needs.

Tells the forgotten but surprising stories of the many handsome and significant buildings in downtown Troy, New York. Located about 150 miles north of Manhattan, on the east bank of the Hudson River, the city of Troy, New York, was once an industrial giant. It led the nation in iron production throughout much of the nineteenth century, and its factories turned out bells and cast-iron stoves that were sold the world over. Its population was both enterprising and civic-minded. Along with Troy’s economic success came the public, commercial, educational, residential, and religious buildings to prove it. Stores, banks, churches, firehouses, and schools, both modest and sophisticated, sprouted up in the latest architectural styles, creating a lively and fashionable downtown. Row houses and brownstones for the middle class and the wealthy rivaled those in Brooklyn and Manhattan. By the mid-twentieth century, however, Troy had dwindled in both prominence and population. Downtown stagnated, leaving building facades and interiors untouched, often for decades. A late-blooming urban-renewal program demolished many blocks of buildings, but preservationists fought back. Today, reinvestment is accelerating, and Troy now boasts what the New York Times has called “one of the most perfectly preserved nineteenth-century downtowns in the United States.” This book tells the stories behind the many handsome and significant buildings in downtown Troy and how they were designed and constructed—stories that have never been pulled together before. For the first time in generations, scores of Troy buildings are again linked with their architects, some local but others from out of town (the “starchitects” of their day) and even from Europe. In addition to numerous historic images, the book also includes contemporary photographs by local photographer Gary Gold. This book will inform, delight, and surprise readers, thereby helping to build an educated constituency for the preservation of an important American city. “Diana Waite has labored long to bring us the architectural history of Troy, which is said to have one of the most perfectly preserved downtowns in the United States. Great architects designed some of the city’s impressive buildings—Richard Upjohn, Leopold Eidlitz, Marcus T. Reynolds; but so did architects fairly early in their careers—such as George B. Post, who did the iconic flatiron Hall building on First Street, and the very visible Troy Savings Bank Music Hall. The book is also a wistful tour of the lost past—truly magnificent structures and sumptuous interiors that fell to the wrecking ball. And here are the stories behind major landmarks—such as the Approach staircase up to RPI (or down to Troy); the struggle to raise a monument at the center of the city to Troy’s fallen soldiers from three wars; and the complex installation of six major Tiffany windows in St. Paul’s Episcopal Church. The book is abundantly illustrated, with maps, and written in lively narrative style. Ms. Waite often quotes newspaper accounts of construction as it was happening, which vivifies her history.” — William Kennedy “Urban economist Edward L. Glaeser proclaims cities the triumph of humanity, both the ultimate expression of human culture and the engine that has propelled human progress. In this insightful and beautifully illustrated book, Diana Waite tells the story of one exceptional, mostly nineteenth-century example: Troy, New York. Troy is a rare gem, largely unspoiled by the forces that turned so many of America’s towns into wastelands of asphalt. As architects, planners, and policymakers struggle to define a twenty-first-century world that kicks the habits of our fossil-fuel-addicted modernity, that rediscovers how to make places for people, that builds strong communities, studying places like Troy takes on entirely new relevance. The Architecture of Downtown Troy paints a picture of the evolution of a historic town that provides valuable lessons for building the world of tomorrow.” — Carl Elefante, 2018 President, The American Institute of Architects “Diana Waite’s history of Troy’s downtown buildings describes the importance and diversity of this city’s distinctive architecture. Her clear narrative of Troy’s nineteenth-century growth, fires, early twentieth-century expansion, and its engagement of nationally recognized architects is excellent and supported by voluminous photographs. Troy is fortunate that twentieth-century ‘urban renewal’ occurred in a corner of the central business district, leaving intact so much of the city’s well-designed commercial, educational, and residential buildings. This new book presents an accurate, readable, and cohesive history of Troy. It is a must read.” — Matthew Bender IV “The pleasure of Troy isn’t discovering a single old building, but finding yourself lost among dozens of them. You may feel as if it were 1880, and you were strolling home to Washington Park, perhaps just for a change of collar.” — New York Times

A classic examination of superb design through the centuries. Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience. In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place, materials and use, resulting in “a remarkably suitable comeliness.” While we cannot return to a former age, Rasmussen notes, we can still design spaces that are beautiful and useful by seeking to understand architecture as an art form that must be experienced. An understanding of good design comes not only from one's professional experience of architecture as an abstract, individual pursuit, but also from one's shared, everyday experience of architecture in real time—its particular use of light, color, shape, scale, texture, rhythm and sound. Experiencing Architecture reminds us of what good architectural design has accomplished over time, what it can accomplish still, and why it is worth pursuing. Wide-ranging and approachable, it is for anyone who has ever wondered “what instrument the architect plays on.”

Tall Wood buildings' have been at the foreground of innovative building practice for a number of years. From London to Stockholm, from Vancouver to Melbourne timber buildings of up to 20 storeys have been built or designed. This publication explains the typical construction types and documents an international selection of 13 case studies with many specially prepared construction drawings, demonstrating the range of the technology.

The “old” material of wood has been used to construct dwellings of different types since the dawn of mankind. And not without reason. Its low density combined with high rigidity, good processability, and its resistance makes it an excellent building material. There is currently a pioneering renaissance of the timber construction, for two distinct reasons: first, wood is increasingly being rediscovered as one of the most important renewable raw materials for sustainable construction. Moreover, a revolution in the construction of timber structures began several years ago with the ever-progressive use of three-dimensional CAD models for digitally controlled robot manufacturing The book documents these developments, in particular the engineering bonding techniques, the introduction of digital production techniques, and the innovative material developments of this material. The chapter on composite structures and experimental structures specifically address trends toward the future-oriented dimensions of timber construction. In the final section, outstanding designs are documented in detail, such as the Club House of Haesley Nine Bridges Golf Course designed by Shigeru Ban in Yeoju, South Korea, and the double gymnasium in Borex-Crassier, Switzerland, by Graeme Mann and Patricia Capua Mann.

"The benefits of cross-laminated timber (CLT) are clear: building in timber is quick, clean, and easy. It can be achieved with a measured accuracy and lack of noise, waste, or need for material storage space. This book is a study of the 100 of the most significant buildings constructed from CLT in the United Kingdom over the past 15 years. Authors Andrew Waugh and Anthony Thistleton of Waugh Thistleton Architects have contacted a wide range of individuals and businesses to interview them about their experiences building in CLT to help inform this book." -- Thinkwood.com.