First published in the eighteenth century, Dee Goong An chronicles three of Judge Dee's celebrated cases, woven together into a novel. A double murder among merchants, the fatal poisoning of a new bride, and an unsolved murder in a small town — these crimes launch Judge Dee down the great silk routes and even into graveyards to consult the spirits of the dead. With his keen analytical wit, can he discover the killers? First of the Judge Dee books, translated by Robert van Gulik.

Tells of a celebrated seventh-century Chinese magistrate's investigation of a double murder among traveling merchants, the fatal poisoning of a bride on her wedding night, and a murder in a small town

Judge Dee and his helpers investigate a series of murders despite pressure to solve them quickly.

In the third installment of Robert Van Gulik's classic ancient Chinese mystery series based on historical court records, magistrate, lawyer, and detective Judge Dee has his work cut out for him. Set in 666 A.D., in the hidden city of Han-yuan, sixty miles from the imperial capital of ancient China, Dee is sent to investigate a case of embezzlement of government funds. But things are about to get more complicated for the great detective. Just before he is about to take leave of Han-yuan, the popular courtesan Almond Blossom disappears, and then a bride who dies on her wedding night also disappears from her coffin -- her body replaced with that of a murdered man. To make matters worse, Judge Dee is confronted with the dangerous sect called the White Lotus.

Judge Dee and his entourage, seeking refuge from a mountain storm, become trapped in a Taoist monastery, where the Abbott Jade mysteriously dies after delivering an ecstatic sermon. The monks call it a supernatural experience, but the judge calls it murder. Recalling the allegedly accidental deaths of three young women in the same monastery, Judge Dee seeks clues in the eyes of a cat to solve cases of impersonation and murder. A painting by one of the victims reveals the truth about the killings, propelling the judge on a quest for justice and revenge. "Entertaining, instructive, and impressive."—Times Literary Supplement

In 'The Haunted Monastery', Judge Dee and his wives seek refuge from a violent mountain storm and are plunged into a bizarre series of interrelated crimes. Three women have been murdered in the monastery; Dee has seen something impossible, perhaps supernatural, and inexplicable events flash forth in the dark tangle of corridors and the Taoist Hell - a hall filled with statuary showing realistically the torments of Hell.

Brought back into print in the 1990s to wide acclaim, re-designed new editions of Robert van Gulik's Judge Dee Mysteries are now available. Written by a Dutch diplomat and scholar during the 1950s and 1960s, these lively and historically accurate mysteries have entertained a devoted following for decades. Set during the T'ang dynasty, they feature Judge Dee, a brilliant and cultured Confucian magistrate disdainful of personal luxury and corruption, who cleverly selects allies to help him navigate the royal courts, politics, and ethnic tensions in imperial China. Robert van Gulik modeled Judge Dee on a magistrate of that name who lived in the seventh century, and he drew on stories and literary conventions of Chinese mystery writing dating back to the Sung dynasty to construct his ingenious plots. Necklace and Calabash finds Judge Dee returning to his district of Poo-yang, where the peaceful town of Riverton promises a few days' fishing and relaxation. Yet a chance meeting with a Taoist recluse, a gruesome body fished out of the river, strange guests at the Kingfisher Inn, and a princess in distress thrust the judge into one of the most intricate and baffling mysteries of his career. An expert on the art and erotica as well as the literature, religion, and politics of China, van Gulik also provides charming illustrations to accompany his engaging and entertaining mysteries.

It all begins on the night of the Poo-yang dragonboat races in 699 A.D.: a drummer in the leading boat collapses, and the body of a beautiful young woman turns up in a deserted country mansion. There, Judge Dee—tribunal magistrate, inquisitor, and public avenger—steps in to investigate the murders and return order to the Tang Dynasty. In The Emperor’s Pearl, the judge discovers that these two deaths are connected by an ancient tragedy involving a near-legendary treasure stolen from the Imperial Harem one hundred years earlier. The terrifying figure of the White Lady, a river goddess enshrined on a bloodstained altar, looms in the background of the investigation. Clues are few and elusive, but under the expert hand of Robert van Gulik, this mythic jigsaw puzzle assembles itself into a taut mystery. “If you have not yet discovered Judge Dee and his faithful Sgt. Hoong, I envy you that initial pleasure which comes from the discovery of a great detective story. For the magistrate of Poo-yang belongs in that select group of fictional detectives headed by the renowned Sherlock Holmes.”—Robert Kirsch, Los AngelesTimes “The title of this book and the book itself have much in common. Each is a jewel, a rare and precious find.”—AtlantaTimes

Master detective Judge Dee sets out to solve a puzzling double murder and discovers that complicated passions lurk beneath the seemingly tranquil landscape of academic life. A student has been murdered; a beautiful poetess is accused of whipping her maidservant to death; and further mysteries lie in the shadows of the Shrine of the Black Fox.

In 1961 Robert van Gulik published his pioneering overview of "Sexual Life in Ancient China," This edition of the work is preceded by an elaborate "introduction" by Paul Rakita Goldin assessing the value of Van Gulik's volume, the subject itself, and its author. The introduction is followed by an extensive and up-to-date "bibliography" on the subject, which guides the modern reader in the literature on the field which appeared after the publication of Van Gulik's volume. One of the criticisms in 1961 regarded the Latin translations of passages deemed too explicit by Van Gulik. In this 2002 edition all Latin has for the first time been translated into unambiguous English, thus making the full text widely available to an academic audience.