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In 1484, William Caxton, the first publisher of English-language books, issued The Golden Legend, a translation of the most well-known collection of saints’ lives in Europe. This study analyzes the molding of the Legenda aurea into a book that powerfully attracted the English market. Modifications included not only illustrations and changes in the arrangement of chapters, but also the addition of lives of British saints and translated excerpts from the Bible, showing an appetite for vernacular scripture and stories about England’s past. The publication history of Caxton’s Golden Legend reveals attitudes towards national identity and piety within the context of English print culture during the half century prior to the Henrician Reformation.

This work takes a fresh approach to the first 60 years of printing in England by placing Caxton, his contemporaries and the later generations in the broad context of the history of book production between the middle of the 15th century and the Reformation.

A translation of the biography written by Pope Gregory the Great, this official biography is also known as the Second Book of Dialogues. It is the earliest and thus the most valuable biography of St. Benedict.

Source criticism--analysis of a writer's source material--has emerged as one of the most popular approaches in exploring the work of J.R.R. Tolkien. Since Tolkien drew from many disparate sources, an understanding of these sources, as well as how and why he incorporated them, can enhance readers' appreciation. This set of new essays by leading Tolkien scholars describes the theory and methodology for proper source criticism and provides practical demonstrations of the approach.

This is volume I of the first scholarly edition of the Golden Legend, the largest and most elaborate production of the first printer in English, William Caxton. It is an English translation of Jacobus de Voragine's Legenda aurea (ca. 1267), a collection of legends for the feasts of saints (the Sanctorale) and other major days of the liturgical year (the Temporale). The Legenda aurea was one of the most popular and influential books in the later medieval Western world; it circulated widely, and was repeatedly translated into many vernacular languages. This volume reproduces Caxton's original text of the Temporale with modern punctuation and capitalization, notes on content, syntax and lexis, a detailed glossary, and an index of proper names. Caxton's complex combination of sources is given particular attention: the principal one was a little-known reworking of the French translation made by Jean de Vignay, but he also used the Latin original and a previous English translation, the Gilte Legende, and made some personal additions. The Introduction considers the structure of the entire book that Caxton created, but focuses on the Temporale and the set of Old Testament legends that will follow in volume 2. It discusses their sources and language, highlighting the differences between the first two volumes and the notable number of new words and senses. It also gives a detailed bibliographic account of this printing in its historical context and descriptions of all surviving copies.

The legend of Saint Christopher, first written in the thirteenth century, tells the story of a strong man named Offero, who wants to find the greatest ruler in all the world and to serve him as his bearer. Offero's search is in vain until a mysterious child at a riverside asks Offero to carry him over the river. Only after Offero has carried the child over the river does he discover the child's true identity. Then Offero's name is changed to Christopher. / Author Margaret Hodges retells with power and simplicity this unforgettable tale of the man who became known as the patron saint of travelers. And illustrator Richard Jesse Watson has created hypnopompic paintings that dramatically capture Offero's journey and the brilliance of his discovery of the One he sought. / Based on old nursery rhymes, the poetic text by Newbery Honor winner Kathi Appelt and the beautiful light-filled paintings of Debra Reid Jenkins combine to make this gentle bedtime story a perfect illustration of God s abiding love.