THE STORY: Adapted from the bestselling novel by Dorothy Allison, CAVEDWELLER follows Delia Byrd, the forty-year-old lead singer of the group Mud Dog whose rock-star boyfriend has just died in an accident, as she decides to leave Los Angeles and re

A profound portrait of family dynamics in the rural South and “an essential novel” (The New Yorker) “As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye.” —The New York Times Book Review The publication of Dorothy Allison’s Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the first writer of her generation to dramatize the lives and language of poor whites in the South. Since its appearance, the novel has inspired an award-winning film and has been banned from libraries and classrooms, championed by fans, and defended by critics. Greenville County, South Carolina, is a wild, lush place that is home to the Boatwright family—a tight-knit clan of rough-hewn, hard-drinking men who shoot up each other’s trucks, and indomitable women who get married young and age too quickly. At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective. When her stepfather Daddy Glen, “cold as death, mean as a snake,” becomes increasingly more vicious toward her, Bone finds herself caught in a family triangle that tests the loyalty of her mother, Anney—and leads to a final, harrowing encounter from which there can be no turning back.

A compulsively readable novel in the vein of The Bonfire of the Vanities—by way of The Nest—about what Washington, DC’s high society members do away from the Capitol building and behind the closed doors of their suburban mansions. They are the families considered worthy of a listing in the exclusive Green Book—a discriminative diary created by the niece of Edith Roosevelt’s social secretary. Their aristocratic bloodlines are woven into the very fabric of Washington—generation after generation. Their old money and manner lurk through the cobblestone streets of Georgetown, Kalorama and Capitol Hill. They only socialize within their inner circle, turning a blind eye to those who come and go on the political merry-go-round. These parents and their children live life free of consequences in a gilded existence of power and privilege. But what they have failed to understand is that the world is changing. And when the family of one of their own is held hostage and brutally murdered, everything about their legacy is called into question. They’re called The Cave Dwellers.

Chief Inspector Charlie Woodend enters the smoky dens of Liverpool to stop a killer stuck in a deadly groove. Liverpool, 1960s. When Eddie Barnes, lead guitarist of the rising group The Seagulls is electrocuted on stage at the Cellar Club in front of three hundred adoring fans, the Liverpool Police call in Scotland Yard’s Chief Inspector Charlie Woodend. But Woodend doesn’t understand why Eddie’s mother says that Eddie had a girlfriend, while his best mate insists that he didn’t. And who has been playing nasty tricks on The Seagulls, culminating in Eddie finding a dead rat—with a noose around its neck—in his guitar case? As Woodend battles with the complexities of the case, he is more than aware that if he does not find the murderer soon, there could well be another death. “Solid and reliable as Woodend himself.” —Kirkus Reviews “Characters are diverse, intriguing and believable, plots never fail to surprise . . . Recommend Spencer confidently to anyone who enjoys British procedurals.” —Booklist

1st Book of Poetry, The Author, Joseph Timmons has collected his best early writings and has compiled them into one book available through LULU Publishing and Basket Case Press.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

The Advocate is a lesbian, gay, bisexual, transgender (LGBT) monthly newsmagazine. Established in 1967, it is the oldest continuing LGBT publication in the United States.

The literature of the contemporary South might best be understood for its discontinuity with the literary past. At odds with traditions of the Southern Renascence, southern literature of today sharply refutes the Nashville Agrarians and shares few of Faulkner's and Welty's concerns about place, community, and history. This sweeping study of the literary South's new direction focuses on nine well established writers who, by breaking away from the firmly ensconced myths, have emerged as an iconoclastic generation- -- Harry Crews, Dorothy Allison, Bobbie Ann Mason, Larry Brown, Kaye Gibbons, Randall Kenan, Richard Ford, Cormac McCarthy, and Barry Hannah. Resisting the modernist methods of the past, they have established their own postmodern ground beyond the shadow of their predecessors. This shift in authorial perspective is a significant indicator of the future of southern writing. Crews's seminal role as a ground-breaking "poor white" author, Mason's and Crews's portrayals of rural life, and Allison's and Brown's frank portrayals of the lower class pose a challenge to traditional depictions of the South. The dissenting voices of Gibbons and Kenan, who focus on gender, race, and sexuality, create fiction that is at once identifiably "southern" and also distinctly subversive. Gibbons's iconoclastic stance toward patriarchy, like the outsider's critique of community found in Kenan's work, proffers a portrait of the South unprecedented in the region's literature. Ford, McCarthy, and Hannah each approach the South's traditional notions of history and community with new irreverence and treat familiar southern topics in a distinctly postmodern manner. Whether through Ford's generic consumer landscape, the haunted netherworld of McCarthy's southern novels, or Hannah's riotous burlesque of the Civil War, these authors assail the philosophical and cultural foundations from which the Southern Renascence arose. Challenging the conventional conceptions of the southern canon, this is a provocative and innovative contribution to the region's literary study.