A compulsively readable novel in the vein of The Bonfire of the Vanities—by way of The Nest—about what Washington, DC’s high society members do away from the Capitol building and behind the closed doors of their suburban mansions. They are the families considered worthy of a listing in the exclusive Green Book—a discriminative diary created by the niece of Edith Roosevelt’s social secretary. Their aristocratic bloodlines are woven into the very fabric of Washington—generation after generation. Their old money and manner lurk through the cobblestone streets of Georgetown, Kalorama and Capitol Hill. They only socialize within their inner circle, turning a blind eye to those who come and go on the political merry-go-round. These parents and their children live life free of consequences in a gilded existence of power and privilege. But what they have failed to understand is that the world is changing. And when the family of one of their own is held hostage and brutally murdered, everything about their legacy is called into question. They’re called The Cave Dwellers.

In late 1937, a young German lieutenant, Oskar Langweil, is recruited to help overthrow Adolf Hitler. An exiled childhood friend introduces him to Lena, another expat and an avowed Socialist, and they contrive to pose as husband and wife to cross the Atlantic aboard a cruise ship crowded with Nazis. But once at sea they become entangled with the feckless son of a U.S. senator, as well as the mysterious SS officer assigned to watch over him, and after docking in Bremerhaven their luck lurches from bad to worse. Now, along with these unexpected companions, they become prey in a manhunt that drives them through the Third Reich—Oskar cut off from his circle of resistance and constantly re-evaluating whom he can trust. From the sordid cabarets of Berlin to glittering parties in Washington, D.C., from the slums of Kreuzberg to a remote Alpine lodge, Richard Grant populates a world on the brink of disappearing with a cast that also includes an evil genius of Nazism, a White Russian princess, a stage artist vampire, an aging brigadier, and a disgraced journalist. A tour de force of historical espionage, Cave Dwellers is a suspenseful, darkly comic, and exhilarating novel in which everyone is playing for the highest stakes imaginable.

Did you know that cave dwellers left art on their walls to not only entertain themselves but to also share their stories? Much of what we know about these prehistoric humans come from the art they have left. This book will discuss prehistoric art would in the Asian, European, African, American and Ocean regions. Grab a copy today.

Wetherill named these people the "Basket Makers" and inaugurated a new era of understanding of the region's prehistoric past.

The Allegory of the Cave, or Plato's Cave, was presented by the Greek philosopher Plato in his work Republic (514a–520a) to compare "the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the analogy of the sun (508b–509c) and the analogy of the divided line (509d–511e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d–534e). Plato has Socrates describe a group of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall from objects passing in front of a fire behind them, and give names to these shadows. The shadows are the prisoners' reality.

In the Land of Cave and Cliff Dwellers by Frederick Schwatka, first published in 1893, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.