Cavalcade of Boys Volume One welcomes the reader on a journey into the lives and loves of several young gay men drawn from the imagination of artist and author Tim Fish. Each vignette touchingly romps through modern love in this follow up to Fish’s coming of age graphic novel, Strugglers. Released digitally by Northwest Press, which has been publishing quality LGBT-inclusive comics and graphic novels since 2010.

Nominated for Outstanding Comic by the GLAAD Media Awards, Liebestrasse tells the heart-wrenching, poignant tale of forbidden love and survival through the rise of hatred. During the final years of the Weimar Republic, Sam, an American banker, meets Philip, a German art critic, and they fall in love. Their romance is hit with an unspeakable reality as the Nazis come to power and fascism makes them a target. Debut writer Greg Lockard (Where We Live Las Vegas Shooting Benefit Anthology) and artist Tim Fish (Saved by the Bell, Cavalcade of Boys) prove that even through the harshest conditions, love will find a way to thrive. 2020 GLAAD MEDIA NOMINEE FOR OUTSTANDING COMIC “Liebestrasse feels like an extremely needed graphic novel that has a lot of lessons that are still relevant and timely today.”–PRIDE “The real strength of Liebestrasse: it's a simple and quiet period piece that starkly juxtaposes our current political climate, while also being eerily similar in ways that are all too easy to forget. These parallels are not an explicit part of the story, but they don't have to be—the bare facts of the reality faced by these queer men makes their story even more frighteningly relevant.”–Boing Boing

Editors Robert Kirby and David Kelly celebrate Boy Trouble's 10th anniversary with some of today's best gay and lesbian cartoonists as they riff on the alternative boy aesthetic. Jennifer Camper's protagonist spends a whirlwind day with his juvenile delinquent dyke sister; Ivan Velez, Jr. chronicles the heartaches of the well-endowed; and Craig Bostick captures the bittersweet angst of teen rock'n'roll boys. Then, Kelly and Leanne Franson explore alienating bar life; Kirby and underground legend G.B. Jones present an encounter with an artsy adolescent; and Andy Hartzell offers a whimsical and beautifully drawn 12-page fantasy. Also featured: Cavalcade of Boys creator Tim Fish, Anonymous Boy, C. Bard Cole, and Michael Fahy.

Love is the Reason follows the lives and loves of four big city bachelors as they muck about modern romance. The intertwined stories of Aubrey, Michael, Chase, and Tighe are at times dark, sexy, romantic, and funny. Creator Tim Fish (Cavalcade of Boys, Strugglers) delivers this complete stand-alone story, expanding the 2007-2008 newspaper serial with 50% book-exclusive material in this new original graphic novel. Released digitally by Northwest Press, which has been publishing quality LGBT-inclusive comics and graphic novels since 2010.

Tighe, the confused boy, struggles to find himself. Tracey, the girl with too much ambition, struggles to make it big. Alison, the girl with no ambition, struggles to ignore her meddling friends. And Mike struggles to find someone to love. Sharing a hip Saint Louis apartment, these friends face only the problems we all deal with... finding jobs, boyfriends, bars, and bands. Their struggles end only as they begin to grow up. Originally presented as “Meet Me in Saint Louie” on the Modern Tales Longplay site in June 2003, this edition adds more than 20 pages of new story and art, and many extras. 122 pages, black-and-white. Released digitally by Northwest Press, which has been publishing quality LGBT-inclusive comics and graphic novels since 2010.

“Everyone loves Fergus!” say reviewers, and now the opinionated cartoon horse and bona fide social media star is back in an all new comic adventure. In his third book, Fergus catches a glimpse of what could be, and leaving his life of comfort behind, sets off on a hilarious journey. His exploits lead him over, under, and through all manner of obstacles as he strives to reach the bigger, better prize that beckons, always just a little farther away...and on the other side. Featuring the talented Jean Abernethy’s hysterical illustrations and scenes replete with supporting characters as amusing as their endearingly awkward hero, Fergus and the Greener Grass promises to entertain any reader with big dreams and an insatiable appetite for life’s little surprises—whether age 5 or 95!

A Newbery Honor Book * Booklist Editors’ Choice * BookPage Best Books * Chicago Public Library Best Fiction * Horn Book Fanfare * Kirkus Reviews Best Books * Publishers Weekly Best Books * Wall Street Journal Best of the Year * An ALA Notable Book A young outcast is swept up into a thrilling and perilous medieval treasure hunt in this award-winning literary page-turner by acclaimed bestselling author Catherine Gilbert Murdock. The Book of Boy was awarded a Newbery Honor. “A treat from start to finish.”—Wall Street Journal Boy has always been relegated to the outskirts of his small village. With a hump on his back, a mysterious past, and a tendency to talk to animals, he is often mocked by others in his town—until the arrival of a shadowy pilgrim named Secondus. Impressed with Boy’s climbing and jumping abilities, Secondus engages Boy as his servant, pulling him into an action-packed and suspenseful expedition across Europe to gather seven precious relics of Saint Peter. Boy quickly realizes this journey is not an innocent one. They are stealing the relics and accumulating dangerous enemies in the process. But Boy is determined to see this pilgrimage through until the end—for what if St. Peter has the power to make him the same as the other boys? This epic and engrossing quest story by Newbery Honor author Catherine Gilbert Murdock is for fans of Adam Gidwitz’s The Inquisitor’s Tale and Grace Lin’s Where the Mountain Meets the Moon, and for readers of all ages. Features a map and black-and-white art by Ian Schoenherr throughout.

In the late 1990s, a little bay horse with white socks and a blaze was born. Dubbed “Fergus,” he has now traveled the world many times over by print, web, and satellite, inspired a line of merchandise, and gained a devoted following in the hundreds-of-thousands on Facebook and other social media. Who is this horse and how can we explain his magnetism? What makes him so special? Fergus the Horse (Equus hilarious) is the creation of Jean Abernethy, and the truth is, he isn’t meant to represent any one breed or discipline. Perhaps it’s this generic “everyhorse” quality that’s led to his popularity. “When fans write, ‘Fergus reminds me of my horse,’ I cannot be paid a higher compliment,” says Abernethy. And it’s his expressiveness, honesty, charm, and keen sense of humor that truly wins our hearts. Now Abernethy has brought together the backstory of Fergus the Horse—how he came to be, his early years, the history of his “friends”—and combined it with his “greatest hits,” including most-loved comic strips, some personal sketches, and brand new additions. The result is a lively, colorful, highly illustrated treasury that will entertain anyone with an eye for a horse and a need for a laugh.

Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.