Science tells us what is. Technology tells us what can be. But neither can tell us what ought to be. As a science and technology journalist for the Atlanta Journal-Constitution, Jay Bookman has witnessed some of the most remarkable and exciting advances in human history-supercomputers, cyborgs, genetic engineering. Like the rest of us, though, he has also watched as ever-more sophisticated tools intended to make our lives easier and less stressful have often done the opposite. The problem, he says, lies not in our tools, but in ourselves. In Caught in the Current, Bookman and four friends embark on their annual rafting trip down the Deschutes River in central Oregon. Leaving cell phones, pagers, and laptops behind, they float for 60 miles through stark desert canyons, whitewater rapids and some of the best trout-fishing in America. But this is also a journey of another sort, an exploration of the many ways in which technology has altered how human beings experience each other and the world around them. We live today in the most connected society in history, and yet our sense of isolation has never been more acute. We communicate megabytes of data, but somehow knowledge or wisdom still escape us. The cell phone is our tool, our servant, but it is also a barbaric interloper that we have not yet dared to tame. In his finely tuned prose, Bookman contrasts the rhythm of life on the Deschutes with the increasingly fragmented and chaotic pace of our electronic age and reveals how the momentum of technology often breaks the flow of life. Our time is segmented into tasks to be completed; our personal interactions often take place behind a flashing cursor; our focus is "faster," not "better." Transfixed by the marvels of technology, we've overlooked its profound impact on our community. Neither a technophobe nor Luddite, Bookman accepts that technological change is inevitable and desirable. But in Caught in the Current, he also warns that we should not become passive subjects of that change, allowing ourselves to be tossed like helpless driftwood in the current.

The bestselling author and creator of the hit Netflix drama The Stranger delivers a twisted #1 New York Times bestseller about a man who—with the best of intentions—opens the wrong door... Reporter Wendy Tynes is making a name for herself, bringing down sexual offenders on nationally televised sting operations. But when social worker Dan Mercer walks into her trap, Wendy gets thrown into a story more complicated than she could ever imagine. Dan is tied to the disappearance of a seventeen-year-old New Jersey girl, and the shocking consequences will have Wendy doubting her instincts about the motives of the people around her, while confronting the true nature of guilt, grief, and her own capacity for forgiveness...

29,000 bathtub toys make history. It was an accident at sea in 1992 that proved the ocean currents are connected. When a cargo ship dropped a bathtub-toy-filled container into the Pacific, the little quackers bobbed along the globe's waterways, coming to rest on beaches near and far. This fictionalized account of the event is accompanied by maps charting the toys' travel pattern, a glossary, and a summary of the highly publicized event.

FIELD & STREAM, America’s largest outdoor sports magazine, celebrates the outdoor experience with great stories, compelling photography, and sound advice while honoring the traditions hunters and fishermen have passed down for generations.

Dylan is the suspect in a string of robberies in a cottage community.

A new book of poetry from internationally acclaimed, award-winning and bestselling author Margaret Atwood In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and - zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived. While many are familiar with Margaret Atwood’s fiction—including her groundbreaking and bestselling novels The Handmaid’s Tale, The Testaments, Oryx and Crake, among others—she has, from the beginning of her career, been one of our most significant contemporary poets. And she is one of the very few writers equally accomplished in fiction and poetry. This collection is a stunning achievement that will be appreciated by fans of her novels and poetry readers alike.