In the English-speaking world, the Catholic Literary Revival is typically associated with the work of G. K. Chesterton/Hilaire Belloc, Evelyn Waugh and Graham Greene. But in fact the Revival’s most numerous members were women. While some of these women remain well known⎯Muriel Spark, Antonia White, Flannery O’Connor, Dorothy Day - many have been almost entirely forgotten. They include: Enid Dinnis, Anna Hanson Dorsey, Alice Thomas Ellis, Eleanor Farjeon, Rumer Godden, Caroline Gordon, Clotilde Graves, Caryll Houselander, Sheila Kaye-Smith, Jane Lane, Marie Belloc Lowndes, Alice Meynell, Kathleen Raine, Pearl Mary Teresa Richards, Edith Sitwell, Gladys Bronwyn Stern, Josephine Ward, and Maisie Ward. There are various reasons why each of these writers fell out of print: changes in the commercial publishing world after World War II, changes within the Church itself and in the English-speaking universities that redefined the literary canon in the last decades of the 20th century. Yet it remains puzzling that a body of writing so creative, so attuned to its historical moment, and so unique in its perspective on the human condition, should have fallen into obscurity for so long. The Catholic Women Writers series brings together the English-language prose works of Catholic women from the 19th and 20th centuries; work that is of interest to a broad range of readers. Each volume is printed with an accessible but scholarly introduction by theologians and literary specialists. The first volume in the series is Caryll Houselander’s The Dry Wood. Houselander is known primarily for her spiritual writings but she also wrote one novel, set in a post-war London Docklands parish. There a motley group of lost souls are mourning the death of their saintly priest and hoping for the miraculous healing of a vulnerable child whose gentleness in the face of suffering brings conversion to them all in surprising and unexpected ways. The Dry Wood offers a vital contribution to the modern literary canon and a profound meditation on the purpose of human suffering.

A collection of creative pieces, Unruly Catholic Feminists explores how women are coming to terms with their feminism and Catholicism in the twenty-first century. Through short stories, poems, and personal essays, third- and fourth-wave feminists write about the issues, reforms, and potential for progress. Giving voice to many younger writers, the book includes a variety of geographic and ethnic points of view from which women write about their experiences with Catholicism and their visions for the future. While change in the church may be slow to come, even the promise of progress may provide hope for women struggling with the conflicts between their religion and their sense of their own spirituality. Rather than always only oppressing or containing women, Catholicism also drives or inspires many to challenge literary, social, political, or religious hierarchies. By examining how women attempt to reconcile their unruliness with their Catholic backgrounds or conversions and their future hopes and dreams, Unruly Catholic Feminists offers new perspectives on gender and religion today—and for the days yet to come.

This collection attends to western women's struggles within Roman Catholicism by examining how women throughout the centuries have attempted to reconcile their unruliness with their Catholic backgrounds or conversions.

For centuries women have been marginalized and overlooked in American literary history. That injustice is corrected in this entertaining and provocative collection of 350 years of poetry and fiction by American women. From Puritan poet Anne Bradstreet to Margaret Fuller to Harriet Beecher Stowe, readers will encounter scores of lesser-known and forgotten writers who fully deserve to be rediscovered and enjoyed by new generations. Our famous women writers, including contemporary stars like Annie Proux and Jhumpa Lahiri, are showcased in their full literary context, offering an epic overview of the canon in one monumental, dazzling volume. This landmark anthology features the best work of our best American women, and was inspired and informed by the author's groundbreaking history celebrating women writers, A Jury of Her Peers.

Women have been writing in the Catholic tradition since early medieval times, yet no single volume has brought together critical evaluations of their works until now. The first reference of its kind, Catholic Women Writers provides entries on 64 Catholic women writers from around the world and across the centuries. Each of the entries is written by an expert contributor and includes a biography of the author; a critical discussion of her works, especially her Catholic and women's themes; an overview of her critical reception; and a bibliography of primary and secondary sources. Authors writing in all genres, including fiction, autobiography, poetry, children's literature, and essays, are represented. The entries give special attention to the authors' use of Catholic themes, structures, traditions, culture, and spirituality. The writers surveyed range from Doctors of the Church to mystics and visionaries, to those who employ Catholic themes primarily in historical and cultural contexts, to those who critique the tradition. An introductory essay places the writers within the historical and literary contexts of women's writing in the Catholic tradition, and the volume closes with a selected, general bibliography.

A Place to Belong: Letters from Catholic Women explores what it means to be a woman of faith today. Edited by Corynne Staresinic, the founder of the nonprofit The Catholic Woman, this stunning anthology of twenty-five deeply personal letters, wisdom from women saints, reflection questions, art, photography, and prayers will inspire you to live your femininity along your own unique life path as you find--and provide for others--a place to belong.

The Authority of Women in the Catholic Church elucidates the essential role women play in the covenant of salvation. With the support of Scripture, the writings of the Fathers of the Church, and contemporary theological insights, Monica Migliorino Miller explains how Christian women exemplify the reality of the Church in relation to Christ and the ministerial priesthood. While providing a fascinating response to contemporary feminist theology, The Authority of Women in the Catholic Church clarifies the meaning of authentic feminine authority so needed in the Church today.

There are Catholics and non-Catholics alike who take it as truth that the Catholic Church is no place for a self-respecting, intelligent woman. Authors Jennifer Ferrara and Patricia Sodano Ireland disagree. Both were ordained Lutheran ministers. Both became Roman Catholics. Women in Search of the Truth tells their stories and the stories of more than a dozen other educated, articulate, accomplished women who found fulfillment in the Church. While the contributors to this book come from a wide variety of religious, ethnic, socio-economic, and professional backgrounds, these firsthand accounts share a common theme. All experienced a sense of restlessness and profound feelings of unfulfillment, until they finally came to rest in the bosom of the Church. Time and again, it was the Church's clear and uncompromising stance on the sanctity of human life that first attracted a woman's attention, and then captured her heart. "The value of these moving testimonies lies in the fact that,

Finalist for the 2013 ForeWord IndieFab Book of the Year Award in the Anthologies Category This unique literary anthology is devoted to unruly Catholic women. In short stories, poems, personal essays, and drama, the contributors describe women's struggles with Catholicism and also complicate contemporary understandings of women's relationships to their faith. Catholicism often oppresses the women in these creative pieces, but it also inspires them to challenge literary, social, political, and religious hierarchies. The collection reflects the considerations of a wide range of women from a variety of ethnic backgrounds, geographic locations, and generations; they encompass the gamut of reactions to the Catholic experience—humor, anger, nostalgia, critique, appreciation, and engagement or rejection on one's own terms. Authors address real life versus Catholic dogma, motherhood, childhood, alienation from the Church, Catholic school days, mentors and exemplary figures, Church strictures on women's sexualities, and leaving or remaining in the Church among many other experiences. Readers will find this a rich and multifaceted exploration, one that offers new perspectives and moments of recognition.

Writing Catholic Women examines the interplay of gender, race, ethnicity, nationality, and sexuality through the lens of Catholicism in a wide range of works by women writers, forging interdisciplinary connections among women's studies, religion, and late twentieth-century literature. Discussing a diverse group of authors, Jeana DelRosso posits that the girlhood narratives of such writers constitute highly charged sites of their differing gestures toward Catholicism and argues that an understanding of the ways in which women write about religion from different cultural and racial contexts offers a crucial contribution to current discussions in gender, ethnic, and cultural studies.