The search for her sisters will become a spiritual journey for the entire family.Raised by her father, Catherine McKenna has never lacked for anything, surrounded by people to take care of her every need. On her eighteenth birthday she discovers that not only did her mother die when she was born, but she also has two identical sisters. Although her father vowed not to look for his daughters, Catherine made no such promise. Setting out on her own with one clue and her maid in tow, she's bound and determined to find her sisters. Collin Elliott has seen better days. After losing his ship to a violent and unexpected storm, he is trying to recover--physically and emotionally. When Angus McKenna sends him to find, follow, and protect his pampered daughter, he wants nothing more than to finish his task and return home. Can he help her find her sisters? And will the discoveries they make along the way teach them both what's most important in life?

The trial and conviction of Catherine Nevin for her role in the murder of her husband Tom monopolized the attention of the country for weeks. It was the main topic of conversation in pubs, homes and workplaces as newspapers daily carried new and salacious details of the "Black Widow's" scheming, as well as images of her glamorous and expansive wardrobe, on their front pages. In the days before murders became a daily occurrence in Ireland, the allegations of contract killers, extra-marital affairs, fraud and involvement with Republican organisations seemed better suited to the big screen than a small town pub. Pat Flynn led the investigation against Catherine, a woman whom he had encountered several times before these events unfolded. He had witnessed her fabricate accusations of sexual abuse against his Garda colleagues while she continued to enthral his superior officers and Judge O'Buachalla. He describes how holes in her version of the events on the night of the murder were found, along with evidence of how she had been plotting for years to have her husband murdered.

This highly original study provides a detailed analysis of Catherine the Great's celebrity avant la lettre and how gender, power, and scandal made it commercially successful. In 1762, when Catherine II overthrew her husband to seize the throne of the Russian Empire, her instant popular fame in regions of Europe far from her own domains fit the still new discourse of modern celebrity and soon helped shape it. Catherine the Great and Celebrity Culture in Eighteenth-Century Europe shows that over the next 35 years Catherine was part of a standard troika of celebrity-making agents-intriguing central figure, large-scale media, and an engaged public. Ruth P. Dawson reveals how writers, print makers, newspaper editors, playwrights, and more-the 18th-century's media workers-laboured to produce marketable representations of the empress, and audiences of non-elite readers, viewers, and listeners savoured the resulting commodities. This book presents long neglected material evidence of the tsarina's fantasy-inducing fame, examines the 1762 coup as the indispensable story that first constructed her distant public image, and explains how the themes of enlightenment, luxury consumption, clashing gender roles, and exotic Russia continued to attract non-elite fans and anti-fans during the middle decades of her reign. For the later years, the book considers the scrutiny inspired by the French Revolution and Catherine's skewering in unsparing misogynist cartoons as they applied to visual representations, her achievements as ruler, the long-ago overthrow of her husband, and her gradually revealed list of lovers. Dawson reflects on Catherine II's demise in 1796 and how this instigated a final burst of adoration, loathing, and ambivalence as new accounts of her life, both real and fictional, claimed to unwrap the final secrets of the first modern international female celebrity – even now the only woman in history widely known as 'the Great'.

Catherine Marshall was a vital figure in the women's suffrage movement in Britain before the First World War. Using her remarkable political skills on behalf of the major non-militant organization, the National Union of Women's Suffrage Societies (NUWSS), she built close connections with major suffragist politicians, leading some, in all three parties, to consider adopting a measure of women's enfranchisement as a party plank. By 1913 Marshall was uniquely placed as a lobbyist, with inside information and sympathetic listeners in every party. Through her the dynamically re-organized NUWSS brought the women's suffrage issue to the fore of public awareness. It pushed the Labour Party to adopt a strong stand on women's suffrage and raised working-class consciousness, re-awakening a long-dormant demand for full adult enfranchisement. Had the general election due in 1915 taken place, NUWSS financial and organizational support for the Labour Party might well have been substantial enough to influence the final results. These impressive achievements were forgotten by the time Catherine Marshall died in 1961. Even recent research on the period has failed to show the full significance of the issue of women's suffrage, much less Marshall's part in the movement. Jo Vellacott's revealing account of Marshall's political work also includes vivid descriptions of a liberal Victorian childhood, a strangely purposeless young adulthood, and the heady experiences of women who, through the awakening of political consciousness, forged a lifestyle to fit their new aspirations.

In 1870s London, a young orphan girl becomes the apprentice to a man who traps monsters for a living.

Wife, widow, mother, survivor, the story of the last queen of Henry VIII.

An innovative analysis of the representational strategies that constructed Catherine de’ Medici and sought to explain her behaviour and motivations.

Cordelia Grace watched Bernard Howard, the love of her young life, go off to fight for our country in WWII. And she has spent the last three years creating the Pine Cone quilt that will grace their marriage bed when he comes home. Each row of triangles signifies a layer in her life, sets of memories, hopes, dreams, and prayers for her future, enough spoken words to cover them forever. Her image of their "happy-ever-after" grows proportionally as the quilt expands. But is the man that returns from the war, the same man that she remembered? Are the dark shades of color that she had to use for the outside edges of the beloved quilt prophetic of her life to come? Can love and faith overcome all?

The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress. These works are shown to be remarkable for their diversity, frank satire, topical subject matter, and stylistic innovations. O'Malley reveals comparisons to and influences from European traditions, including Shakespeare and Molière, and sets Catherine in the larger field of Russian literature in the period, further illuminating her relationship to the aesthetic debates of the period. The study investigates how Catherine expressed her social ideas throughout her drama and exploited the stage's power to promote political ideals and ideology. O'Malley sets close textual analysis within an historical framework, analyzing the major plays according to content, style, themes, characters, and relation to Catherine's life and political aims.