While she is best remembered today as founder of the Philadelphia Ballet and the director and driving force behind the famous Littlefield School of Ballet, from which Balanchine drew the nucleus for his School of American Ballet, Catherine Littlefield (1905-51) and her oeuvre were in many ways emblematic of the full representation of dance throughout entertainments of the first half of the 20th century. From her early work as a teenager dancing for Florenz Ziegfeld to her later work in choreographing extravagant ice skating shows, a remarkable dance with 90 bicyclists for the 1940 World's Fair, and on television as resident choreographer for The Jimmy Durante Show, Littlefield was amongst the first choreographers to bring concert dance to broader venues, and her legacy lives on today in her enduring influence on generations of American ballet dancers. As the first biography of Littlefield, Catherine Littlefield: A Life in Dance traces her life in full from birth through childhood experiences dancing on the Academy of Music's grand stage, and from her foundation of the groundbreaking Philadelphia Ballet Company in 1935 to her later work in television and beyond. Littlefield counted among her many glamorous friends and colleagues writer Zelda Fitzgerald, conductor Leopold Stokowski, and composer Kurt Weill. This biography also provides an engrossing portrait of the remarkable Littlefield family, many of whom were instrumental to Catherine's success. With the unflagging support of her generous husband and indomitable mother, Littlefield gave shape to the course of American ballet in the 20th century long before Balanchine arrived in the United States.

Traces the life of Catherine Littlefield Greene, wife of Revolutionary War general Nathanael Greene

"Born in Philadelphia in 1905, Catherine Littlefield first learns dancing from her mother, Caroline (called Mommie), an expert pianist, and from a local dancing master, C. Ellwood Carpenter. As a teenager, Catherine becomes a Ziegfeld dancer and takes lessons from Luigi Albertieri in New York. She returns home in 1925 to help Mommie teach at the Littlefield School (among her students is Zelda Fitzgerald) and stage dances for women's musical clubs and opera companies. William Goldman hires Catherine to produce routines in commercial theaters throughout Philadelphia and becomes her boyfriend. Catherine, Mommie, and Catherine's sister, Dorothie, travel to Paris so the sisters can study ballet with Lubov Egorova. They become friendly with George Balanchine in Paris and help him establish his first American school and company when he comes to the U.S. in 1933. Catherine marries wealthy Philadelphia attorney Philip Leidy and established her Philadelphia Ballet Company in 1935. She choreographs-and her company presents--the first full-length, full-scale Sleeping Beauty in the U.S. as well as popular ballet Americana works such as Barn Dance and Terminal. Her company's European tour in 1937 is the first ever by an American classical ballet troupe. Catherine loses some of her protegeés to the newly formed Ballet Theatre and disbands her company after the U.S. enters World War II; she then choreographs Broadway musicals, Sonja Henie's Hollywood Ice Revues, and Jimmy Durante's NBC television show before dying in 1951 at age forty six"--

Catherine the Great: A Reference Guide to Her Life and Works covers all aspects of her life and work. Empress Catherine the Great was one of the most famous and amazing women in world history. Includes a detailed chronology of Catherine’s life, family, and work. The A to Z section includes the major events, places, and people in Catherine’s life. The bibliography includes a list of publications concerning her life and work. The index thoroughly cross-references the chronological and encyclopedic entries.

These Men She Gave tells the story of Athens, Georgia, during the turbulent years of the Civil War. John F. Stegeman details the many changes Athens and Clarke County underwent during the war. The community was highly involved with the seccession movement and the formation of the Confederacy. Stegeman tells how the town was able to escape destruction on an August day in 1864 when the Civil War came to the area and how the town would eventually lose many men to the war. The book includes appendices that include information such as a list of the members of the Ladies Aid Society in 1961, a roster of Clarke County companies in the army of Northern Virginia, and mortality lists of Clarke County troops in major battles.

Everyone knows about Herschel Walker, but what about George Woodruff, who, in a fogbound game against Sewanee, passed his helmet into their secondary and then handed the ball off to Hafford Hay, who ran untouched into the endzone? Athens is famed for its postgame victory parties, but who can recall the mountainous bonfire in 1910 that, when ignited, blew out every windowpane in three nearby campus buildings? Herty Field, the University of Georgia's first gridiron, is now a parking lot, but the glory lives on in this classic, fast-paced chronicle of Bulldogs football from its beginnings in 1891 to 1916.

How do women set up institutions? How has higher education helped or hindered women in the world of dance? These are some of the questions addressed through interviews and researched by the educators and dancers Sharon E. Friedler and Susan B. Glazer in Dancing Female . In dealing with some of the tensions, joys, frustrations, and fears women experience at various points of their creative lives, the contributors strike a balance between a theoretical sense of feminism and its practice in reality. This book presents answers to basic questions about women, power, and action. Why do women choreographers choose to create the dances they do in the manner they do? How do women in dance work independently and organizationally?

This is a collection of eleven chapters and an introduction that develop key arguments in decolonial feminism, particularly, the coloniality of gender, the critique of white and Eurocentric feminisms, the imbrication between gender, race, and colonialism, feminicides, and the coloniality of democracy and public institutions. The introduction addresses the path of decolonial feminism: from a new approach to understanding the relationship between gender as a category, race, and colonialism that combined U.S. Third World feminism and scholarship on coloniality and decoloniality to its exponential growth in the hands of activists and engaged scholars from Latin America and the Caribbean. Today, much of the literature on decolonial feminism in Latin America and the Caribbean remains unknown in the U.S. This anthology seeks to start remedying this problem with seven translations of work originally written in Spanish, and three essays originally written in English that address the fundamental concepts of decolonial feminism as well as its contributions to important contemporary political and intellectual debates.