Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors. In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.

The Catawba Indians are aboriginal to South Carolina, and their pottery tradition may be traced to 2,400 B.C. When Hernando de Soto visited the Catawba Nation (then Cofitachique) in 1540, he found a sophisticated Mississippian Culture. After the founding of Charleston in 1670, the Catawba population declined. Throughout subsequent demographic stress, the Catawba supported themselves by making and peddling pottery. They have the only surviving Native American pottery tradition east of the Mississippi. Without pottery, there would be no Catawba Indian Nation today.

The story of one of the few original Native American communities of the Carolinas, whose rich and fascinating history can be dated back to 2400 BC. While the Catawba once inhabited a large swath of land that covered parts of North and South Carolina, and managed to remain in the Carolinas during the notorious Trail of Tears, most Catawba now live on a reservation in York County, South Carolina. In Catawba Nation, longtime tribal historian Thomas J. Blumer seeks to preserve and present the history of this resilient people. Blumer chronicles Catawba history, such as Hernando de Soto’s meeting with the Lady of Cofitachique, the leadership of Chief James Harris, and the fame of potter Georgia Harris, who won the National Heritage Award for her art. Using an engaging mix of folklore, oral history, and historical records, Blumer weaves an accessible history of the tribe, preserving their story of suffering and survival for future generations.

In this reconstruction of the history of the Catawba Indians, Charles M. Hudson first considers the "external history" of the Catawba peoples, based on reports by such outsiders as explorers, missionaries, and government officials. In these chapters, the author examines the social and cultural classification of the Catawbas at the time of early contact with the white men, their later position in a plural southern society and gradual assimilation into the larger national society, and finally the termination of their status as Indians with the Bureau of Indian Affairs. This external history is then contrasted with the folk history of the Catawbas, the past as they believe it to have been. Hudson looks at the way this legendary history parallels documentary history, and shows how the Catawbas have used their folk remembrances to resist or adapt to the growing pressures of the outside world.

Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft

Andrew Pickens (1739–1817), the hard-fighting South Carolina militia commander of the American Revolution, was the hero of many victories against British and Loyalist forces. In this book, Rod Andrew Jr. offers an authoritative and comprehensive biography of Pickens the man, the general, the planter, and the diplomat. Andrew vividly depicts Pickens as he founds churches, acquires slaves, joins the Patriot cause, and struggles over Indian territorial boundaries on the southern frontier. Combining insights from military and social history, Andrew argues that while Pickens's actions consistently reaffirmed the authority of white men, he was also determined to help found the new republic based on broader principles of morality and justice. After the war, Pickens sought a peaceful and just relationship between his country and the southern Native American tribes and wrestled internally with the issue of slavery. Andrew suggests that Pickens's rise to prominence, his stern character, and his sense of duty highlight the egalitarian ideals of his generation as well as its moral shortcomings--all of which still influence Americans' understanding of themselves.

This eloquent, pathbreaking account follows the Catawbas from their first contact with Europeans in the sixteenth century until they carved out a place in the American republic three centuries later. It is a story of Native agency, creativity, resilience, and endurance. Upon its original publication in 1989, James Merrell's definitive history of Catawbas and their neighbors in the southern piedmont helped signal a new direction in the study of Native Americans, serving as a model for their reintegration into American history. In an introduction written for this twentieth anniversary edition, Merrell recalls the book's origins and considers its place in the field of early American history in general and Native American history in particular, both at the time it was first published and two decades later.

Offers a new framework for understanding the transformation of the Native American South during the first centuries of the colonial era.

Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series, edited by David P. Pierson, explores the contexts, politics, and style of AMC's original series Breaking Bad. The book's first section locates and addresses the series from several contemporary social contexts, including neo-liberalism, its discourses and policies, the cultural obsession with the economy of time and its manipulation, and the epistemological principles and assumptions of Walter White's criminal alias Heisenberg. Section two investigates how the series characterizes and intersects with current cultural politics, such as male angst and the re-emergence of hegemonic masculinity, the complex portrayal of Latinos, and the depiction of physical and mental impairment and disability. The final section takes a close look at the series' distinctive visual, aural, and narrative stylistics. Under examination are Breaking Bad's unique visual style whereby image dominates sound, the distinct role and use of beginning teaser segments to disorient and enlighten audiences, the representation of geographic space and place, the position of narrative songs to complicate viewer identification, and the integral part that emotions play as a form of dramatic action in the series.