Readers will appreciate the value of Standard Catalog of Civil War Firearms because it combines historical, identification, and pricing information in one handy volume. &break;&break;A great deal of advancement in metallurgy and weapons design occurred during the Civil War as people on both sides of the conflict struggled to find better ways to bring a swift end to the war. These new designs are the basis of our modern weapons and spark the interest of historians and collectors. Unlike other Civil War collecting guides that deal with firearms only incidentally (if at all), Standard Catalog of Civil War Firearms focuses on firearms only. The reader is told how to identify a particular model and what its approximate current value is. In addition, each firearm is given a '1 to 5 rarity index' rating that will guide the reader's buying decision when he or she is contemplating a purchase. &break;&break;No other firearms price guide offer this unique blend of features.

Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.

For memorabilia collectors and military buffs, nostalgia fans and historians both amateur and professional, here is the ultimate reference guide to Civil War artifacts still available today--as well as such "contemporary" items as Abraham Lincoln impersonators and reenactment groups to add a note of authenticity to celebrations. 250 photos and drawings.

A Boston Globe-Horn Book Honor Book An award-winning, stunningly illustrated, sober depiction of war. A recipient of the prestigious Nami Concours prize, this remarkable book of striking, often surreal illustrations and sparse prose reveals the many sides of war: where it comes from, how it creeps up on us, and how it destroys everything in its wake. This evocative and bold work is an excellent resource for educators in facilitating difficult yet necessary discussions about wars that continue to be fought around the world. As Deborah Ellis, author of the Breadwinner series, says: “If children are tough enough to be bombed and starved, they’re tough enough to read about it.” An Aldana Libros Book, Greystone Kids

Europe in 1618 was riven between Protestants and Catholics, Bourbon and Hapsburg--as well as empires, kingdoms, and countless principalities. After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with relentless abandon, drawing powers from Spain to Sweden into a nightmarish world of famine, disease, and seemingly unstoppable destruction.

The trinity of government, military and publics has been drawn together into immediate and unpredictable relationships in a "new media ecology" that has ushered in new asymmetries in the waging of war and terror. To help us understand these new relationships, Andrew Hoskins and Ben O'Loughlin here provide a timely, comprehensive and highly readable survey of the field of war and media. War is diffused through a complex mesh of our everyday media. Paradoxically, this both facilitates and contains the presence and power of enemies near and far. The conventions of so-called traditional warfare have been splintered by the availability and connectivity of the principal locus of war today: the electronic and digital media. Hoskins and O'Loughlin identify and illuminate the conditions of what they term "diffused war" and the new challenges it raises for the actors who wage and counter warfare, for their agents and mechanisms of the new media and for mass publics. This book offers an invaluable review of the key literature and presents a fresh approach to the understanding of the dynamic relationships between war and media. It will be welcomed by a broad range of students taking courses on war and media and related modules, especially in media, communication and cultural studies, politics and international relations, sociology, journalism, and security studies.

An in-depth reference to the naval weapons used by Britain, Germany, the US, and the other combatants in the Great War, with photos: “Superb…invaluable.”—History of War Although the Great War might be regarded as the heyday of the big-gun at sea, it also saw the maturing of underwater weapons, the mine and torpedo, as well as the first signs of the future potency of air power. Between 1914 and 1918 weapons development was both rapid and complex, so this book has two functions: on the one hand it details all the guns, torpedoes, mines, aerial bombs and anti-submarine systems employed during that period; but it also seeks to explain the background to their evolution: how the weapons were perceived at the time and how they were actually used. This involves a discussion of tactics and emphasizes the key enabling technology of fire control and gun mountings. In this respect, the book treats the war as a transition from naval weapons which were essentially experimental at its outbreak to a state where they pointed directly to what would be used in World War II. Based largely on original research, this sophisticated book is more than a catalogue of the weapons, offering insight into some of the most important technical and operational factors influencing the war at sea.