A reference for history enthusiasts, scholars and collectors alike, this book offers a comprehensive guide to Gupta Dynasty numismatics. The 2nd edition sees all known Gupta coin issues documented, with updated classifications and notes on their rarity. A revised chronology is presented, using data from coins, inscriptions, seals and copper plates.

This study focuses on the gold coins featuring the Gupta king with a banner carrying the image of the mythic eagle Garuḍa, the supreme symbol of his power. They belong to five coin types that comprise about sixty percent of the dīnāras struck from the reign of Samudragupta up to and including Skandagupta.

Rise and Fall of the Imperial Guptas is based of the entire source material that has come to light since 1888 when Dr. H.F. Fleet`s epoch-making work was published as Vol. III of the Corpus Inscriptionum Indicarum. Far reachinf changes in our knowledge of the history of the Guptas have been taking place in consequence of such discoveries as the Bhitari-Silver Copper Seal of Kumaragupta (1889) the Sarnath Inscriptions on Buddhs Images.

The present book is an authoritative and authentic source for the study of Indian coins. It not only describes the coins but also studies them critically in all their aspects. The points which are dealth with here are on numismatic studies in India; Satamana and Sana; Kautilya and Buddhaghosa on coins; silver coins of Vasisthiputra Satakarni; alleged coins of the Mahisa kings; coins of semi-independent rulers; date of Isvaradatta's coins; Petluripalem hoard; some problems of tribal coins; coins of Kumaragupta I, Harigupta and Ramagupta; coins of Muhammad bin Sam and Prthviraja; coins of Kakatiya Prataparudra I; Gajapati Pagoda, Ganga Fanam and Ramatanka; coins of Bhairavasimha; Maratha mint under the Peshwas; Cowrie-shell, rupee and pice. In describing the features of a particular class of coins from the standpoint of standard, style and fabric or in discussing the significance of the numismatic terms, the author has utilized the literary data which have a bearing on them.

The sheer wealth and dizzying diversity of Indian sculpture are celebrated in this second volume of the catalogue raisonne of the Los Angeles County Museum's collection. Nearly two hundred sculptures produced during eleven centuries are described. Of these, one-quarter of the pieces are part of the Nasli and Alice Heeramaneck Collection, while the remaining three-quarters have been acquired since 1970. This splendid collection, while not representing all the major styles of sculpture that flourished on the Indian subcontinent from 700-1900, is certainly one of the most comprehensive among American and European museums. Included are stone, metal, ivory, and wood sculptures from fourteen states and territories of India and from Pakistan and Afghanistan. Organized by regions--Central and Western, Eastern, and Southern India, and the Northwest--the catalogue contains detailed descriptions and illustrations of the 188 sculptures, many with details or multiple views, for a total of 259 illustrations--251 in duotone and halftone and 8 in color.

The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.