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Excerpt from Catalogue of Craftsman Furniture Made by Gustav Stickley at the Craftsman Workshops, Eastwood, N. Y: July, 1910 I suppose it was because I began as a farmer boy and got my training for the work I was ultimately to do by doing as a matter of course the thing which had to be done, that I grew up with the habit of going at things in a natural way. The farmer boy is not given to theorizing about his work, but he soon learns to accept without question the fact that cer tain things have to be done and that the best way is for him to get right at it and get them done as soon as possible. Therefore, when the idea came to me that the thing for me to do was to make better and Simpler furniture, I naturally went at it in the most direct way. Having been for many years a furniture manufacturer, I was, of course, familiar with all the traditional styles, and in trying to make the kind of furniture which I thought was needed in our homes, I had no idea of attempting to create a new style, but merely tried to make furniture which would be simple, durable, comfortable and fitted for the place it was to occupy and the work it had to do. It seemed to me that the only way to do this was to cut loose from all tradition and to do away with all needless ornamentation, returning to plain principles of con struction and applying them to the making of simple, strong, comfortable furniture, and I firmly believe that Craftsman furniture is the concrete expression of this idea. Because of the sturdiness and beauty of our American white oak, I chose it as the best wood for the kind of furniture I had in mind, and the style, such as it was, developed naturally from the character of the wood and the application to it of the most direct principles of construe tion. The result was that I soon found that there was a quality in my plain furniture which took hold of nearly all thinking people as it had taken hold of me, and that in giving expression to what might have been considered an impractical ideal under present-day conditions, I had hit upon an idea which was destined to have a far greater success than even I had hoped for it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

594 illustrations, including 277 photos, of authentic, prized, Craftsman furniture as shown in two catalogs (circa 1910) by foremost manufacturers. Numerous settles, rockers, armchairs, bookcases, plus many other kinds of pieces. 594 illustrations. Captions.

Collection of 594 illustrations, including 277 photos, of authentic, prized Craftsman furniture as shown in two catalogs — circa 1910 — by foremost manufacturers. Numerous settles, rockers, armchairs, bookcases, plus many other kinds of pieces. Captions.

With over 200 detailed illustrations and descriptions, these two catalogs are essential reading and reference materials and identification guides for Stickley furniture. Captions cite materials, dimensions, and prices.

A reprint of two rare catalogs (circa 1908–1910) of furniture makers — brothers of Gustav Stickley — who played a key role in the Arts & Crafts movement. Over 200 illustrations.