A wide-ranging and appreciative literary history of the castaway tale from Defoe to the present Ever since Robinson Crusoe washed ashore, the castaway story has survived and prospered, inspiring a multitude of writers of adventure fiction to imitate and adapt its mythic elements. In his brilliant critical study of this popular genre, Christopher Palmer traces the castaway tales' history and changes through periods of settlement, violence, and reconciliation, and across genres and languages. Showing how subsequent authors have parodied or inverted the castaway tale, Palmer concentrates on the period following H. G. Wells's The Island of Dr. Moreau. These much darker visions are seen in later novels including William Golding's Lord of the Flies, J. G. Ballard's Concrete Island, and Iain Banks's The Wasp Factory. In these and other variations, the castaway becomes a cannibal, the castaway's island is relocated to center of London, female castaways mock the traditional masculinity of the original Crusoe, or Friday ceases to be a biddable servant. By the mid-twentieth century, the castaway tale has plunged into violence and madness, only to see it return in young adult novels—such as Scott O'Dell's Island of the Blue Dolphins and Terry Pratchett's Nation—to the buoyancy and optimism of the original. The result is a fascinating series of revisions of violence and pessimism, but also reconciliation.

Longlisted for the Andrew Carnegie Medals for Excellence 2017 “Galvanizing and deeply compassionate.” —O Magazine From Time magazine's European Union correspondent, a powerful exploration of the refugee crisis in the Mediterranean, told through the stories of migrants who have made the perilous journey into Europe In 2015, more than one million migrants and refugees, most fleeing war-torn countries in Africa and the Middle East, attempted to make the perilous journey into Europe. Around three thousand lost their lives as they crossed the Mediterranean and Aegean in rickety boats provided by unscrupulous traffickers, including over seven hundred men, women, and children in a single day in April 2015. In one of the first works of narrative nonfiction on the ongoing refugee crisis and the civil war in Syria, Cast Away describes the agonizing stories and the impossible decisions that migrants have to make as they head toward what they believe is a better life: a pregnant Eritrean woman, four days overdue, chooses to board an obviously unsafe smuggler's ship to Greece; a father, swimming from a sinking ship, has to decide whether to hold on to one child or let him go to save another. Veteran journalist Charlotte McDonald-Gibson offers a vivid, on-the-ground glimpse of the pressures and hopes that drive individuals to risk their lives. Recalling the work of Katherine Boo and Caroline Moorehead, Cast Away brings to life the human consequences of one of the most urgent humanitarian issues of our time.

Six stories about shipwrecked people struggling to survive in difficult circumstances.

*One of NPR's "Books We Love 2021"* "'I came to see the mountains as an outpouring of our modern lives,' Roy writes, 'of the endless chase for our desires to fill us.' Readers of Behind the Beautiful Forevers will be drawn to this harrowing portrait." —Publishers Weekly "Castaway Mountain deserves every accolade. A stunning achievement." —Kiran Desai, Booker Prize Winner, author of Inheritance of Loss. All of Mumbai’s possessions and memories come to die at the Deonar garbage mountains. Towering at the outskirts of the city, the mountains are covered in a faint smog from trash fires. Over time, as wealth brought Bollywood knock offs, fast food and plastics to Mumbaikars, a small, forgotten community of migrants and rag-pickers came to live at the mountains’ edge, making a living by re-using, recycling and re-selling. Among them is Farzana Ali Shaikh, a tall, adventurous girl who soon becomes one of the best pickers in her community. Over time, her family starts to fret about Farzana’s obsessive relationship to the garbage. Like so many in her community, Farzana, made increasingly sick by the trash mountains, is caught up in the thrill of discovery—because among the broken glass, crushed cans, or even the occasional dead baby, there’s a lingering chance that she will find a treasure to lift her family’s fortunes. As Farzana enters adulthood, her way of life becomes more precarious. Mumbai is pitched as a modern city, emblematic of the future of India, forcing officials to reckon with closing the dumping grounds, which would leave the waste pickers more vulnerable than ever. In a narrative instilled with superstition and magical realism, Saumya Roy crafts a modern parable exploring the consequences of urban overconsumption. A moving testament to the impact of fickle desires, Castaway Mountain reveals that when you own nothing, you know where true value lies: in family, community and love. Interior map illustration copyright (c) Jake Coolidge

Explores the lives of survivors who were shipwrecked, banished, or abandoned during the past several centuries.

Tales of Hayven Celestia tells thirteen stories of ordinary people put in extraordinary circumstances. Stuck in situations far beyond their control, they have to make the hardest choices of their lives. The stakes have never been higher, and one wrong move will lead to catastrophe. This anthology features stories by Frances Pauli, Gre7g Luterman, Kandrel, Kate Watts, Phox Sillanpaa, Rick Griffin, Robert Carter, SixSydes, and Wyatt Winters, as well as illustrations by Kyoht Luterman, Six Sydes and Rick Griffin.

In 1858, 14-year-old Narcisse Pelletier sailed from Marseilles in the French trader Saint-Paul. With a cargo of Bordeaux wine, they stopped in Bombay, then Hong Kong, and from there they set sail with more than 300 Chinese prospectors bound for the goldfields of Ballarat and Bendigo. Around the eastern tip of New Guinea, however, the ship became engulfed in fog, struck reefs and ran aground. Scrambling aboard a longboat, the survivors undertook a perilous voyage, crossing almost 1000 kilometres of the Coral Sea before reaching the shores of the Daintree region in far north Queensland, where, abandoned by his shipmates and left for dead, Narcisse was rescued by the local Aboriginal people. For seventeen years he lived with them, growing to manhood and participating fully in their world - until in 1875 he was discovered by the crew of a pearling lugger and wrenched from his Aboriginal family. Taken back to his 'real' life in France, he became a lighthouse keeper, married and had another family, all the while dreaming of what he had left behind... Drawing from firsthand interviews with Narcisse after his return to France and other contemporary accounts of exploration and survival, and documenting the spread of European settlement in Queensland and the brutal frontier wars that followed, Robert Macklin weaves an unforgettable tale of a young man caught between two cultures in a time of transformation and upheaval.

The miraculous account of the man who survived alone and adrift at sea longer than anyone in recorded history. For fourteen months, Alvarenga survived constant shark attacks. He learned to catch fish with his bare hands. He built a fish net from a pair of empty plastic bottles. Taking apart the outboard motor, he fashioned a huge fishhook. Using fish vertebrae as needles, he stitched together his own clothes. Based on dozens of hours of interviews with Alvarenga and interviews with his colleagues, search and rescue officials, the medical team that saved his life and the remote islanders who nursed him back to health, this is an epic tale of survival. Print run 75,000.

Through a detailed unpacking of the castaway genre’s appeal in English literature, Empire Islands forwards our understanding of the sociopsychology of British Empire. Rebecca Weaver-Hightower argues convincingly that by helping generations of readers to make sense of—and perhaps feel better about—imperial aggression, the castaway story in effect enabled the expansion and maintenance of European empire. Empire Islands asks why so many colonial authors chose islands as the setting for their stories of imperial adventure and why so many postcolonial writers “write back” to those island castaway narratives. Drawing on insightful readings of works from Thomas More’s Utopia to Caribbean novels like George Lamming’s Water with Berries, from canonical works such as Robinson Crusoe and The Tempest to the lesser-known A Narrative of the Life and Astonishing Adventures of John Daniel by Ralph Morris, Weaver-Hightower examines themes of cannibalism, piracy, monstrosity, imperial aggression, and the concept of going native. Ending with analysis of contemporary film and the role of the United States in global neoimperialism, Weaver-Hightower exposes how island narratives continue not only to describe but to justify colonialism. Rebecca Weaver-Hightower is assistant professor of English and postcolonial studies at the University of North Dakota.