"In 1942, the federal government expelled more than 22,000 Japanese Canadians from their homes in British Columbia. From 1942 to 1949, they were dispossessed, sent to incarceration sites, and dispersed across Canada. Over 4,000 were deported to Japan. Cartographies of Violence analyses the effects of these processes for some Japanese Canadian women. Using critical race, feminist, anti-colonial, and cultural geographic theory, Mona Oikawa deconstructs prevalent images, stereotypes, and language used to describe the 'internment' in ways that masks its inherent violence. Through interviews with women survivors and their daughters, Oikawa analyses recurring themes of racism and resistance, as well as the struggle to communicate what happened. Disturbing and provocative, Cartographies of Violence explores women's memories in order to map the effects of forced displacements, incarcerations, and the separations of family, friends, and communities"--Publisher's website.

In 1942, the federal government expelled more than 22,000 Japanese Canadians from their homes in British Columbia. From 1942 to 1949, they were dispossessed, sent to incarceration sites, and dispersed across Canada. Over 4,000 were deported to Japan. Cartographies of Violence analyses the effects of these processes for some Japanese Canadian women. Using critical race, feminist, anti-colonial, and cultural geographic theory, Mona Oikawa deconstructs prevalent images, stereotypes, and language used to describe the 'Internment' in ways that masks its inherent violence. Through interviews with women survivors and their daughters, Oikawa analyses recurring themes of racism and resistance, as well as the struggle to communicate what happened. Disturbing and provocative, Cartographies of Violence explores women's memories in order to map the effects of forced displacements, incarcerations, and the separations of family, friends, and communities.

An innovative critique of the way historians and political scientists study war. How can we resist a nation-state vision of the globe? What is needed to "unmap" the familiar world? In Violent Cartographies, Michael J. Shapiro considers these questions, exploring the significance of war in contemporary society and its connections to the geographical imaginary. Employing an ethnographic perspective, Shapiro uses whiplash reversals and bizarre juxtapositions to jolt readers out of conventional thinking about international relations and security studies. Considering the ideas of thinkers ranging from yon Clausewitz to Virilio, from Derrida to DeLillo, Shapiro distances readers from familiar political and strategic accounts of war and its causes. Shapiro uses literary and film analyses to elucidate his themes. For example, he considers such cultural artifacts as U.S. Marine recruiting television commercials, American war movies, and General Schwarzkopf's autobiography, elaborating how a certain image of American masculinity is played out in the military imaginary and in the media. Other topics are Melville's The Confidence Man, Bunuel's film That Obscure Object of Desire, and a comparison of the U.S. invasion of Grenada to an Aztec "flower war". Throughout, Shapiro draws attention to the violence of the colonial encounters through which many modern nation-states were formed, and ultimately suggests possible directions for an ethics of minimal violence in the encounter with others. The overall effect is of a complex, cumulative, and layered analysis of the historical and moral conditions of the current use of violence in the conduct of international relations. A fascinating andchallenging work, Violent Cartographies will interest anyone concerned with the connections between war and culture.

This edited volume seeks to propose and examine different, though related, critical responses to modern cultures of war among other cultural practices of statecraft. Taken together, these essays present a space of creative engagement with the political and draw on a broad range of cultural contexts and genres of expressions to provoke the thinking that exceeds the conventional stories and practices of international relations. In contrast to a macropolitical focus on state policy and inter-state hostilities, the contributors to this volume treat the micropolitics of violence and dissensus that occur below [besides and against] the level and gaze that comprehends official map-making, policy-making and implementation practices. At a minimum, the counter-narratives presented in these essays disturb the functions, identities, and positions assigned by the nation-state, thereby multiplying relations between bodies, the worlds where they live, and the ways in which they are ‘equipped’ for fitting in them. Contributions deploy feature films, literature, photography, architecture to think the political in ways that offer glimpses of realities that are fugitive within existing perspectives. Bringing together a wide range of theorists from a host of geographical, cultural and theoretical contexts, this work explores the different ways in which an aesthetic treatment of world politics can contribute to an ethics of encounter predicated on minimal violence in encounters with people with different practices of identity. This work provides a significant contribution to the field of international theory, encouraging us to rethink politics and ethics in the world today.

This work examines violence in the age of the terror wars with an eye toward the technologies of governance that create, facilitate, and circulate that violence. In performing a rhetorical cartography that explores the rise of the US armed drone program as well as moments of resistive violence that occurred during the Arab Spring directed at generating a counter-hegemony by Muslim populations, the author argues that the problem of the global terror wars is best addressed by a rhetorical understanding of the ways that governments, as well as individual subjects, turn to violence as a response to, or product of, the post September 11th terror society. When political examinations of terrorism are facilitated through understandings of discourse, clearer maps emerge of how violence functions to offer mechanisms by which governing bodies, and their subjects, evaluate the success or failure of the “War on Terror.” This book will be of interest to public policymakers and informed general readers as well as students and scholars in the fields of rhetoric, political theory, critical geography, US foreign relations/policy, war and peace studies, and cultural studies.

How, in the years before urban maps, did city residents conceptualize and navigate their communities? The author develops a method for understanding how residents thought about their personal geography. He explores how they charted their city, its social structure and their place within it.

Erotic Cartographies uses subjective mapping, a participatory data collection technique, to demonstrate how Trinidadian same-sex-loving women use their gender performance, erotic autonomy, and space-making practices to reinforce and resist colonial ascriptions on subject bodies. The women strategically embody their sexual identities to challenge imposed subject categories and to contest their invisibility and exclusion from discourses of belonging. Erotic Cartographies refers to the processes of mapping territories of self-knowing and self-expression, both cognitively in the imagination and on paper during the mapping exercise, exploring how meaning is given to space, and how it is transformed. Using the women’s quotes and maps, the book focuses on the false binary of public-private, the practices of home and family, and religious nationalism and spiritual self-seeking, to demonstrate the women’s challenges to the structural, symbolic, and interpersonal violence of colonial discourses and practices related to gender, knowledge, and power in Trinidadian society.

This timely Research Agenda highlights how slow violence, unlike other forms of conflict and direct, physical violence, is difficult to see and measure. It explores ways in which geographers study, analyze and draw attention to forms of harm and violence that have often not been at the forefront of public awareness, including slow violence affecting children, women, Indigenous peoples, and the environment.

This Is Not an Atlas gathers more than 40 counter-cartographies from all over the world. This collection shows how maps are created and transformed as a part of political struggle, for critical research or in art and education: from indigenous territories in the Amazon to the anti-eviction movement in San Francisco; from defending commons in Mexico to mapping refugee camps with balloons in Lebanon; from slums in Nairobi to squats in Berlin; from supporting communities in the Philippines to reporting sexual harassment in Cairo. This Is Not an Atlas seeks to inspire, to document the underrepresented, and to be a useful companion when becoming a counter-cartographer yourself.

In a long overdue contribution to geography and social theory, Katherine McKittrick offers a new and powerful interpretation of black women’s geographic thought. In Canada, the Caribbean, and the United States, black women inhabit diasporic locations marked by the legacy of violence and slavery. Analyzing diverse literatures and material geographies, McKittrick reveals how human geographies are a result of racialized connections, and how spaces that are fraught with limitation are underacknowledged but meaningful sites of political opposition. Demonic Grounds moves between past and present, archives and fiction, theory and everyday, to focus on places negotiated by black women during and after the transatlantic slave trade. Specifically, the author addresses the geographic implications of slave auction blocks, Harriet Jacobs’s attic, black Canada and New France, as well as the conceptual spaces of feminism and Sylvia Wynter’s philosophies. Central to McKittrick’s argument are the ways in which black women are not passive recipients of their surroundings and how a sense of place relates to the struggle against domination. Ultimately, McKittrick argues, these complex black geographies are alterable and may provide the opportunity for social and cultural change. Katherine McKittrick is assistant professor of women’s studies at Queen’s University.