Eduard Imhof's classic book Cartographic Relief Presentation is once again available. Within the discipline of cartography, few works are considered classics in the sense of retaining their interest, relevance, and inspiration with the passage of time. One such work is Imhof's masterpiece on relief representation, As a unique display of analysis and portrayal, this is an outstanding example of the need for cartography to combine intellect and graphics in solving map design problems. The range, detail, and scientific artistry of his solutions are presented in a teaching context that puts this work in a class by itself, with universal significance. The English-language version perserves Professor Imhof's forthright commentary and style analysis and presents his incomparable illustrations. This is a must have for anyone who makes maps.

"This new edition of Cartographic Relief Presentation was edited for clarity and consistency but preserves Imhof's insightful commentary and analytical style. Color maps, aerial photographs, and instructive illustrations are faithfully reproduced. The book offers guidelines for properly rendering terrain in maps of all types and scales whether drawn by traditional means or with the aid of a computer. Cartographic Relief Presentation was among the essential mapping and graphical design books of the twentieth century. Its continuing relevance for the twenty-first century is assured with this publication."--BOOK JACKET.

Mountains appear in the oldest known maps yet their representation has proven a notoriously difficult challenge for map makers. In this essay, Ernesto Capello surveys the broad history of relief representation in cartography with an emphasis on the allegorical, commercial and political uses of mapping mountains. After an initial overview and critique of the traditional historiography and development of techniques of relief representation, the essay features four clusters of mountain mapping emphases. These include visions of mountains as paradise, the mountain as site of colonial and postcolonial encounter, the development of elevation profiles and panoramas, and mountains as mass-marketed touristed itineraries.

Relief shading is the most common type of cartographic relief representation for print and digital maps. Manual relief shading results in informative and visually pleasing representations of terrain, but it is time consuming and expensive to produce. Current analytical relief shading can be created quickly, but the resulting maps are not as aesthetically appealing and do not show landscape features in an explicit manner. This article introduces an automated digital method that produces shaded relief with locally adjusted illumination directions to simulate the techniques and cartographic principles of manual relief shading. Ridgelines and valley lines are derived from a digital terrain model, vectorized, and used in a diffusion curve algorithm. A graph-based network analysis generalizes the lines before using them for diffusion curve shading. The direction of illumination is adjusted based on the spatial orientation of ridgelines and valley lines. The diffusion curve shading is combined with standard analytical relief shading to create a final shaded relief image. Similar to manual relief shading, major landforms and the structure of the terrain are more clearly shown in the final shaded relief image. The presented method best highlights major landforms in terrain characterized by sharp, clearly defined ridges and valleys.

Many people have a love of maps. But what lies behind the process of map-making? How have cartographers through the centuries developed their craft and established a language of maps which helps them to better represent our world and help users to understand it? This book tells the story of how widely accepted mapping conventions originated and evolved--from map orientation, projections, typography, and scale, to the use of color, symbols, ways of representing relief, and the treatment of boundaries and place names. It charts the fascinating story of how conventions have changed in response to new technologies and ever-changing mapping requirements, how symbols can be a matter of life or death, why universal acceptance of conventions can be difficult to achieve, and how new mapping conventions are developing to meet the needs of modern cartography. Why North is Up offers an accessible and enlightening guide to the sometimes hidden techniques of map-making through the centuries.

For some years the emphasis in map-historical literature has been either on traditional cartobibliography or on various cultural, social and ideological aspects of the mapping process. By contrast, few recent books have described what early carthographers actually did. Maps in Those days addresses this question. It deals with non-thematic maps of all kinds and of all parts of the world from earliest times to the mid-19th century, with particular reference to classical antiquity, the Renaissance and the Enlightenment in Europe and in countries of European settlement, especially Britain and Ireland. This book should interest researchers who use early maps as historical sources as well as connoisseurs of cartography for its own sake.