This “deeply rewarding compilation of maps” offers a gorgeously illustrated tour through the evolution of Japan from the Edo Period to the Digital Age (Los Angeles Review of Books). Japanese society underwent a cartographic renaissance in the late sixteenth century that would eventually turn maps and mapmaking into a central part of daily life. Since that time, the nation’s society and landscape have undergone major transformations, and at every point, copious maps documented those monumental changes. Cartographic Japan offers a rich introduction to the resulting treasure trove, with close analysis of one hundred maps from the late 1500s to the present day, each one treated as a distinctive window onto Japan’s tumultuous history. Forty-seven distinguished contributors—hailing from Japan, North America, Europe, and Australia—uncover the meanings behind a key selection of these maps, situating them in historical context and explaining how they were made, read, and used at the time. With more than one hundred full-color illustrations, Cartographic Japan offers an enlightening tour of Japan’s magnificent cartographic archive.

Introduction to Part II - Kären Wigen -- Mapping the City -- 13. Characteristics of Premodern Urban Space - Tamai Tetsuo -- 14. Evolving Cartography of an Ancient Capital - Uesugi Kazuhiro -- 15. Historical Landscapes of Osaka - Uesugi Kazuhiro -- 16. The Urban Landscape of Early Edo in an East Asian Context - Tamai Tetsuo -- 17. Spatial Visions of Status - Ronald P. Toby -- 18. The Social Landscape of Edo - Paul Waley -- 19. What Is a Street? - Mary Elizabeth Berry -- Sacred Sites and Cosmic Visions -- 20. Locating Japan in a Buddhist World - D. Max Moerman

From the fourteenth through the nineteenth centuries Japanese monks created hundreds of maps to construct and locate their place in a Buddhist world. This expansively illustrated volume is the first to explore the largely unknown archive of Japanese Buddhist world maps and analyze their production, reproduction, and reception. In examining these fascinating sources of visual and material culture, author D. Max Moerman argues for an alternative history of Japanese Buddhism—one that compels us to recognize the role of the Buddhist geographic imaginary in a culture that encompassed multiple cartographic and cosmological world views. The contents and contexts of Japanese Buddhist world maps reveal the ambivalent and shifting position of Japan in the Buddhist world, its encounter and negotiation with foreign ideas and technologies, and the possibilities for a global history of Buddhism and science. Moerman’s visual and intellectual history traces the multiple trajectories of Japanese Buddhist world maps, beginning with the earliest extant Japanese map of the world: a painting by a fourteenth-century Japanese monk charting the cosmology and geography of India and Central Asia based on an account written by a seventh-century Chinese pilgrim-monk. He goes on to discuss the cartographic inclusion and marginal position of Japan, the culture of the copy and the power of replication in Japanese Buddhism, and the transcultural processes of engagement and response to new visions of the world produced by Iberian Christians, Chinese Buddhists, and the Japanese maritime trade. Later chapters explore the transformations in the media and messages of Buddhist cartography in the age of print culture and in intellectual debates during the eighteenth and nineteenth centuries over cosmology and epistemology and the polemics of Buddhist science. The Japanese Buddhist World Map offers a wholly innovative picture of Japanese Buddhism that acknowledges the possibility of multiple and heterogeneous modernities and alternative visions of Japan and the world.

Miles of shelf space in contemporary Japanese bookstores and libraries are devoted to travel guides, walking maps, and topical atlases. Young Japanese children are taught how to properly map their classrooms and schoolgrounds. Elderly retirees pore over old castle plans and village cadasters. Pioneering surveyors are featured in popular television shows, and avid collectors covet exquisite scrolls depicting sea and land routes. Today, Japanese people are zealous producers and consumers of cartography, and maps are an integral part of daily life. But this was not always the case: a thousand years ago, maps were solely a privilege of the ruling elite in Japan. Only in the past four hundred years has Japanese cartography truly taken off, and between the dawn of Japan's cartographic explosion and today, the nation's society and landscape have undergone major transformations. At every point, maps have documented those monumental changes. Cartographic Japan offers a rich introduction to the resulting treasure trove, with close analysis of one hundred maps from the late 1500s to the present day, each one treated as a distinctive window onto Japan's tumultuous history. Forty-seven distinguished contributors--hailing from Japan, North America, Europe, and Australia--uncover the meanings behind a key selection of these maps, situating them in historical context and explaining how they were made, read, and used at the time. With more than one hundred gorgeous full-color illustrations, Cartographic Japan offers an enlightening tour of Japan's magnificent cartographic archive.

The globalization of space -- Separate worlds -- Early Joseon maps -- Europe looks East -- Cartographic encounters -- Joseon and its neighbors -- Cartographies of the late Joseon -- Representing Korea in the modern era -- The colonial grid -- Representing the new country -- Cartroversies -- Guide to further reading

This book gathers 22 papers which were presented at the 6th International Symposium of the ICA Commission on the History of Cartography in Dubrovnik, Croatia on 13–15 October 2016. The overall conference theme was ‘The Dissemination of Cartographic Knowledge: Production – Trade – Consumption – Preservation’. The book presents original research by internationally respected authors in the field of historical cartography, offering a significant contribution to the development of this field of study, but also of geography, history and the GIS sciences. The primary target audience includes researchers, educators, postgraduate students, map librarians and archivists.

This proceedings book presents the first-ever cross-disciplinary analysis of 16th–20th century South, East, and Southeast Asian cartography. The central theme of the conference was the mutual influence of Western and Asian cartographic traditions, and the focus was on points of contact between Western and Asian cartographic history. Geographically, the topics were limited to South Asia, East Asia and Southeast Asia, with special attention to India, China, Japan, Korea and Indonesia. Topics addressed included Asia’s place in the world, the Dutch East India Company, toponymy, Philipp Franz von Siebold, maritime cartography, missionary mapping and cadastral mapping.

"This title systematically categorizes and provides an overview of all the European printed maps of Japan published to 1800. The author has undertaken a review of the literature, conducted an exhaustive investigation in major libraries and private collections, analyzed these findings and then compiled information on 125 maps of Japan. The introduction contains information about the mapping to 1800, the typology of Japan by western cartographers, an overview on geographical names on early modern western maps of Japan and a presentation of the major cartographic models developed for this book".--Cover.

Kären Wigen probes regional cartography, choerography, and statecraft to redefine restoration (ishin) in modern Japanese history. As developed here, that term designates not the quick coup d’état of 1868 but a three-centuries-long project of rehabilitating an ancient map for modern purposes. Drawing on a wide range of geographical documents from Shinano (present-day Nagano Prefecture), Wigen argues that both the founder of the Tokugawa Shogunate (1600–1868) and the reformers of the Meiji era (1868–1912) recruited the classical map to serve the cause of administrative reform. Nor were they alone; provincial men of letters played an equally critical role in bringing imperial geography back to life in the countryside. To substantiate these claims, Wigen traces the continuing career of the classical court’s most important unit of governance—the province—in central Honshu.

With a multi-perspective approach and transdisciplinary methods (humanities and sciences), this book offers an in-depth and systematic study of hand-drawn and hand-coloured maps from East Asia. Map colouring provides an insight into past societies, landscapes and territories. Colour is an important key to a more precise understanding of the map’s content, purposes and uses; moreover, colours are also an important aspect of a map’s materiality. The material scientific analysis of colourants makes it possible to find out more about maps’ material nature and their production as well as the social, geographical and political context in which they were made. ‘Reading’ colours in this way gives a glimpse into the social lives of mapmakers as well as map users and reveals the complexity of the historical and social context in which maps were produced and how the maps were actually made.