Breathtaking in its suspense and beauty, Carry Me Across the Water is the story of a man’s turbulent journey, with his family, through the central years of the twentieth century. Young August Kleinman escapes from Nazi Germany to America, where his mother’s words—“Take the advice of no one”—fate him to a life of boldness and originality, from the poor streets of New York to the marble mansions of industrial Pittsburgh, from old world Hamburg to the jungle islands of the Pacific. Ultimately, near the end of a long and bountiful life, his resolution of a haunting encounter with a Japanese soldier during World War Two finally illuminates, at the deepest levels, the way authentic lives truly unfold. From the writer hailed as “the most mature and accomplished novelist of his generation” (Alan Cheuse, National Public Radio) comes this “exquisitely modulated short novel” (Los Angeles Times), which “eases its silky-smooth way into a reader’s consciousness even as it plumbs the depths” (Newsday).

“Take the advice of no one,” August Kleinman’s mother says to him while August is still a young boy in Germany, and with these words to guide him, he escapes Nazi Germany and goes on to build a fortune, a family, and life on his own terms in America. At the defining moments that reveal character and shape fate — a shocking encounter with a Japanese soldier in a cave during World War II, the audacious decision to start a brewery in Pittsburgh and a violent reaction against threats to its independent success, a vacation in Barbados, during which his beloved wife mysteriously wanders off, the birth of his grandson — August’s instincts are determinative in a way that illuminates how lives unfold at the deepest levels. This is a brilliant, suspenseful, surprising novel by one of America’s finest writers. Publisher’s Weekly called Ethan Canin’s For Kings and Planets “Masterful … a classic parable of the human condition,” and the same can be said about Carry Me Across the Water.

"Sentimental and ferocious, upsetting and tender, firmly magic-realist yet utterly modern. . . Sáenz is a writer with greatness in him." —San Diego Union Tribune With Carry Me Like Water, Benjamin Alire Sáenz unfolds a beautiful story about hope and forgiveness, unexpected reunions, an expanded definition of family, and, ultimately, what happens when the disparate worlds of pain and privilege collide. Diego, a deaf-mute, is barely surviving on the border in El Paso, Texas. Diego's sister, Helen, who lives with her husband in the posh suburbs of San Francisco, long ago abandoned both her brother and her El Paso roots. Helen's best friend, Lizzie, a nurse in an AIDS ward, begins to uncover her own buried past after a mystical encounter with a patient. This immensely moving novel confronts divisions of race, gender, and class, fusing together the stories of people who come to recognize one another from former lives they didn't know existed— or that they tried to forget.

Now with a new afterword, the Pulitzer Prize-winning dramatic account of the civil rights era’s climactic battle in Birmingham as the movement, led by Martin Luther King, Jr., brought down the institutions of segregation. "The Year of Birmingham," 1963, was a cataclysmic turning point in America’s long civil rights struggle. Child demonstrators faced down police dogs and fire hoses in huge nonviolent marches against segregation. Ku Klux Klansmen retaliated by bombing the Sixteenth Street Baptist Church, killing four young black girls. Diane McWhorter, daughter of a prominent Birmingham family, weaves together police and FBI records, archival documents, interviews with black activists and Klansmen, and personal memories into an extraordinary narrative of the personalities and events that brought about America’s second emancipation. In a new afterword—reporting last encounters with hero Reverend Fred Shuttlesworth and describing the current drastic anti-immigration laws in Alabama—the author demonstrates that Alabama remains a civil rights crucible.

Healing Stories for Challenging Behaviour brings together the fruits of Susan Perrow's work in storymaking. It is richly illustrated with lively anecdotes drawn from parents and teachers who have discovered how the power of story can help resolve a range of common childhood behaviours and situations such as separation anxiety, bullying, sibling rivalry, nightmares and grieving.

This second volume of our Ute trilogy contains a collection of Ute oral texts. Ute oral literature reflects the life experience of a small-scale hunting-and-gathering Society of Intimates and its tight connection to the local terrain, flora and fauna that supported the hunter-gatherer life. Ute story-telling tradition is the people's literary heritage, with the narrative style allowing considerable artistic freedom and diversity in contents and style. Stories were not memorized verbatim, and story-tellers took creative liberty in elaborating and re-inventing the 'same' tale. The core cultural contents of each story are nevertheless preserved across tellers. Ute stories were most likely told at night around the fire, in front of or inside the lodge, to a mixed audience of children and adults who had heard the tale many time before. The stories aimed to both instruct and entertain. Their underlying themes are stoic and oft-cynical reflections on the vagaries of human behavior and harsh existence. They are the foundational literary tradition of The People--Núuchi-u.

Katie has viewed life from the safety of her mother's parka, one spring her mother decides that it is time for Katie to walk on her own. Katie is overwhelmed and begs, "Carry me, Mama!" but Mama knows that it is time for Katie to walk on her own.