Carrington's beguiling letters take us beyond the Bloomsbury group to discuss sexual mores, how to be an artist, and what it is to be truly oneself. Known only by her surname, Dora Carrington was the star of her year at the Slade School of Fine Art, and was friends with some of the greatest minds of her day, including Virginia Woolf, Rosamund Lehmann and Maynard Keynes. For over a decade she was the companion of homosexual writer Lytton Strachey, and - stricken without him- killed herself when he died in 1932. Though she never achieved the fame her early career promised, in her determination to live life according to her own nature – especially in relation to her work and her fluid attitude to sex, gender and sexuality – she fought battles that remain familiar and urgent today. Now, through her passionate, playful and honest letters, we can encounter the maverick artist and compelling personality afresh and in her own words.

Treasure hunting heroes Peter Fallon and Evangeline Carrington return in the "New York Times"-bestselling series.

An old woman enters into a fantastical world of dreams and nightmares in this surrealist classic admired by Björk and Luis Buñuel. Leonora Carrington, painter, playwright, and novelist, was a surrealist trickster par excellence, and The Hearing Trumpet is the witty, celebratory key to her anarchic and allusive body of work. The novel begins in the bourgeois comfort of a residential corner of a Mexican city and ends with a man-made apocalypse that promises to usher in the earth’s rebirth. In between we are swept off to a most curious old-age home run by a self-improvement cult and drawn several centuries back in time with a cross-dressing Abbess who is on a quest to restore the Holy Grail to its rightful owner, the Goddess Venus. Guiding us is one of the most unexpected heroines in twentieth-century literature, a nonagenarian vegetarian named Marian Leatherby, who, as Olga Tokarczuk writes in her afterword, is “hard of hearing” but “full of life.”

Wyndham Lewis portrayed her as a tiny sex therapist, D. H. Lawrence as a frivolous artist's model and, elsewhere, as a gang-raped aesthete, and Aldous Huxley as jargon-speaking ultra-modern girl. Because of her Bohemian lifestyle, connection with the Bloomsbury group, her bobbed hair and outspoken views, painter Dora Carrington seems to symbolize the 'new' woman of the early 20th century. But the reality is more complex than that. While sexuality, infidelity and modernity were undeniably aspects of her personality, they were equally balanced by a loathing of her own femaleness, a devotion for 17 years with one man - albeit the homosexual Lytton Strachey, and respect for many aspects of traditional English life. Here is a vivid and compelling portrait of a remarkable woman -described by Lady Ottoline Morrell as 'a strange wild beast'.

Dora Carrington's association with Lytton Strachey and his Bloomsbury friends has tended to overshadow her contribution to modern painting. By looking at the art she produced in each period of her life, Hill redresses the balance, revealing Carrington as a significant artist of her time. The official tie-in to the major motion picture, starring Emma Thompson and Jonathan Pryce. 139 illustrations, 24 in color.

From famous Psychical Researchers, Mediums & Magicians. The letters are from such diverse personalities as Sir Oliver Lodge, William James, Harry Houdini, Howard Thurston, Mrs. L.E. Piper, Dr. Sigmund Freud, Nikola Tesla, Andrew Jackson Davis, Don Marquis, W. T. Stead, Dr. Carl Wickland, Alexander Graham Bell, Miss Katerine Bates, and many more. Everyone should know something of this work.

“Complete Stories, a collection of Carrington’s published and unpublished short stories—many newly translated from their original French and Spanish—is a terrific introduction to her bizarre, dreamlike worlds.” —Carmen Maria Machado, NPR Surrealist writer and painter Leonora Carrington (1917–2011) was a master of the macabre, of gorgeous tableaus, biting satire, roguish comedy, and brilliant, effortless flights of the imagination. Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life. Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of her stories, including several never before seen in print. With a startling range of styles, subjects, and even languages (several of the stories are translated from French or Spanish), The Complete Stories captures the genius and irrepressible spirit of an amazing artist’s life.

This book explores entanglements of power relations and forces of desire in life narratives and visual images. The analysis draws on paintings and archival auto/biographical writings of six fin-de-siècle women artists, who are brought together as narrative personae in a genealogical exploration of the constitution of the female self in art. The author offers an innovative theoretical approach to narrative research by bringing together feminist theories with Foucauldian and DeleuzoGuattarian analytics. The book will be of particular interest for researchers and graduate students in the fields of feminist, narrative and visual studies.

Surreal Friends brings together for the first time the work of three women Surrealist artists, brought together in exile in Mexico in the 1940s: British painter Leonora Carrington, Spanish painter Remedios Varo and Hungarian photographer Kati Horna. For all three women, Mexico offered freedom to explore their art in ways that had not been possible in Europe. Surreal Friends tells the fascinating story of their artistic friendship.