Read Rachel Caine's posts on the Penguin Blog In the small college town of Morganville, vampires and humans lived in (relative) peace-until all the rules got rewritten when the evil vampire Bishop arrived, looking for the lost book of vampire secrets. He's kept a death grip on the town ever since. Now an underground resistance is brewing, and in order to contain it, Bishop must go to even greater lengths. He vows to obliterate the town and all its inhabitants-the living and the undead. Claire Danvers and her friends are the only ones who stand in his way. But even if they defeat Bishop, will the vampires ever be content to go back to the old rules, after having such a taste of power?

"Carpe Corpus investigates time as it was theorized, imagined, and lived in early modern France. Despite the current flourishing of critical attention to women poets' works, critical assessments of Renaissance temporality remain almost exclusively shaped by early modern male writers." "A reading uninformed by female poets has deprived us of a more multifaceted vision of the temporal concordia discors at work in all these poets." "In Carpe Corpus, Cathy Yandell offers original interpretations of such literary giants as Ronsard and Louise Labe, as well as lesser-known but increasingly studied poets of the sixteenth century, notably Anne de Marquets, Nicole Estienne, and Catherine des Roches. Through readings of poetry, conduct manuals, and moral treatises, this volume seeks to reconstruct the temporal landscape of early modern France."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

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Sexuality is one of the most influential factors in human life. The responses to and reflections upon the manifestations of sexuality provide fascinating insights into fundamental aspects of medieval and early-modern culture. This interdisciplinary volume with articles written by social historians, literary historians, musicologists, art historians, and historians of religion and mental-ity demonstrates how fruitful collaborative efforts can be in the exploration of essential features of human society. Practically every aspect of culture both in the Middle Ages and the early modern age was influenced and determined by sexuality, which hardly ever surfaces simply characterized by prurient interests. The treatment of sexuality in literature, chronicles, music, art, legal documents, and in scientific texts illuminates central concerns, anxieties, tensions, needs, fears, and problems in human society throughout times.

In Morganville, Texas, “there’s always a surprise just around every dark corner”(Darque Reviews)—and it usually involves the undead. Now these secrets come to light in this collection that includes books one through eight in Rachel Caine's New York Times bestselling Morganville Vampires series… GLASS HOUSES THE DEAD GIRLS' DANCE MIDNIGHT ALLEY FEAST OF FOOLS LORD OF MISRULE CARPE CORPUS FADE OUT KISS OF DEATH

With its eclectic mix of vampire and human citizens, Morganville, Texas, has always been a risky place to call home. But with the invasion of the vampire’s deadliest enemy, Morganville isn’t just in danger—it’s dying… Ever since the draug—mysterious creatures that prey on vampires—took over Morganville, the lives of student Claire Danvers and her friends have been thrown into turmoil. Most of the town’s residents have evacuated, but Claire, Shane, Eve and Michael have chosen to stay and fight. Using the city’s water system to spread, the draug have rapidly multiplied. Things in Morganville look grim, especially since vampire Amelie—the town founder—has been infected by the master draug’s bite. Now, if Claire and her friends don’t figure out how to cure Amelie and defeat the draug, it looks like Morganville will become little more than a ghost town…

A new chapter in the New York Times bestselling Morganville Vampires saga. Vampire musician Michael Glass has attracted the attention of a big- time producer who wants to cut a demo and play some gigs-which means Michael will have to enter the human world. For this, he's been assigned escorts that include both a dangerous immortal as well as Michael's all-too-human friends. And with that mix of personalities, this is going to be a road trip from hell...

Exploiting a link between early modern concepts of the medical and the literary, David Houston Wood suggests that the recent critical attention to the gendered, classed, and raced elements of the embodied early modern subject has been hampered by its failure to acknowledge the role time and temporality play within the scope of these admittedly crucial concerns. Wood examines the ways that depictions of time expressed in early modern medical texts reveal themselves in contemporary literary works, demonstrating that the early modern recognition of the self as a palpably volatile entity, viewed within the tenets of contemporary medical treatises, facilitated the realistic portrayal of literary characters and served as a structuring principle for narrative experimentation. The study centers on four canonical, early modern texts notorious among scholars for their structural- that is, narrative, or temporal- difficulties. Wood displays the cogency of such analysis by working across a range of generic boundaries: from the prose romance of Philip Sidney's Arcadia, to the staged plays of William Shakespeare's Othello and The Winter's Tale, to John Milton's stubborn reliance upon humoral theory in shaping his brief epic (or closet drama), Samson Agonistes. As well as adding a new dimension to the study of authors and texts that remain central to early modern English literary culture, the author proposes a new method for analyzing the conjunction of character emotion and narrative structure that will serve as a model for future scholarship in the areas of historicist, formalist, and critical temporal studies.

Among the best-known and most prolific French women writers of the sixteenth century, Madeleine (1520–87) and Catherine (1542–87) des Roches were celebrated not only for their uncommonly strong mother-daughter bond but also for their bold assertion of poetic authority for women in the realm of belles lettres. The Dames des Roches excelled in a variety of genres, including poetry, Latin and Italian translations, correspondence, prose dialogues, pastoral drama, and tragicomedy; collected in From Mother and Daughter are selections from their celebrated oeuvre, suffused with an engaging and enduring feminist consciousness. Madeleine and Catherine spent their entire lives in civil war–torn Poitiers, where a siege of the city, vandalism, and desecration of churches fueled their political and religious commentary. Members of an elite literary circle that would inspire salon culture during the next century, the Dames des Roches addressed the issues of the day, including the ravages of religious civil wars, the weak monarchy, education for women, marriage and the family, violence against women, and the status of women intellectuals. Through their collaborative engagement in shared public discourse, both mother and daughter were models of moral, political, and literary agency.

This book proposes that in a number of French Renaissance texts, we observe a shift in thinking about memory and forgetting. Focusing on a corpus of texts by Marguerite de Navarre, Pierre de Ronsard and Michel de Montaigne, it explores several parallel transformations of and challenges to classical and medieval discourses on memory.