Decadence and murder found on the dark side of the big city pales in comparison to the freak show found by undercover US narcotics agent Bob Clark in The Carnival of Death. Clark's investigation begins with cocaine and leads to cold-blooded murder--the discovery of one, and then another, headless corpse. Who is behind the slaughter? Are the killings tied to the drug traffic? Or is a deeper, darker, and even more sinister conspiracy unfolding in the carnival? There are plenty of distractions--bright lights and beautiful girls--but Clark better find the murderers of the midway fast. Because the next head that rolls could very well be his own. Also includes the mystery "The Death Flyer," in which a man and woman find themselves trapped on a ghost train and bound for a deadly crash ... unless they can find a way to derail fate and cheat death--on the fly. Experience the spinning wheels, the pleasure-seeking crowds and the screams of horror as the The Carnival of Death takes you on a roller-coaster ride of suspense. "Highly recommended." --Midwest Book Review "Roars to life." --Library Journal

In the movie The Big Sleep, Bogart as Philip Marlowe follows a trail of decadence and murder on the dark side of L.A. But even the seamy underside of the city of angels pales in comparison to the freak show found by undercover U.S. narcotics agent Bob Clark . . . in The Carnival of Death. Clark’s investigation begins with cocaine and leads to cold-blooded murder—the discovery of one, and then another, headless corpse. Who is behind the slaughter? Are the killings tied to the drug traffic? Or is a deeper, darker, and even more sinister conspiracy unfolding in the carnival? There are plenty of distractions—bright lights and beautiful girls—but Clark better find the murderers of the midway fast. Because the next head that rolls could very well be his own. In 1934, while living in New York, the heart of the publishing industry, Hubbard struck up a friendship with the city’s medical examiner—a relationship that started his education in undetectable crime and provided him with authoritative clinical background for his detective stories. Also includes the mystery The Death Flyer, in which a man and woman find themselves trapped on a ghost train and bound for a deadly crash . . . unless they can find a way to derail fate and cheat death—on the fly. “Roars to life.” —Library Journal

On the day they gave the money away . . . the shopping center was a scene of confusion. A carnival had been set up nearby, and now a clown was throwing coins and bills to the eager crowd. Suddenly the gay scene changed to nightmare. A man clutched his stomach and dropped to the ground. A clown was shot; a young mother was killed by a stray bullet. The merrymakers were no longer the audience, but unwilling pawns in a dangerous game - with life or death as the stakes.

Carnival for the Dead is a suspenseful spin-off from the Nic Costa series, David Hewson's detective novels of love and death in Italy. In Venice the past was more reticent. Beyond the tourist sights, San Marco and the Rialto, it lurked in the shadows, seeping out of the cracked stones like blood from ancient wounds, as if death itself was one more sly performance captured beneath the bright all-seeing light of the lagoon. It’s February, and Carnival time in Venice. Forensic pathologist Teresa Lupo visits the city to investigate the mysterious disappearance of her beloved bohemian Aunt Sofia. But from the moment she is greeted off the vaporetto by a masked man dressed in the costume of The Plague Doctor, Teresa starts to suspect that all is not well. The puzzle deepens when a letter reveals a piece of fiction in which both Sofia and Teresa appear. Even more strange, are the links to the past which gradually begin to surface. Are the messages being sent by Sofia herself? Her abductor? Or a third party seeking to help her unravel the mystery? The revelation is as surprising and shocking as Sofia’s fate. And Teresa herself comes to depend upon the unravelling of a mystery wrapped deep inside the art and culture of Venice itself.

Cadenza is the City of Words, a city run by poets, its skyline dominated by the steepled towers of its libraries, its heart beating to the stamp and thrum of the printing presses in the Printing Quarter. Carlo Mazzoni, a young wordsmith arrives at the city gates intent on making his name as the bells ring out with the news of the death of the city’s poet-leader. Instead, he finds himself embroiled with the intrigues of a city in turmoil, the looming prospect of war with their rival Venice ever-present. A war that threatens not only to destroy Cadenza but remove it from history altogether…

The circus is coming to town. And terror follows in its wake… When a man is killed under mysterious circumstances, retired marine and the world’s greatest ghost hunter, Shane Ryan, finds himself tangled up in the case. The trail of clues leads him to a sinister traveling carnival. And a string of new murders… Backtracking along the carnival’s route, Shane discovers a ghost town filled with bloodthirsty wraiths. Battling these undead killers, Shane is barely able to escape with his life. But he manages to unearth a link between the murder victims and a hideous crime from the town’s sordid past. Years ago, a grave injustice led to bloodshed. Now, a dark, terrifying force has been unleashed: a relentless spirit, on a brutal quest for revenge. And unless Shane and his allies can stop it, more blood will be spilled. Shane Ryan hasn’t lost a battle with the supernatural yet. But this time, he may have met his match…

The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a“dying party” in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.