An adaptation of Shaftesbury’s award-winning, groundbreaking queer vampire web series, Carmilla. Newly escaped from the stifling boredom of a small town, college freshman Laura is ready for her first great adventure. But when her roommate, Betty, vanishes, and a sarcastic, nocturnal philosophy student named Carmilla moves into Betty’s side of the room, Laura decides to play detective. Turns out, Betty isn’t the first girl to go missing — she’s just the first girl not to come back. As Laura closes in on answers, tensions rise with Carmilla. Is this just a roommate relationship that isn’t working out, or does Carmilla know more than she’s letting on about the disappearances? What will Laura do if it turns out her roommate isn’t just selfish and insensitive, but completely inhuman? And what will she do with the feelings she’s starting to have for Carmilla?

String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.

Carmilla is a gothic novella by Joseph Sheridan Le Fanu, first published in 1872. It is often considered a seminal work in the vampire literature genre, predating Bram Stoker's Dracula by 25 years. The story revolves around a young woman named Laura and her encounter with a female vampire named Carmilla. The novella is narrated from Laura's perspective, who recounts her strange and eerie experiences with Carmilla. The two young women form a close bond, but Laura begins to experience disturbing dreams and declining health. It is eventually revealed that Carmilla is a vampire, and she is destroyed by a group of vampire hunters. Carmilla is notable for its exploration of lesbian themes, which were considered taboo at the time of its publication. The relationship between Laura and Carmilla is portrayed as intimate and sensual, although it is also fraught with danger and fear. The novella can be interpreted as a commentary on the societal attitudes towards same-sex desire in the Victorian era. The novella is also significant for its contribution to the vampire literature genre. Carmilla is depicted as a seductive and predatory figure, a trope that would become common in later vampire fiction. The novella also introduces the idea of a vampire hunter, a character type that would become a staple of the genre. Carmilla has been adapted into various forms of media, including film, television, and stage productions. It has also inspired a number of derivative works, including the web series Carmilla (2014-2016) and the novel The Gilda Stories (1991) by Jewelle Gomez. In terms of critical reception, Carmilla has been praised for its atmospheric writing and its exploration of taboo themes. However, it has also been criticized for its slow pacing and its lack of character development. Overall, Carmilla is a significant work in the gothic and vampire literature genres, and it continues to be studied and analyzed by scholars and fans alike.

"This is a beautiful retelling ... perfect for anyone who likes darker-themed romance, horror stories, or plain ol' lesbian vampires." -The Lesbian 52 In the late 19th century, Laura lives a lonely life in a schloss by the forest, Styria, with only her doting father and two governesses for company. A chance accident brings a new companion, however - the eccentric and beautiful Carmilla. With charm unparalleled and habits as mysterious as her history, Carmilla's allure is undeniable, drawing Laura closer with every affectionate touch and word. Attraction blossoms into a temptation Laura fears to name, a tantalizing passion burning brighter than the fires of hell. But when a mysterious plague begins stealing the lives of young women in her home and the village beyond, Laura wrestles to reconcile the truth - that the gentle, fragile woman she loves may be a monster cast out of heaven. Carmilla, the classic vampire novella written by J Sheridan LeFanu, receives new life in this gorgeous retelling, centered on the provocative, controversial leads of the original, Carmilla and Laura.

"Nothing has sunk its teeth into twenty-first century popular culture as pervasively as the vampire. The fangsters have the freedom to fly across all genres and all mediums--there are even apps for vamps. Whether roaming into romance, haunting horror, sneaking into science fiction, capering into humor, sucking on the sociopolitical, titillating teens, meandering through mystery, heating up supernatural sex, or charming children--no icon is more versatile than the vampire. Slake your insatiable thirst and drink deeply of twenty-five of the best sanguinary stories of the new millennium: terrifying or tender, deadly or delicious, badass or beneficient, romantic or rude, funny or frightening, wily or weary, classic or cutting edge ..."--Page 4 of cover.

trange Event in the Life of Schalken the Painter is a series of short stories by J. Sheridan Le Fanu. Mostly set in Ireland, they include some classic stories of gothic terror, with ominous castles, madness and suicide.

No book since Mrs Shelley's Frankenstein, or indeed any other at all has come near yours in originality, or terror - Poe is nowhere..."-Charlotte Stoker (Mother of Bram Stoker). Originally published in 1897, Bram Stoker's Dracula has spawned countless new editions, inspired over fifty films, and hundreds of reimaginings. The iconic and terrifying character of Stoker's imagination has permeated our conciousness in such away that Dracula is the seminal vampire of popular culture. Set across London and into the darkest corners of Eastern Europe, Dracula is told through the journal entries and letters of its protagonists as they strive to survive the presence of Count Dracula in their lives. Young lawyer Jonathan Harker travels to Transylvania to assist in a land transaction, but finds himself trapped in the Count's castle, tormented by strange and unearthly occurrences. After a miraculous escape, he returns to England, only to find that the Count has followed him to London and has begun tracking his fiancé, Mina... Reprinted in its original form, this edition of Dracula is perfect for a first time reader, or as a classic to keep forever.

I was a young man at the time, and intimately acquainted with some of the actors in this strange tale; the impression which its incidents made on me, therefore, were deep, and lasting. I shall now endeavour, with precision, to relate them all, combining, of course, in the narrative, whatever I have learned from various sources, tending, however imperfectly, to illuminate the darkness which involves its progress and termination.Somewhere about the year 1794, the younger brother of a certain baronet, whom I shall call Sir James Barton, returned to Dublin. He had served in the navy with some distinction, having commanded one of His Majesty's frigates during the greater part of the American war. Captain Barton was apparently some two- or three-and-forty years of age. He was an intelligent and agreeable companion when he pleased it, though generally reserved, and occasionally even moody.In society, however, he deported himself as a man of the world, and a gentleman. He had not contracted any of the noisy brusqueness sometimes acquired at sea; on the contrary, his manners were remarkably easy, quiet, and even polished. He was in person about the middle size, and somewhat strongly formed-his countenance was marked with the lines of thought, and on the whole wore an expression of gravity and melancholy; being, however, as I have said, a man of perfect breeding, as well as of good family, and in affluent circumstances, he had, of course, ready access to the best society of Dublin, without the necessity of any other credentials.

This early work by Sheridan Le Fanu was originally published in 1870. Born in Dublin in 1814, he came from a literary family of Huguenot origins; both his grandmother Alicia Sheridan Le Fanu and his great-uncle Richard Brinsley Sheridan were playwrights,