Written in the poet's unique personal idiom, these early poems include "Chicago," "Fog," "Who Am I?" "Under the Harvest Moon," plus more on war, love, death, loneliness and the beauty of nature.

A collection from the Pulitzer Prize–winning American poet with “a sharp lively wit and a tender approach to the human condition” (The Philadelphia Inquirer). Though he was also renowned as a biographer of Abraham Lincoln, Carl Sandburg was first and foremost a poet—upon his death, President Lyndon B. Johnson said “Carl Sandburg was more than the voice of America, more than the poet of its strength and genius. He was America.” In this outstanding collection of seventy-seven poems, Sandburg eloquently celebrates the themes that engaged him as a poet for more than half a century of writing—life, love, and death. Strongly lyrical, these intensely honest poems testify to human courage, frailty, and tenderness and to the enduring wonders of nature. “A poetic genius whose creative power has in no way lessened with the passing years.” —Chicago Tribune

Seventy humorous and serious poems dealing with people, word play, everyday things, nature, night, and the sea.

Here are 167 of Carl Sandburg's poems which are expressive of the Middle West. The editor has chosen representative poems from four volumes: Chicago poems, Cornhuskers, Smoke and steel, and Slabs of the Sunburnt West.

Presents the Pulitzer Prize-winning collection of the complete poems of twentieth-century American poet Carl Sandburg.

A fresh look at the Pulitzer Prize–winning poet laureate of the American Midwest With the publication of Chicago Poems in 1916, Carl Sandburg became one of the most famous poets in America: the voice of a Midwestern literary revolt, fusing free-verse poetics with hard-edged journalistic observation and energetic, sometimes raucous protest. By the time his first book appeared, Sandburg had been many things—a farm hand, a soldier in the Spanish-American War, an active Socialist, a newspaper reporter and movie reviewer—and he was determined to write poetry that would explode the genteel conventions of contemporary verse. His poems are populated by factory workers, washerwomen, crooked politicians, hobos, vaudeville dancers, and battle-scarred radicals. Writing from the bottom up, bringing to his poetry the immediacy of America’s streets and prairies, factories and jails, Sandburg forged a distinctive style at once lyrical and vernacular, by turns angry, gritty, funny, and tender.

An award-winning gathering of exquisite poems by a celebrated poet.