Carl Barks tops the list of greatest comic book artists of many devoted fans around the world. He has often been called "The Good Duck Artist" by avid readers of all ages of his Disney Donald Duck and Uncle Scrooge comics. Those Duck stories have been reprinted and loved again and again by millions. But, while the Duck oeuvre is easily obtainable, only a few elite fans have gotten rare glimpses of yet another fabulous, alternate universe that Barks created around the classic animation characters Barney Bear and Benny Burro. Hidden in rare, Golden Age comics only Scrooge McDuck could afford are wonderful, full-color fantasy and fun stories as only Barks can write and draw 'em! Collected for the first time in a deluxe, hardcover, full-color tome, are all of these masterpieces, meticulously restored. The Barks' Bear Book is edited and designed by Eisner-Award-winning comics historian Craig Yoe, with a fascinating introduction and special cover is by Barks-devotee Jeff Smith, the best-selling graphic novelist of the Bone comics series. As with the entire line of Yoe Books, the reproduction techniques employed strive to preserve the look and feel of expensive vintage comics. Painstakingly remastered, enjoy the closest possible recreation of reading these comics when first released.

Ten stories in this book, mostly unavailable since their original printings in comic books, are collected here together for the first time, along with a few other gems. Also included are several virtually unknown works by Barks which have not previously been collected anywhere. Four of the stories in this book appear in restored versions which are intended to showcase them as Barks originally intended for them to be seen. All of the stories are sourced from high quality masters except for three for which there are no known surviving masters. As collected in this book, newly colored and sourced from original masters, the stories look much better in this book than in previous printings. The 26 Barney Bear and Benny Burro stories, the bulk of Barks' non-Disney work, are in print in the USA in another book, The Carl Barks Big Book of Barney Bear; however, unfortunately, original masters were not used for their reproduction. The Unavailable Carl Barks also includes a comprehensive index to all of Carl Barks' non-Disney comics, and other introductory, historical, and background articles, totaling about 40 pages. Every story that Carl Barks wrote or drew featuring Disney characters during his career as a comic book creator has been reprinted, often many times, in comic books and albums and books. The Disney work is the most important of Barks' work, but Barks also wrote and/or drew 36 other comic book stories featuring non-Disney characters between 1943 and 1953; these have been less-well served in reprinting and are much less well-known. They are generally comparable in quality to the average of the Donald Duck work he was doing at the same time. A few of them are quite creative and delightful, and stand well with the best short story work he was doing at the time. Most of them have been out-of-print since their publication decades ago in comic books. This book is intended to remedy that situation.

British comics writer Alan Moore (b. 1953) has a reputation for equal parts brilliance and eccentricity. Living hermit-like in the same Midlands town for his entire life, he supposedly refuses contact with the outside world while creating his strange, dense comics, fiction, and performance art. While Moore did declare himself a wizard on his fortieth birthday and claims to have communed with extradimensional beings, reticence and seclusion have never been among his eccentricities. On the contrary, for long stretches of his career Moore seemed to be willing to chat with all comers: fanzines, industry magazines, other artists, newspapers, magazines, and personal websites. Well over one hundred interviews in the past thirty years serve as testimony to Moore's willingness to be engaged in productive conversation. Alan Moore: Conversations includes ten substantial interviews, beginning with Moore's first published conversation, conducted by V for Vendetta cocreator David Lloyd in 1981. The remainder cover nearly all of his major works, including Watchmen, V for Vendetta, Swamp Thing, Marvelman, The League of Extraordinary Gentlemen, Promethea, From Hell, Lost Girls, and the unfinished Big Numbers. While Moore's personal life and fraught business relations are discussed occasionally, the interviews chosen are principally devoted to Moore's creative practices and techniques, along with his shifting social, political, and philosophical beliefs. As such, Alan Moore: Conversations should add to any reader's enjoyment and understanding of Moore's work.

Carl Barks's greatest creation: The miserly, excessively wealthy Scrooge McDuck, whose giant money bin, lucky dime, and constant wrangles with his nemeses the Beagle Boys are well-known to and beloved by young and old. This volume starts off with "Only a Poor Old Man," the defining Scrooge yarn (in fact his first big starring story) in which Scrooge's plan to hide his money in a lake goes terribly wrong. Two other long-form classics in this volume include "Tralla La La" (also known as "The Bottlecap Story," in which Scrooge's intrusion has terrible consequences for a money-less Eden) and "Back to the Klondike" (Barks disciple Don Rosa's favorite story, a crucial addition to Scrooge's early history, and famous for a censored bar brawl that was restored in later editions). Also in this volume are the full-length "The Secret of Atlantis," and over two dozen more shorter stories and one-page gags.

The Complete Carl Barks Index LARGE PRINT INDEX EDITION is identical to the regular edition EXCEPT that the Index portion of the Book is printed in larger type. The regular edition index portion of the book is mostly 2 columns of 7-point type. The LARGE PRINT index is mostly single column 9-point type and is consequently almost 250 pages longer. The non-index text is mostly 10-point in all editions. The price of the 548 page LARGE PRINT edition is $39.95. The regular 304 page edition price is $34.95. A SPECIAL EDITION identical to the regular edition except for a few pages of color, instead of black and white, illustrations is by $59.95; In any of the editions, the book a comprehensive index and concordance of Carl Barks' comic book work. From 1942 until his retirement in 1966, Carl Barks was the most important writer and artist of Donald Duck and related comic books, including Uncle Scrooge, as well as the creator of Uncle Scrooge and many of the best-loved characters in the Duck comic books. So beloved and important was Carl Barks' work that from 1983 to 1990, Another Rainbow Publishing, founded by Bruce Hamilton, published The Carl Barks Library in 30 deluxe hardcover volumes reprinting all of Barks' Disney comic book work and as much other Disney related drawings and art Barks was involved with as possible. In addition to comic book work, it includes paintings, storyboard and animation drawings, model sheets, and drawings for fans, among other things. The Complete Carl Barks Index has over 29,000 lines of data in the Index. The index, which was always intended to cover all of Barks' Disney comics as published in the original comic books and as reprinted, or in some cases first printed, in The Carl Barks Library, was also expanded to include Barks' non-Disney comics and also, later, Disney comics not included in The Carl Barks Library, and not even published until after The Carl Barks Library had been completed. There is even Barks comic book work first published after Barks' death, including work that has not yet been published in the USA or even in English. This has led to some additional material being added to the index as late as 2016. All of that is included in the Index. Information has also been included to make the Index useful even with other reprints in addition to the original comic books and the The Carl Barks Library. Each data entry includes reference to the original USA comic book publications with comic book title, issue, and story page numbers. It also includes reference to The Carl Barks Library publication including set, volume, and page reference, as well as submission dates, based on Carl Barks' personal work records. Just about any question you might ask about Carl Barks' work, if you can think of it, and it is included in Barks' opus, you can probably find it and all references to it. Want to find every depiction of a cigarette in Barks' comics or a listing of every half page display panel and other large sized panels? It's there. What really was the first appearance of the money bin or its precursors, or the worry room, or Gladstone's luck, every appearance of the Beagle Boys, all incarnations of Barks' pig villain characters, what stories have a camel in them, what Barney Bear and Benny Burro story was rewritten as an Uncle Scrooge story, what other Barks stories were rewritten years or decades later? Where does that huge panel of a money dam bursting with gazillions of dollars flowing forth appear? It's all there in the Index. There are also a dozen chapters of introduction, historical, and background material, topics of special interest, and a Foreword by Michael Barrier.

" West Virginia boasts an unusually rich heritage of ghost tales. Originally West Virginians told these hundred stories not for idle amusement but to report supernatural experiences that defied ordinary human explanation. From jealous rivals and ghostly children to murdered kinsmen and omens of death, these tales reflect the inner lives—the hopes, beliefs, and fears—of a people. Like all folklore, these tales reveal much of the history of the region: its isolation and violence, the passions and bloodshed of the Civil War era, the hardships of miners and railroad laborers, and the lingering vitality of Old World traditions.

Star artists from around the globe each draw a chapter of Mickey's wildest adventure -- from Giorgio Cavazzano (Disney Masters) to Mike Peraza (Mickey's Christmas Carol) to Marco Rota, plus dozens more! While celebrating his birthday at a carnival, Mickey crosses the threshold of a fortune-teller's mystic portal and finds himself flung headlong into an amazing journey. He encounters one phantasmagorical dimension after another -- a fractured fairy tale kingdom, a cubist realm, and outer space -- with plenty of dragons, mummies, and giant mouse-eating plants along the way. (Not to mention alternate versions of Goofy, Peg Leg Pete, and the Phantom Blot!) Can Mickey get back? How deep does this rabbit hole -- er, mouse hole -- go?

With this, his best-selling and most critically acclaimed collection ever, Ellison celebrates four decades of brilliant, outrageous writing. The award-winning novella "Mefisto in Onyx" is the centerpiece of an irreverent and wildly imaginative book that the San Diego Union-Tribune called "electrifying...Ellison is back, as unsettling as ever."

"Thank you for the copy of Carl Barks and the Art of the Comic Book by Michael Barrier, which we are thrilled to see finally in published form. It was worth the years of waiting, and we hope will supply the answers to the myriad of questions which Carl must answer thousands of times over. Now he can just say buy the Barrier book published by M.M. Lilien..." --Gare Barks (Mrs. Carl Barks)) "Carl Barks and the Art of the Comic Book is the very long-awaited biography/bibliography/critique of the Good Artist's work by Michael Barrier. It is published in a handsome, sturdy, well-designed hardcover edition by M. Lilien of New York, with a lovely dust jacket featuring a self-caricature of Barks on the front and a color photo of the Duck Man on the back side. Inside you will find a detailed account of Barks' life and career, with each story discussed and highlighted. There are many photos of Barks as a young man, sketches and cartoons he did for the Calgary Eye Opener and as inter-office gags at the Disney Studios ... If you are a fan of Carl Barks, you simply, absolutely, positively and unquestionably must have this book and right now. If you are a comic-book student, you must have this book to see how thoroughly and well comics can and should be studied ...." --Don and Maggie Thompson The Buyer's Guide For Comic Fandom. " ... Barrier covers not only the life of Barks but his particular thematic preoccupations (the "rescue theme") in what parent/child roles are reversed is documented with considerable wisdom, for instance). The photos of Barks, his house, and other people he worked with are precious glimpses on an important period in comic book history, and the many drawings by Barks and others constitute a real treasure trove for both fans and scholars..." --Catherine Yronwode. The Buyer's Guide For Comic Fandom This beautifully illustrated book captures the essence of Carl Barks, the man who brought Donald Duck into the hearts of a generation of Americans. Only Michael Barrier, who is uniquely familiar with both Bark's life and works, could assemble this definitive introduction to Barks' creations. Barrier traces Barks' life as a young cartoonist who eventually joined the Walt Disney Studios during the depression. Upon joining the Western Publishing Company in 1942, Barks produced vivid tales which captured comic book readers' imaginations for the following two decades. Barks brought to life such unforgettable characters as Uncle Scrooge, the Beagle Boys, and the other zany inhabitants of Duckburg. Although Barks' art was readily accessible to children, his stories contained satire aimed at the foibles of a nation immersed in the Cold War and new-found material success. In addition to chronicling Barks' life, this book provides a definitive bibliography of Barks' works. The bibliography is enhanced by quotations from Barks on specific works as well as comments from Kim Weston. Cost $90.00 plus shipping and handling.

Interviews with the Disney artist who created Scrooge McDuck and many well-loved comic books Disney artist Carl Barks (1901-2000) created one of Walt Disney's most famous characters, Scrooge McDuck. Barks also produced more than 500 comic book stories. His work is ranked among the most widely circulated, best-loved, and most influential of all comic book art. Although the images he created are known virtually everywhere, Barks was an isolated storyteller, living in the desert of California and preferring to labor without public fanfare during most of his career. He created work of such exceptional quality that he was accorded the greatest autonomy of any Disney artist. He is the only comic book artist ever to receive a Disney Legends award. The influence of Barks's work on such filmmakers as George Lucas and Steven Spielberg and on such artists as Gottfried Helnwein has extended Barks's significance far beyond the boundaries of comics. After Barks's death at the age of ninety-nine, Roy Disney praised him for his "brilliant artistic vision." Carl Barks: Conversations is the only comprehensive collection of Barks's interviews. It ranges chronologically from the very first one (with Malcolm Willits, the fan who uncovered Barks's identity) to the artist's final conversations with Donald Ault in the summer of 2000. In between are interviews conducted by J. Michael Barrier, Edward Summer, Bruce Hamilton, and others. Several of these interviews are published here for the first time. Ault's friendship with Barks, ranging over a period of thirty years, provides an unusually intimate resource not only for standard q&a interviews but also for casual conversations in informal settings. Carl Barks: Conversations reveals previously unknown information about the life, times, and opinions of one of the master storytellers of the twentieth century. Donald Ault, a professor of English at the University of Florida, is the author of Narrative Unbound: Re-Visioning William Blake's The Four Zoas and Visionary Physics: Blake's Response to Newton. His work has been published in Studies in Romanticism, The Wordsworth Circle, Modern Philology, and The Comics Journal.