Whether running, jumping, or walking, subtle twists or turns of the body can ultimately give a carving a sense of motion. That concept is proven here. Caricature Carvers of America members offer up a variety of carvings of figures in motion. All of them are humorous and several carvings share a similar "theme." Among them are a cowboy on a "quick" trip to the outhouse and another who has been there, met up with a bee's nest, and is making a fast getaway. Sports figures, superheroes, dancers, a fireman, and even a surfing chicken are among the delightful characters who move their way through this book. Phil Bishop provides step-by-step instructions for carving that "Green Apple Quick Step." Suggestions are also provided for painting and finishing. Other chapters feature the individual carvers with information about them and their works, along with photos of the works in progress, and beautiful studio photographs of the finished pieces. Patterns are provided for readers who want to carve these pieces, giving them their own personal twist.

Former Disney animator offers expert advice on drawing animals both realistically and as caricatures. Use of line, brush technique, establishing mood, conveying action, much more. Construction drawings reveal development process in creating animal figures. Many chapters on drawing individual animal forms — dogs, cats, horses, deer, cows, foxes, kangaroos. 53 halftones, 706 line illustrations.

This treasury of illustrated step-by-step instructions is rich in the period style of the 1920s and '30s. It features practical advice on depicting faces, motion, anatomy, caricatures, animated features, and political cartoons.

One of the world's leading cartoon artists shows readers how to capture the retro look of Sponge Bob, Dexter, and other popular comics, revealing how to recapture the 1950s in cartoons.

Art in Motion, Revised Edition is the first comprehensive examination of the aesthetics of animation in its many forms. It gives an overview of the relationship between animation studies and media studies, then focuses on specific aesthetic issues concerning flat and dimensional animation, full and limited animation, and new technologies. A series of studies on abstract animation, audiences, representation, and institutional regulators is also included.