"CareyOn is the true story of the Carey family, who swapped their suburban home in Toronto for a hobby farm near Orangeville, Ontario in 1975. Told from the point of view of two teenage sisters, Cindy and Natalie Carey, CareyOn witnesses the unravelling of the family in the wake of Natalie's premature departure, and explores the impact of being abandoned" - back cover.

When her lover dies suddenly, all Catherine has left is her work. In an act of compassion her manager at London’s Swinburne Museum gives her a very particular project: a box of intricate clockwork parts that constitute a nineteenth-century automaton, a beautiful mechanical bird. It’s an object made of equal parts magic, love, madness and science, a delight that contains the seeds of our age’s downfall. Once Catherine discovers the diary of the man who commissioned it, one obsession merges into another.

Described as 'haunting' by Sunday Times, The Swallowed Man is a dark reimagining of Pinocchio, told from inside the belly of a fish. ‘Profound and delightful' Max Porter, author of Grief is the Thing with Feathers I am writing this account, in another man’s book, by candlelight, inside the belly of a fish. I have been eaten. I have been eaten, yet I am living still. From the acclaimed author of Little comes this beautiful and haunting imagining of the years Geppetto spends within the belly of a sea beast. Drawing upon the Pinocchio story while creating something entirely his own, Carey tells an unforgettable tale of fatherly love and loss, pride and regret, and of the sustaining power of art and imagination.

This vivid portrait of contemporary parenting blends memoir and cultural analysis to explore evolving ideas of disability and human difference. An Ordinary Future is a deeply moving work that weaves an account of Margaret Mead's path to disability rights activism with one anthropologist's experience as the parent of a child with Down syndrome. With this book, Thomas W. Pearson confronts the dominant ideas, disturbing contradictions, and dramatic transformations that have shaped our perspectives on disability over the last century. Pearson examines his family's story through the lens of Mead's evolving relationship to disability—a topic once so stigmatized that she advised Erik Erikson to institutionalize his son, born with Down syndrome in 1944. Over the course of her career, Mead would become an advocate for disability rights and call on anthropology to embrace a wider understanding of humanity that values diverse bodies and minds. Powerful and personal, An Ordinary Future reveals why this call is still relevant in the ongoing fight for disability justice and inclusion, while shedding light on the history of Down syndrome and how we raise children born different.

For the first time, the WPA Slave Narratives are organized by theme, making it easier to examine—and understand—specific aspects of slave life and culture. There is no better way to appreciate history than to experience it through the eyes of those who lived it. Slave Culture: A Documentary Collection of the Slave Narratives from the Federal Writers' Project brings together the memories of the last generation of enslaved African Americans gathered through interviews conducted between 1936 and 1938. This three-volume work stands apart from previous Slave Narrative collections in that it organizes the narratives thematically, bringing the rich tapestry of slave culture to life in a fresh way. Within each thematic area, multiple excerpts span time, gender, and geography. An introductory essay for each theme and a contextual explanation for each narrative help readers draw lessons from this vast collection, while an introduction to the work explains the Works Progress Administration's Slave Narrative project—illuminating still another era in American history.

Author and illustrator Edward Carey presents a paean to connection at a time of isolation: a year of daily lockdown drawings posted on social media from his home in Texas. 'This book contains magic' A.L. Kennedy In March 2020, as lockdowns were imposed around the world, author and illustrator Edward Carey published a sketch on social media with a plan to keep posting a drawing a day from his family home in Austin, Texas, until life returned to normal. One hundred and fifty pencil stubs later, he was still drawing. Carey's hand moved with world events, chronicling pandemic and politics. It reached into the past, taking inspiration from history, and escaped grim reality through flights of vivid imagination and studies of the natural world. The drawings became a way of charting time, of moving forward, and maintaining connection at a time of isolation. This remarkable collection of words and drawings from the acclaimed author of Little and The Swallowed Man charts a tumultuous year in pencil, finding beauty amid the horror of extraordinary times.

Natural law, according to Thomas Aquinas, has its foundation in the evidence and operation of natural, human reason. Its primary precepts are self-evident. Awareness of these precepts does not presuppose knowledge of, or even belief in, the existence of God. The most interesting criticisms of Thomas Aquinas’s natural-law teaching in modern times have been advanced by the political philosopher Leo Strauss and his followers. The purpose of this book is to show that these criticisms are based on misunderstandings and that they are inconclusive at best. Thomas Aquinas’s natural-law teaching is fully rational. It is accessible to man as man.