"This novel in verse is a powerful first-person account of Misael Martâinez, a Salvadoran boy whose family joins the caravan heading north to the United States. We learn all the different reasons why people feel the need to leave -- the hope that lies behind their decision, but also the terrible sadness of leaving home. We learn about how far and hard the trip is, but also about the kindness of those along the way. Finally, once the caravan arrives in Tijuana, Misael and those around him are relieved. They think they have arrived at the goal of the trip -- to enter the United States. But then tear gas, hateful demonstrations, force and fear descend on these vulnerable people. The border is closed. The book ends with Misael dreaming of El Salvador. This beautiful and timely story is written in simple but poetic verse by Jorge Argueta, the award-winning author of Somos como las nubes / We Are Like the Clouds. Award-winning Mexican illustrator Manuel Monroy illuminates Misael's journey. An author's note is included, along with a map showing the caravan's route."--

An urgent and eloquent account of a boy traveling in a caravan from his beloved homeland of El Salvador to the US border. This novel in verse is a powerful first-person account of Misael Martínez, a Salvadoran boy whose family joins the caravan heading north to the United States. We learn all the different reasons why people feel the need to leave — the hope that lies behind their decision, but also the terrible sadness of leaving home. We learn about how far and hard the trip is, but also about the kindness of those along the way. Finally, once the caravan arrives in Tijuana, Misael and those around him are relieved. They think they have arrived at the goal of the trip — to enter the United States. But then tear gas, hateful demonstrations, force and fear descend on these vulnerable people. The border is closed. The book ends with Misael dreaming of El Salvador. This beautiful and timely story is written in simple but poetic verse by Jorge Argueta, the award-winning author of Somos como las nubes / We Are Like the Clouds. Award-winning Mexican illustrator Manuel Monroy illuminates Misael’s journey. An author’s note is included, along with a map showing the caravan’s route. Key Text Features author’s note map illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.4.3 Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text (e.g., a character's thoughts, words, or actions).

Fourteen-year-old Debu sets off across the high mountain passes from Kumaon to Tibet to search for his father who got lost in a blizzard the year before. Adventures follow thick and fast—a forced stay in a monastery with a boy lama who takes a fancy to him, his capture by the cruel, enigmatic bandit Nangbo, who has magical powers, and a stay in the legendary goldfields of Thok Jalong. And finally—a heart-pounding, breathtaking horse race. Does Debu find his father. Does he win the race? Pick up this page-turner to find out!

THE FAIRY CARAVAN is the story of a miniature circus, William and Alexander's Travelling Circus. It is no ordinary circus, for Alexander is a highland terrier and William is Pony Billy who draws the caravan. Beatrix Potter wrote this chapter book for older children towards the end of her writing career. She wrote it for her own pleasure and at the request of friends in America who shared her love of the Lake District and north country tales.

Join the caravan for an exciting year-long trek along China's ancient Silk Road. Following the rhyming, treasure-filled story are informational endnotes about the history of the Silk Road, the story of silk, important cities of China, and a full-spread map. Ages: 4-10 Colour illustrations

Issued in conjunction with the exhibition Caravans of Gold, Fragments in Time, held January 26, 2019-July 21, 2019, Mary and Leigh Block Museum of Art, Northwestern University, Evanston, Illinois.

“A lushly romantic adventure story set in the North African desert in 1914, told by the impeccable Lady Treal as she reminisces in her London town house about her decidedly peccable past . . . Well-written, expertly plotted, perfectly paced.”—Newsday With her anthropologist husband murdered and their caravan stolen by fierce Tuareg tribesmen, Caressa has two choices: death or a life of slavery. Concealing her dangerous beauty beneath the faded robes of an Arab boy, she embarks on the adventure of her life, harassed by vicious nomads, slave traders and the envious witch doctor, Isa. Only a handful of carnival magic tricks stands between her and oblivion. Then she discovers an inner magic so mysteriously compelling that the desert people call her a sorceress. . . . “Sheer reading pleasure.”—Publishers Weekly

By the time most Americans see the presidential candidates on the campaign trail, they are practiced performers surrounded by a platoon of staffers and a brigade of reporters. But on their initial forays into Iowa and New Hampshire in 2002 and early 2003, their entourages were decidedly unpresidential--just an aide or two, perhaps a local reporter, and the candidate himself. Their motorcades were literally one-car caravans; their campaign stops, small gatherings in living rooms. The national media only intermittently follow the candidates as they struggle to define themselves, work out the kinks in their message and refine their personas. But Walter Shapiro did. One-Car Caravan is Shapiro's revealing account of the humble roots of the current presidential campaign, and he provides a telling picture of the 2004 Democratic contenders in their metaphorical boxers and briefs. He shows us John Kerry, Dick Gephardt, Joe Lieberman, John Edwards, Howard Dean, and the others with their hair down, their ties askew, and their foibles bared. It's not pretty to watch a candidate who dreams of flying on Air Force One bump his head on a luggage bin on a small commuter jet, but it can be pretty funny.

Abdallah Azzam, the Palestinian cleric who led the mobilization of Arab fighters to Afghanistan in the 1980s, played a crucial role in the internationalization of the jihadi movement. Killed in mysterious circumstances in 1989 in Peshawar, Pakistan, he remains one of the most influential jihadi ideologues of all time. Here, in the first in-depth biography of Azzam, Thomas Hegghammer explains how Azzam came to play this role and why jihadism went global at this particular time. It traces Azzam's extraordinary life journey from a West Bank village to the battlefields of Afghanistan, telling the story of a man who knew all the leading Islamists of his time and frequented presidents, CIA agents, and Cat Stevens the pop star. It is, however, also a story of displacement, exclusion, and repression that suggests that jihadism went global for fundamentally local reasons.

Barnes & Noble "Discover Great New Writers" Seasonal PickAn American's life-or-death adventure to the salt mines of the Sahara Desert