Glowing green and bold as brass, Cara the ghost girl gives Jonathan's life a shake-up! She teaches Jonathan's nasty classmates a lesson with her pranks, and the child-hating caretaker of his apartment building, Mrs Krakenhuber, also gets a taste of Caras ghostly powers. With his new green friend, Jonathan finally gets to have fun again, and the move to Berlin turns out to be not so bad. But then Cara suddenly loses her powers, and Jonathan must do everything he can to help her...

Jonathan is hugely excited. He’s about to go on a class trip to an old castle. And the best part: his glowing green friend Cara, the ghost girl, is coming too! What with their disorganised teacher Mr Bierbacher and Cara’s ghost pranks, it’s going to be great fun. But it soon becomes clear that the castle is haunted! What Jonathan can’t grasp is that the person who’s most afraid is Cara! What kind of ghoulish spectre can make even a ghost girl scared?

A teachers' wedding that’ll give you the creeps It's a very special day. Not only are Jonathan's teachers getting married, they're having a Halloween wedding. The students are all allowed to come in spooky costumes! Jonathan's best friend, Cara, the glowing green ghost girl, is the only one who doesn't have to dress up for a change. But then some nasty ghost pranks plunge the celebration into chaos. Together with vampire girl Varella, Jonathan and Cara are hot on the heels of the culprit when suddenly the bride disappears from her own wedding.

A fire engulfs the stage. Dead Dogs Howl guitarist, vocalist, and songwriter, Erik Devon survives, but scarred, his voice destroyed, his memory in shards. Presumed dead, he is blamed for the deaths of band members and crew. Forced into hiding, a ghost of his former self, Devon watches other musicians perform at his club. Then, one day, he hears her voice. Cara Friday pays homage to her dead idol by emulating Devon's style and performing his music. Discovered by the manager of Dead Dogs Howl, Cara is groomed to keep Devon's career alive, singing only his songs. How long will Devon's ghost haunt her? How long can she be his voice without losing her own? But someone is watching over Cara Friday's career. Someone in the shadows waits and listens. GHOST SONG adapts the tragic story of the Phantom of the Opera and brings it into the world of contemporary rock.

NOMINATED FOR A SHIRLEY JACKSON AWARD AND BRITISH FANTASY AWARD "This rich and masterful collection of horror highlights both up-and-coming and established authors in an interesting twist on the standard anthology [...] Highly recommended for longstanding horror fans and those readers who may not think horror is for them. There is something for everyone in this one." — Booklist This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. It is the first of what will hopefully become an annual, non-themed horror anthology of entirely original stories, showcasing the very best short fiction that the genre has to offer. Contents List: BUTTERFLY ISLAND by C.J. Tudor RESEARCH by Tim Lebbon SWANSKIN by Alison Littlewood THAT’S THE SPIRIT by Sarah Lotz GAVE by Michael Bailey WHEREVER YOU LOOK by Ramsey Campbell SAME TIME NEXT YEAR by Angela Slatter MINE SEVEN by Elana Gomel IT DOESN’T FEEL RIGHT by Michael Marshall Smith CREEPING IVY by Laura Purcell LAST RITES FOR THE FOURTH WORLD by Rick Cross WE ALL COME HOME by Simon Bestwick THE IMPORTANCE OF ORAL HYGIENE by Robert Shearman BOKEH by Thana Niveau MURDER BOARD by Grady Hendrix ALICE’S REBELLION by John Langan THE MIRROR HOUSE by Jonathan Robbins Leon THE NAUGHTY STEP by Stephen Volk A HOTEL IN GERMANY by Catriona Ward BRANCH LINE by Paul Finch FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

Cemetery Boys meets Legendborn in this thrillingly romantic, irresistibly fun YA contemporary fantasy debut following a teenage Chinese American ghost speaker who (reluctantly) makes a deal to raise her nemesis from the dead. Cara Tang doesn’t want to be haunted. Look, the dead have issues, and Cara has enough of her own. Her overbearing mother insists she be the “perfect” Chinese American daughter—which means suppressing her ghost-speaking powers—and she keeps getting into fights with Zacharias Coleson, the local golden boy whose smirk makes her want to set things on fire. Then she stumbles across Zach’s dead body in the woods. He’s even more infuriating as a ghost, but Cara’s the only one who can see him—and save him. Agreeing to resurrect him puts her at odds with her mother, draws her into a dangerous liminal world of monsters and magic—and worse, leaves her stuck with Zach. Yet as she and Zach grow closer, forced to depend on each other to survive, Cara finds the most terrifying thing is that she might not hate him so much after all. Maybe this is why her mother warned her about ghosts. Delightful and compulsively readable, this contemporary fantasy has something for every reader: a snarky voice, a magnetic enemies-to-lovers romance, and a spirited adventure through a magical, unpredictable world hidden within our own.

WHAT READERS ARE SAYING ABOUT THE FREAK HOUSE BOOKS "This was one fantastic read! A really fascinating story which I couldn't put down, so this is easily a 5 stars. Isn't there a 6 star option?" ~ reviewer Corazie "Excellent read that sucks you in till the end" ~ reviewer Moon Cat "Fantastic Gothic Mystery." ~ reviewer Karen Fowler DESCRIPTION Cara Moreau is dying from a supernatural curse. Her only chance of survival lies with the warrior, an enigmatic man who comes from a realm "in between." Quin St. Clair lived hundreds of years ago, but now exists solely to protect the world he once called home. That's all he will tell Cara, the woman he must keep alive by remaining close to her. Very close. But Cara is determined to discover more answers as she grows to like her warrior. While they search for the book of spells and the cure contained within its pages, their feelings for one another can no longer be denied. But what will happen when Cara is cured and Quin's assignment is complete? And can she trust this mysterious man with the book if they find it? As friends and family from the previous Freak House novels help them, and old and new foes vie for power, Quin and Cara must not allow their feelings to get in the way of their task. Or Cara's life, and Quin's afterlife, may be cut short. GHOST GIRL is the start of the 3rd Freak House Trilogy. You do not have to read the 1st and 2nd trilogies to enjoy the 3rd. Keywords: ghosts, spirits, paranormal romance, paranormal fantasy, historical fantasy, victorian era, victorian historical romance, interracial, diverse, demons, mediums, historical paranormal, woman of color

In Cara Robertson’s “enthralling new book,” The Trial of Lizzie Borden, “the reader is to serve as judge and jury” (The New York Times). Based on twenty years of research and recently unearthed evidence, this true crime and legal history is the “definitive account to date of one of America’s most notorious and enduring murder mysteries” (Publishers Weekly, starred review). When Andrew and Abby Borden were brutally hacked to death in Fall River, Massachusetts, in August 1892, the arrest of the couple’s younger daughter Lizzie turned the case into international news and her murder trial into a spectacle unparalleled in American history. Reporters flocked to the scene. Well-known columnists took up conspicuous seats in the courtroom. The defendant was relentlessly scrutinized for signs of guilt or innocence. Everyone—rich and poor, suffragists and social conservatives, legal scholars and laypeople—had an opinion about Lizzie Borden’s guilt or innocence. Was she a cold-blooded murderess or an unjustly persecuted lady? Did she or didn’t she? An essential piece of American mythology, the popular fascination with the Borden murders has endured for more than one hundred years. Told and retold in every conceivable genre, the murders have secured a place in the American pantheon of mythic horror. In contrast, “Cara Robertson presents the story with the thoroughness one expects from an attorney…Fans of crime novels will love it” (Kirkus Reviews). Based on transcripts of the Borden legal proceedings, contemporary newspaper accounts, unpublished local accounts, and recently unearthed letters from Lizzie herself, The Trial of Lizzie Borden is “a fast-paced, page-turning read” (Booklist, starred review) that offers a window into America in the Gilded Age. This “remarkable” (Bustle) book “should be at the top of your reading list” (PopSugar).

Two families - and their secrets . . . A superb Liverpool saga from bestselling author Maureen Lee In Liverpool, on a stormy September night in 1920, two women from very different backgrounds give birth to daughters in the same house. Enemies at first, they later become friends when separate troubles unite them. But friendship between their daughters, Cara and Sybil, is a different matter. Nineteen years later, at the beginning of the Second World War, Cara and Sybil find themselves thrown together when they enlist and are both stationed in Malta. It is a time of live-changing repercussions for them both while, back home in Liverpool, the bombs rain down on a defiant city.

A moving, inter-war family saga The German Boy from Patricia Wastvedt, the Orange Prize Longlisted author of The River. In 1947, Elisabeth Mander's German nephew comes to stay: Stefan Landau, her dead sister's teenage son, whom she hates and loves before she's even set eyes on him. Orphaned by the war and traumatised by the last, vicious battles of the Hitler Youth, Stefan brings with him to England only a few meagre possessions. Among them a portrait of a girl with long copper hair by a young painter called Michael Ross - and with it the memory, both painful and precious, of her life and that time between the wars. Spanning decades and generations, The German Boy tells the moving story of two families entangled by love and friendship, divided by prejudice and war, and of a brief encounter between a woman and a man that touched each of their lives forever. 'An absorbing literary saga ... a sophisticated and subtly woven story' Daily Mail 'Hypnotic, atmospheric and exquisitely written. A novel I won't forget' Lucinda Riley, author of Hothouse Flower 'A love story at its centre which will make your heart ache' Julia Green, author of Blue Moon 'A heart-rending story of epic proportions, thrilling and utterly captivating. I am haunted by it still' Suzannah Dunn, author of The Confession of Katherine Howard Born in 1954, Patricia Wastvedt grew up in Blackheath, south London, and spent her summers in Kent. She has a degree in Creative Arts and an MA in Creative Writing, and her first novel, The River, written in her late forties, was long-listed for the Orange Prize. She teaches at Bath Spa University, and is also a manuscript editor. She lives and writes in a cottage in Somerset.