Captain Nemo's Library Per Olov Enquist In this novel by one of Sweden's most prominent novelists and playwrights, an old man, looks back on his childhood in rural northern Sweden, attempting to unravel the meaning of a traumatic event in his past. Enquist's obsessive and haunted tale combines philosophical interludes with deeply heart-wrenching passages, creating one of the most moving fictions of the latter twentieth century.

Armed with his wits, his friends, and his Nemotech submarine, a twelve-year-old descendant of Jules Verne’s famous antihero must race against the clock to save his kidnapped mother in Quest for the Nautilus: Young Captain Nemo, the second installment in Jason Henderson's action-packed middle grade series... Gabriel Nemo has never been your normal, everyday twelve-year-old. As a descendant of the famous Captain Nemo, he’s determined to use his Nemotech legacy for good. He and his best friends Peter and Misty spend their days studying at the elite Nemo Institute and in their spare time, run rescue missions in Gabriel’s submarine The Obscure. But when a mysterious organization using advanced technology attacks the Institute and kidnaps Gabriel’s mother, he and his friends set off on a race against the clock. They must find Captain Nemo’s long-lost ship, The Nautilus, before his mother's time runs out! Praise for the Young Captain Nemo series: "There’s both futuristic and classic steampunk appeal here, admirably mixing Jules Verne lore with 007-level gadgetry. Stakes are high, the pace is fast, and there are excellent (and surprisingly subtle) messages of coping with childhood loneliness and the importance of taking care of our planet’s oceans." —Booklist on Young Captain Nemo

Armed with his wits, his friends, and his Nemotech submarine, a twelve-year-old descendant of Jules Verne’s famous antihero is determined to help make the ocean a safer place one adventure at a time in Jason Henderson's Young Captain Nemo, first in a new middle-grade series. Gabriel Nemo is not your typical 12-year-old. A descendant of the famous Captain Nemo, he spent the first years of his life living in obscurity, isolated in his parents’ peaceful underwater research lab. But with his older sister off following in their ancestor’s footsteps, sinking whalers and running away from vengeful navies, Gabriel decides it’s time to forge his own path, and use his Nemotech legacy for good. Armed only with his wits, his friends, and his Nemotech submarine, Gabriel embarks on a series of daring rescues and exciting undersea battles. But when Gabriel’s sister suddenly appears with proof of previously undiscovered sea creatures—giant beasts inhabiting wrecked war planes and ships—Gabriel and his new friends must face their biggest and most dangerous mission ever!

In Jason Henderson's The Serpent's Nest, the third and final installment of the action-packed middle grade series Young Captain Nemo, a twelve-year-old descendant of Jules Verne’s famous antihero must face down giant sea serpents and solve a centuries old mystery, armed only with his wits, his friends, and his Nemotech submarine. Gabriel Nemo has never been your normal, everyday twelve-year-old. As a descendant of the famous Captain Nemo, he’s determined to use his Nemotech legacy for good. He and his best friends, Peter and Misty, spend their days studying at the elite Nemo Institute and their spare time trying to solve the mystery of what happened to the original Captain Nemo and his crew. An engraved anchor pin from the abandoned Nautilus leads the trio to Cardiff Bay in Wales, where they find signs of mysterious underwater rescues. But before long, their search is interrupted when they cross paths with a new kind of sea serpent. Can Gabriel and his friends solve the mystery of the Serpent's Nest before things turn deadly?

"Don't you worry, son. Whatever it is that's been killing the sailors, I will kill it." In this science-fiction classic - reimagined by Dave Eggers in modern times, and from the point of view of the fourteen-year-old Consuelo - the famous oceanographer Pierre Arronax sets sail from New York to hunt down a mysterious sea-monster which has been terrorizing the oceans, wrecking ship after ship and causing countless deaths. But they discover an even stranger truth: the "sea-monster" is in fact a submarine, captained by Nemo, who is living in self-imposed exile in international waters. Consuelo and Arronax join Nemo on the submarine, and so begin their exciting adventures ... Dave Eggers says, of the series: "I couldn't be prouder to be a part of it. Ever since Alessandro conceived this idea I thought it was brilliant. The editions that they've complied have been lushly illustrated and elegantly designed."

The 9/11 attacks on America marked the beginning of a new era in history, one in which everyday safety is no longer taken for granted. But the forces that triggered those horrific actions have been in place for years -- and experts estimate that as many as 500 terrorist cells exist in America today. In The Cell, John Miller and Michael Stone follow the key agents and detectives who know their whereabouts. Listeners will join in the step-by-step process of identifying and linking suspects, as well as learn the politics and pressures, the magnitude and the feel of the greatest manhunt in the history of the world.

In the tradition of A History of Reading, this book is an account of Manguel’s astonishment at the variety, beauty and persistence of our efforts to shape the world and our lives, most notably through something almost as old as reading itself: libraries. The Library at Night begins with the design and construction of Alberto Manguel’s own library at his house in western France – a process that raises puzzling questions about his past and his reading habits, as well as broader ones about the nature of categories, catalogues, architecture and identity. Thematically organized and beautifully illustrated, this book considers libraries as treasure troves and architectural spaces; it looks on them as autobiographies of their owners and as statements of national identity. It examines small personal libraries and libraries that started as philanthropic ventures, and analyzes the unending promise – and defects – of virtual ones. It compares different methods of categorization (and what they imply) and libraries that have built up by chance as opposed to by conscious direction. In part this is because this is about the library at night, not during the day: this book takes in what happens after the lights go out, when the world is sleeping, when books become the rightful owners of the library and the reader is the interloper. Then all daytime order is upended: one book calls to another across the shelves, and new alliances are created across time and space. And so, as well as the best design for a reading room and the makeup of Robinson Crusoe’s library, this book dwells on more "nocturnal" subjects: fictional libraries like those carried by Count Dracula and Frankenstein’s monster; shadow libraries of lost and censored books; imaginary libraries of books not yet written. The Library at Night is a fascinating voyage through the mind of one our most beloved men of letters. It is an invitation into his memory and vast knowledge of books and civilizations, and throughout – though mostly implicitly – it is also a passionate defence of literacy, of the unique pleasures of reading, of the importance of the book. As much as anything else, The Library at Night reminds us of what a library stands for: the possibility of illumination, of a better path for our society and for us as individuals. That hope too, at the close, is replaced by something that fits this personal and eclectic book even better: something more fragile, and evanescent than illumination, though just as important.

An imaginative graphic novel chronicles the imaginary adventures of author Jules Verne during his writing of the classic 20,000 Leagues Under the Sea, detailing his encounters with an Indian princess on an unusual quest, an orphaned boy with a mysterious package, and an eccentric artist known for his fantastical creations.

Documentary literature became an international phenomenon on the cultural and political scene in the 1960s and 1970s. From the American New Journalism in works by such writers as Norman Mailer and Tom Wolfe to the German Industriereportagen by Günther Wallraff and others, documentarism presented a variety of controversial interplays between facts and fiction labeled as 'faction, ' 'fables of fact' or the like. Scandinavian literature made important and unique contributions to this international movement, and Documentarism in Scandinavian Literature is the first comprehensive volume ever published on the historical significance and future implications of these Nordic dimensions of documentarism and their international context. The volume is centered on Swedish documentary literature in the 1960s and 1970s -- and on such major writers as Per Olov Enquist, Sven Lindqvist, Sara Lidman, and Per Olov Sundman -- but the powerful voices of Danish writer Thorkild Hansen and Norwegian novelist Dag Solstad are also heard in its critical concert. The diversity of Documentarism in Scandinavian Literature is further enhanced by surveys and analyses of the historical background for more recent works and activities, and by theoretical inquiries into the epistemological status of documentarism, its theoretical, narrative, and theatrical devices, its predominant genres and links to other modes of mass communication, and its political affiliations and implications. For readers already familiar with its subject matter Documentarism in Scandinavian Literature offers an opportunity to revisit and recontextualize a crucial moment in their recent cultural past. For readers who have yet to be exposed to documentary works of fiction, the volume presents a timely theoretical, historical, and critical introduction to the key problematics and potentials of their novel field of interest. Whether viewed as part of the past or part of the present, documentarism remains an intellectual challenge, which this volume is aimed at addressing. Documentarism in Scandinavian Literature is edited by two Scandinavian scholars living abroad, and its essays are written by senior and junior scholars and critics from Scandinavia, Europe, and America; an interview with Per Olov Enquist and an autobio-graphical piece by Sven Lindqvist complete the volume.